See also:

• SIR

SIR See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

DAVID See also:

• SIR DAVID LYNDSAY (c. 1490-c. 1555)

LYNDSAY (c. 1490-c. 1555)  , Scottish poet, was the son of See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

David See also:

• LYNDSAY, SIR DAVID (c. 1490-c. 1555)

Lyndsay of the See also:

• MOUNT, WILLIAM SIDNEY (1807-1868)

Mount, near See also:

• CUPAR

Cupar-See also:

• FIFE
• FIFE (Fr. fifre; Med. Ger. Schweizerpfeiff, Feldpfeiff; Ital. ottavino)

Fife, and of Garmylton, near See also:

• HADDINGTON
• HADDINGTON, EARL OF

Haddington . His See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place of See also:

• BIRTH (a word common in various forms to Teutonic languages from the root of the verb " to bear ")

birth and his school are undetermined . It is probable that his See also:

• COLLEGE (Collegium)

college See also:

• LIFE

life was spent at St See also:

• ANDREWS, JAMES PETTIT (c. 1737–1797)
• ANDREWS, THOMAS (1813–1885)

Andrews university, on the books of which appears an entry " Da See also:

• LINDESAY, ROBERT

Lindesay " for the session 1508–1509 . He was engaged at See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court, first as an See also:

• EQUERRY (from the Fr. ecuric, a stable, through its older form escurie, from the Med. Lat. scuria, a word of Teutonic origin for a stable or shed, cf. Ger. Scheuer; the modern spelling has con-fused the word with the Lat. equus, a horse)

equerry, then as an " See also:

• USHER (O. Fr. ussier, uissier, mod. huissier, from Lat. ostiarius, a door-keeper, ostium, doorway, entrance, os, mouth)
• USHER (or USSHER), JAMES (1581-1656)

usher " to the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James, afterwards James V . In 1522 he married See also:

• JANET, PAUL (1823—1899)

Janet See also:

• DOUGLAS
• DOUGLAS, GAVIN (1474?-1522)
• DOUGLAS, JOHN (1721—1807.)
• DOUGLAS, SIR CHARLES
• DOUGLAS, SIR HOWARD
• DOUGLAS, STEPHEN ARNOLD (18,3–1861)

Douglas, a court seamstress, and seven years later was appointed See also:

• LYON, MARY MASON (1797-1849)
• LYON, NATHANIEL (1818-1861)

Lyon See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King of Arms, and knighted . He was several times engaged in See also:

• DIPLOMATIC

diplomatic business (twice on embassies abroad—to the See also:

• NETHERLANDS

Netherlands and See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France), and he was, in virtue of his heraldic See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office, a See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of ceremonies . After the See also:

• DEATH

death of James V., in 1542, he continued to sit in See also:

• PARLIAMENT (Anglo-Lat. parliamentum, Fr. parlement, from parler, to speak)

parliament as See also:

• COMMISSIONER

commissioner for Cupar-Fife; and in 1548 he was member of a See also:

• MISSION

mission to See also:

• DENMARK
• DENMARK (Danmark)

Denmark which obtained certain privileges for Scottish merchants . There is See also:

• REASON (Lat. ratio, through French raison)

reason to believe that he died in or about 1555 . Most of Lyndsay's See also:

• LITERARY

literary See also:

• WORK

work, by which he secured See also:

• GREAT

great reputation in his own See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day and by which he still lives, was written during the See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period of prosperity at court . In this respect he is unlike his predecessor Gavin Douglas (q.v.), who forsook literature when he became a politician . The explanation of the difference is partly to be found in the fact that Lyndsay's muse was more occasional and satirical, and that the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time was suitable to the exercise of his See also:

• SPECIAL

special gifts . It is more difficult to explain how he enjoyed a freedom of speech which is without parallel even in more secure times .

