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LYCOPHRON , See also: Greek poet and grammarian, was See also: born at See also: Chalcis in Euboea
.
He flourished at Alexandria in the See also: time of See also: Ptolemy Philadeiphus (285–247 B.C.)
.
According to Suidas, he was the son of Socles, but was adopted by Lycus of Rhegium
.
He was entrusted by Ptolemy with the task of arranging the comedies in the Alexandrian library, and as the result of his labours composed a See also: treatise On See also: Comedy
.
His own compositions, however, chiefly consisted of tragedies (Suidas gives the titles of twenty, of which very few fragments have been preserved), which secured him a place in the See also: Pleiad of Alexandrian tragedians
.
One of his poems, Alexandra or See also: Cassandra, containing 1474 See also: iambic lines, has been preserved entire
.
It is in the See also: form of a prophecy uttered by Cassandra, and relates the later fortunes of Troy and of the Greek and Trojan heroes
.
References to events of mythical and later times are introduced, and the poem ends with a reference to See also: Alexander the
See also: Great, who was to unite See also: Asia and See also: Europe in his See also: world-wide See also: empire
.
The See also: style is so enigmatical as to have procured for Lycophron, even among the ancients, the title of "obscure" (aKOretvor)
.
The poem is evidently intended to display the writer's knowledge of obscure names and uncommon myths; it is full of unusual words of doubtful meaning gathered from the older poets, and many long-winded compounds coined by the author
.
It has none of the qualities of See also: poetry, and was probably written as a show-piece for the Alexandrian school
.
It was very popular in the See also: Byzantine See also: period, and was read and commented on very frequently; the collection of scholia by Isaac and See also: John
See also: Tzetzes is very valuable, and the See also: MSS. of the Cassandra are numerous.' A few well-turned lines which have been preserved from Lycophron's tragedies show a much better style; they are said to have been much admired by See also: Menedemus of See also: Eretria, although the poet had ridiculed him in a satyric drama
.
Lycophron is also said to have been a skilful writer of anagrams . Editio princeps (1513); J . See also: Potter (1697, 1702); L
.
Sebastiani (1803); L
.
Bachmann (183o); G
.
See also: Kinkel (188o); E
.
Scheer (1881–1908), vol. ii. containing the scholia
.
The most See also: complete edition is by C. von Holzinger (with See also: translation, introduction and notes, 1895)
.
There are See also: translations by F
.
Deheque (1853) and Viscount See also: Royston (1806; a See also: work of great merit)
.
See also Wilamowitz-Mollendorff, De Lycophronis Alexandra (1884); J
.
Konze, De Dictione Lycophronis (1870)
.
The commentaries of the See also: brothers Tzetzes have been edited by C
.
0
.
See also: Muller (1811)
.
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