LYSIPPUS  , See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek sculptor, was See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head of the school of See also:

• ARGOS

Argos and See also:

• SICYON, or SECYON (the latter being the older form used by the natives)

Sicyon in the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip and See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander of Macedon . His See also:

• WORKS

works are said to have numbered 1500, some of them See also:

• COLOSSAL

colossal . Some accounts make him the continuer of the school of See also:

• POLYCLITUS

Polyclitus; some represent him as self-taught . The See also:

• MATTER

matter in which he especially innovated was the proportions of the malehuman See also:

• BODY

body; he made the head smaller than his predecessors, the body more slender and hard, so as to give the impression of greater height . He also took See also:

• GREAT

great pains with See also:

• HAIR (a word common to Teutonic languages)

hair and other details . See also:

• PLINY, THE ELDER
• PLINY, THE YOUNGER

Pliny (N.H . 34, 61) and other writers mention many of his statues . Among the gods he seems to have produced new and striking types of See also:

• ZEUS

Zeus (probably of the Otricoli class), of See also:

• POSEIDON

Poseidon (compare the Poseidon of the Lateran, See also:

• STANDING

standing with raised See also:

• FOOT

foot), of the See also:

• SUN
• SUN (0. Eng. sonne, Ger. sonne. Fr. soleil, Lat. sol, Gr. ijXior, from which comes helio- in various English compounds)

Sun-See also:

• GOD

god and others; many of these were colossal figures in See also:

• BRONZE

bronze . Among heroes he was specially attracted by the mighty physique of See also:

• HERCULES
• HERCULES (0. Lat. Hercoles, Hercles)

Hercules . The Hercules See also:

• FARNESE
• FARNESE, ALEXANDER (1545-1592)
• FARNESE, ELIZABETH (1692-1766)

Farnese of See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples, though signed by Glycon of See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens, and a later and exaggerated transcript, owes something, including the See also:

• MOTIVE (from Lat. movere, to move)

motive of See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest after labour, to Lysippus . Lysippus made many statues of Alexander the Great, and so satisfied his See also:

• PATRON

patron, no doubt by idealizing him, that he became the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court sculptor of the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king, from whom and from whose generals he received many commissions . The extant portraits of Alexander vary greatly, and it is impossible to determine which among them go back to Lysippus .

The remarkable head from See also:

• ALEXANDRIA
• ALEXANDRIA (Arab. Iskenderia)

Alexandria (See also:

• PLATE

Plate II. fig . 56, in GREEK See also:

• ART

ART) has as See also:

• GOOD, JOHN MASON (1764-1827)

good a claim as any . As head of the great athletic school of Peloponnese Lysippus naturally sculptured many athletes; a figure by him of a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man scraping himself with a strigil was a great favourite of the See also:

• ROMANS
• ROMANS, EPISTLE TO THE

Romans in the time of Tiberius (Pliny, N.H . 34, 61); and this has been usually regarded as the See also:

• ORIGINAL

original copied in the Apoxyomenus of the Vatican (GREEK ART, Plate VI. fig . 79) . If so, the copyist has modernized his copy, for some features of the Apoxyomenus belong to the Hellenistic See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age . With more certainty we may see a copy of an See also:

• ATHLETE (Gr. aOX177'7r; Lat. athleta)

athlete by Lysippus in the statue of Agias found at See also:

• DELPHI (the Pytho of Homer and Herodotus; in Boeotian inscriptions BeA4oi, on coins Aa)tg5oi)

Delphi (GREEK ART, Plate V. fig . 74), which is proved by See also:

• INSCRIPTIONS (from Lat. inscribere, to write upon)

inscriptions to be a replica in See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble of a bronze statue set up by Lysippus in See also:

• THESSALY

Thessaly . And when the Agias and the Apoxyomenus are set See also:

• SIDE
• SIDE (mod. Eski Adalia)

side by side their See also:

• DIFFERENCES, CALCULUS OF (Theory of Finite Differences)

differences are so striking that it is difficult to attribute them to the same author, though they may belong to the same school . (P .