He chastised all classes, from his royal master to the most See also:

• SIMPLE

simple . There is no See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

evidence that he abjured Catholicism; yet his leading purpose was the exposure of its errors and abuses . His aid was readily accepted by the reforming party, and by their use of his work he shared with their leaders throughout many generations a reputation which is almost exclusively See also:

• POLITICAL

political and ecclesiastical . Lyndsay's longer poems are The Dreme (1134 lines), The Testament and Complaynt of the Papynago (1190 lines), The Testament of Squyer Meldrum (1859 lines), Ane Dialog betwix Experience and ane Courteour of the Miserabyll Estait of the See also:

• WORLD

World (6333 lines), and Ane Pleasant Satyre of the Thrie Estaitis (over 4000 lines) . These represent, with reasonable completeness, the range of Lyndsay's literary See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent . No single poem can give him a See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief place, though here and there, especially in the last, he gives hints of the highest competence . Yet the corporate effect of these pieces is to secure for him the See also:

• ALLOWANCE (from "allow,' derived through 0. Fr. alouer from the two Lat. origins adlaudare, to praise, and allocare, to assign a place; so that the English word combined the general idea of "assigning with approval")

allowance of more than See also:

• MERE
• MERE, ADALBERT (1838-1909)

mere intellectual vigour and See also:

• COMMON

common sense . There is in his craftsmanship, in his readiness to apply the traditional methods to contemporary requirements, something of that accomplishment which makes even the second-See also:

• RATE

rate See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of letters interesting . Lyndsay, the last of the Makars, is not behind his See also:

• FELLOW

fellow-poets in See also:

• ACKNOWLEDGMENT (from the old acknow, a compound of on- and know, to know by the senses, which passed through the forms oknow, aknow and acknow; acknowledge is formed on analogy of " knowledge ")

acknowledgment to See also:

• CHAUCER, GEOFFREY (? 1340-1400)

Chaucer . As piously as they, he reproduces the master's forms; but in him the sentiment and outlook have suffered See also:

• CHANGE (derived through the Fr. from the Late Lat. cambium, cambiare, to barter; the ultimate derivation is probably from the root which appears in the Gr. «a urmu', to bend)

change . His nearest approach to Chaucer is in The Testament of Squyer Meldrum, which recalls the See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

sketch of the " young See also:

• SQUIRE

squire "; but the See also:

• REMINISCENCE (from Lat. reminisci, to remember)

reminiscence is verbal rather than spiritual . Elsewhere his memory serves him less happily, as when he describes the See also:

• ARRAY (from the O. Fr. areyer, Med. Lat. arredare, to get ready)

array of the lamented See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen Magdalene in the words which Chaucer had applied to the eyes of his wanton See also:

• FRIAR (from the Lat. (rater, through the Fr. frere)

Friar .

So too, in the Dreme, the allegorical tradition survives only in the See also:

• FORM (Lat. forma)

form . " Remembrance " conducts the poet over the old-world itinerary, but only to See also:

• LEAD
• LEAD (pronounced iced)

lead him to See also:

• SPECULATION

speculation on See also:

• SCOTLAND
• SCOTLAND, CHURCH OF
• SCOTLAND, EPISCOPAL CHURCH OF

Scotland's woes and to an " Exhortatioun to the Kingis See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

Grace " to bring See also:

• RELIEF

relief . The See also:

• TENOR (through Fr. and It. from Lat. tenor, holding on, course, sense of a law, tone)

tenor is well expressed in the See also:

• MOTTO (an Italian word, from Late Lat. muttum, a low sound, a mutter or murmur, cf. mutere, to mutter; the Latin word also gives Fr. mot, word)

motto from the See also:

• VULGATE (from Lat. vulgus, the common people)

Vulgate— " Prophetias nolite spernere. amnia autem See also:

• PROBATE

probate: quod bonum est tenete." This didactic See also:

• HABIT (through the French from Lat. habitus, from habere, to have, hold, or, in a reflective sense, to be in a certain condition; in many of the English senses the French use habitude, not habit)

habit is freely exercised in the See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long Dialog (sometimes called the Monarche), a universal See also:

• HISTORY

history of the See also:

• MEDIEVAL

medieval type, in which the falls of princes by corruption See also:

• SUPPLY (through Fr. from Lat. supplere, to fill up)

supply an See also:

