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MOSES HAYIM LUZZATTO (1707-1747) , See also: Hebrew dramatist and mystic, was See also: born in See also: Padua 1707, and died at See also: Acre 1747
.
He was influenced by Isaac See also: Luria (q.v.) on the mystical See also: side, and on the poetical side by See also: Italian drama of the school of Guarini (q.v.)
.
He attacked Leon of See also: Modena's See also: ant: Kabbalistic See also: treatises, and as a result of his conflict with the Venetian Rabbinate See also: left See also: Italy for See also: Amsterdam, where, like See also: Spinoza, he maintained him-self by grinding lenses
.
Here, in 1740, he wrote his popular religious See also: manual the Path of the Upright (Messilath Yesharim) and other ethical See also: works
.
He visited See also: London, but finally settled in See also: Palestine, where he died
.
Luzzatto's most lasting See also: work is in the See also: realm of Hebrew drama
.
His best-known compositions are: the Tower of Victory (Migdal `Oz) and See also: Glory to the Upright (Layesharim Tehillah)
.
Both of these dramas, which were not printed at the See also: time but were widely circulated in See also: manuscript, are of the type which preceded the Shakespearean age—they are allegorical and all the characters are types
.
The beautiful Hebrew See also: style created a new school of Hebrew See also: poetry, and the Hebrew See also: renaissance which resulted from the career of Moses Mendelssohn owed much to Luzzatto
.
See Gratz, See also: History of the Jews, v. ch. vii
.
; I
.
Abrahams, Jewish See also: Life in the See also: Middle Ages, pp
.
19o, 268; N . Slouschz, The Renascence of Hebrew Literature, ch. i . (I . |
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