• OBJECT

object See also:

• LESSON (through Fr. lecon from Lat. lectio, reading; legere, to read)

lesson to the unreformed See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of his day . The Satyre is more See also:

• DIRECT

direct in its attack on ecclesiastical abuse; and its dramatic form permits more lively treatment . This piece is of great See also:

• HISTORICAL

historical See also:

• INTEREST

interest, being the only extant example of a See also:

• COMPLETE

complete Scottish morality . It is in respect of literary quality Lyndsay's best work, and in dramatic construction and delineation of See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character it holds a high place in this genre . The farcical interludes (in places too coarse for See also:

• MODERN

modern See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste) supply many touches of genuine See also:

• COMEDY

comedy; and throughout the See also:

• PLAY

play there are passages, as in the speeches of Veritie in the First See also:

• PART

Part and of See also:

• DAME
• DAME (through the Fr. from Lat. domina, mistress, lady, the feminine of dominus, master, lord)

Dame Chastitie in the " Interlude of the Sowtar and the See also:

• TAYLOR
• TAYLOR, ANN (1782-1866)
• TAYLOR, BAYARD (1825–1878)
• TAYLOR, BROOK (1685–1731)
• TAYLOR, ISAAC (1787-1865)
• TAYLOR, ISAAC (1829-1901)
• TAYLOR, JEREMY (1613-1667)
• TAYLOR, JOHN (158o-1653)
• TAYLOR, JOHN (1704-1766)
• TAYLOR, JOSEPH (c. 1586-c. 1653)
• TAYLOR, MICHAEL ANGELO (1757–1834)
• TAYLOR, NATHANIEL WILLIAM (1786-1858)
• TAYLOR, PHILIP MEADOWS (1808–1876)
• TAYLOR, ROWLAND (d. 1555)
• TAYLOR, SIR HENRY (1800-1886)
• TAYLOR, THOMAS (1758-1835)
• TAYLOR, TOM (1817-1880)
• TAYLOR, WILLIAM (1765-1836)
• TAYLOR, ZACHARY (1784-1850)

Taylor," in which word and See also:

• LINE

line are happily conceived . The Testament of the Papyngo (See also:

• POPINJAY (O. Fr. papegai, or popingay, onomatopoeic, original)

popinjay), See also:

• DRAWN

drawn in the See also:

• FAMILIAR (through the Fr. familier, from Lat. familiaris, of or belonging to the familia, family)

familiar medieval manner, is another See also:

• TRACT (from Lat. tractare, to treat of a matter, through Provencal tractat and Ital. trattato)

tract for the time, full of admonition to court and See also:

• CLERGY (M.E. clergie, O. Fr. clergie, from Low Lat. form clericia [Skean, by assimilation with O. Fr. clergie, Fr. clerge,from Low Lat. clericatus)
• CLERGY, BENEFIT OF

clergy . Of his shorter pieces, The Complaynt and Publict Confessions of the Kingis Auld See also:

• HOUND

Hound, callit Bagsche, directit to Bawtie, the Kingis best belovit See also:

• DOG

Dog, and his companyeonis, and the See also:

• ANSWER (derived from and, against, and the same root as swear)

Answer to the Kingis Flyting have a like See also:

• PULPIT (from Lat. pulpitum, a staging, platform: equivalents are Fr. chaire d'eglise, Ital. pulpito, Ger. Kanzel)

pulpit resonance . The former is interesting as a forerunner tf See also:

• BURNS, JOHN (1858– )
• BURNS, ROBERT (1759-1796)
• BURNS, SIR GEORGE

Burns's See also:

• DEVICE

device in the " Twa See also:

• DOGS, ISLE OF

Dogs." The Deploratioun of the Deith of Queen Magdalene is in the extravagant See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of See also:

• COMMEMORATION

commemoration illustrated in See also:

• DUNBAR, GEORGE (1774—1851)
• DUNBAR, PAUL LAURENCE (1872–1906)
• DUNBAR, WILLIAM (c. 1460-c. 1520)

Dunbar's See also:

• ELEGY

Elegy on the See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord Aubigny . The Justing betwix James Watsoun and Jhone See also:

• BARBOUR, JOHN (? 1316-1395)

Barbour is a contribution to the popular taste for boisterous fun, in spirit, if not in form, akin to the Christis See also:

• KIRK, SIR JOHN (1832- )

Kirk on the Grene See also:

• SERIES (a Latin word from serere, to join)

series; and indirectly, with Dunbar's Turnament and Of ane Blak-See also:

• MOIR, DAVID MACBETH (1798—1851)

Moir, a See also:

• BURLESQUE (Ital. burlesco, from burla, a joke, fun, playful trick)

burlesque of the courtly tourney . Lyndsay approaches Dunbar in his See also:

• SATIRE (Lat. satira, satura; see below)

satire The Supplicatioun in contemptioun of syde taillis (" wide " trains of the ladies), which recalls the older poet's realistic lines on the filthy See also:

• CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

condition of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city streets .

In Lyndsay's Descriptioun of Pedder Coffeis (pedlars) we have an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early example of the studies in vulgar life which are so plentiful in later Scottish literature . In Kitteis Confessioun he returns, but in more sprightly See also:

• MOOD

mood, to his attack on the church . In Lyndsay we have the first literary expression in Scotland of the See also:

• RENAISSANCE, THE

Renaissance . His interest lies on the theological See also:

• SIDE
• SIDE (mod. Eski Adalia)

side of the revival; he is in no sense a humanist, and he is indifferent to the See also:

• ARTISTIC

artistic claims of the See also:

• MOVEMENT

movement . Still he appeals to the principle which is fundamental to all . He demands first-See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand impression . He feels that men must get their lesson direct, not from intermediaries who understand the originals no more " than they do the ravyng of the rukis." Hence his persistent plea for the See also:

• VERNACULAR (Lat. verna, dim. vernaculus, a slave horn in his master's house)

vernacular, nowhere more directly put than in the Dialog, in the " Exclamatioun to the Redar, toucheyng the wrytting of the vulgare and maternall See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language." Though he is concerned only in the theological and ecclesiastical application of this, he undoubtedly stimulated the use of the vernacular in a Scotland which in all literary matters beyond the concern of the irresponsible poet still used the lingua franca of See also:

• EUROPE

Europe . A complete edition of Lyndsay's poetical See also:

• WORKS

works was published by David See also:

• LAING, ALEXANDER GORDON (1793–1826)
• LAING, DAVID (1793–1878)
• LAING, MALCOLM (1762-1818)
• LAING, SAMUEL (1810-1897)

Laing in 3 vols. in 1879 . This was anticipated during the See also:

• PROCESS

process of preparation by a cheaper edition (slightly expurgated) by the same editor in 1871 (2 vols.) . The E.E.T.S. issued the first part of a complete edition in 1865 (ed . F . See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall) .

Five parts have appeared, four edited by F . Hall, the fifth by J . A . H . See also:

• MURRAY
• MURRAY (or MORAY), EARLS OF
• MURRAY (or MORAY), JAMES STUART, EARL OF (c. 1531-1570)
• MURRAY (or MORAY), SIR ROBERT (c. 1600-1673)
• MURRAY, ALEXANDER STUART (1841-1904)
• MURRAY, DAVID (1849– )
• MURRAY, EUSTACE CLARE GRENVILLE (1824–1881)
• MURRAY, JAMES (c. 1719-1794)
• MURRAY, JOHN
• MURRAY, JOHN (1778–1820)
• MURRAY, LINDLEY (1745–1826)
• MURRAY, LORD GEORGE (1694–1760)
• MURRAY, SIR JAMES AUGUSTUS HENRY (1837– )
• MURRAY, SIR JOHN (1841– )

Murray . For the bibliography see Laing's 3 vol. edition, u.s. iii. pp . 222 et seq., and the E.E.T.S. edition passim . See also the See also:

• EDITIONS

editions by See also:

• PINKERTON, ALLAN (1819–1884)
• PINKERTON, JOHN (1758–1826)

Pinkerton (1792), See also:

• SIBBALD, SIR ROBERT (1641-1722)

Sibbald (1803), and See also:

• CHALMERS, ALEXANDER (1759-1834)
• CHALMERS, GEORGE (1742-1825)
• CHALMERS, GEORGE PAUL (1836-1878)
• CHALMERS, JAMES (1841-1901)
• CHALMERS, THOMAS (1780-1847)

Chalmers (1806); and the See also:

• CRITICAL (in alphabetical order of authors)

critical ac-See also:

• COUNTS

counts in See also:

• HENDERSON
• HENDERSON, ALEXANDER (1583-1646)
• HENDERSON, EBENEZER (1784-1858)
• HENDERSON, GEORGE FRANCIS ROBERT (1854-1903)
• HENDERSON, JOHN (1747-1785)

Henderson's Scottish Vernacular Literature (1898), See also:

• GREGORY
• GREGORY (Gregorius)
• GREGORY (Grigorii) GRIGORIEVICH ORLOV, COUNT (1734-1783)
• GREGORY, EDWARD JOHN (1850-19o9)
• GREGORY, OLINTHUS GILBERT (1774—1841)
• GREGORY, ST (c. 213-C. 270)
• GREGORY, ST, OF NAZIANZUS (329–389)
• GREGORY, ST, OF NYSSA (c.331—c. 396)
• GREGORY, ST, OF TOURS (538-594)

Gregory See also:

• SMITH
• SMITH, ADAM (1723–1790)
• SMITH, ALEXANDER (183o-1867)
• SMITH, ANDREW JACKSON (1815-1897)
• SMITH, CHARLES EMORY (1842–1908)
• SMITH, CHARLES FERGUSON (1807–1862)
• SMITH, CHARLOTTE (1749-1806)
• SMITH, COLVIN (1795—1875)
• SMITH, EDMUND KIRBY (1824-1893)
• SMITH, G
• SMITH, GEORGE (1789-1846)
• SMITH, GEORGE (184o-1876)
• SMITH, GEORGE ADAM (1856- )
• SMITH, GERRIT (1797–1874)
• SMITH, GOLDWIN (1823-191o)
• SMITH, HENRY BOYNTON (1815-1877)
• SMITH, HENRY JOHN STEPHEN (1826-1883)
• SMITH, HENRY PRESERVED (1847– )
• SMITH, JAMES (1775–1839)
• SMITH, JOHN (1579-1631)
• SMITH, JOHN RAPHAEL (1752–1812)
• SMITH, JOSEPH, JR
• SMITH, MORGAN LEWIS (1822–1874)
• SMITH, RICHARD BAIRD (1818-1861)
• SMITH, ROBERT (1689-1768)
• SMITH, SIR HENRY GEORGE WAKELYN
• SMITH, SIR THOMAS (1513-1577)
• SMITH, SIR WILLIAM (1813-1893)
• SMITH, SIR WILLIAM SIDNEY (1764-1840)
• SMITH, SYDNEY (1771-1845)
• SMITH, THOMAS SOUTHWOOD (1788-1861)
• SMITH, WILLIAM (1769-1839)
• SMITH, WILLIAM (c. 1730-1819)
• SMITH, WILLIAM (fl. 1596)
• SMITH, WILLIAM FARRAR (1824—1903)
• SMITH, WILLIAM HENRY (1808—1872)
• SMITH, WILLIAM HENRY (1825—1891)
• SMITH, WILLIAM ROBERTSON (1846-'894)

Smith's Transition Period (1900), and J . H . See also:

• MILLAR, ANDREW (1707-1768)

Millar's Literary History of Scotland (1903) . A professional work prepared by Lyndsay in the Lyon Office, entitled the See also:

• REGISTER

Register of Scottish Arms (now preserved in MS. in the See also:

• ADVOCATES, FACULTY OF

Advocates' Library), was printed in 1821 and reprinted in 1878 . It remains the most authoritative document on Scottish See also:

• HERALDRY

heraldry .

(G . G .