See also:GUILLAUME DE See also:MACHAUT (c. 1300-1377)
, See also:French poet and musician, was See also:born in the See also:village of See also:Machault near See also:Rethel in See also:Champagne
.
See also:Machaut tells us that he served for See also:thirty years the adventurous See also:John of Luxembourg, See also:- KING
- KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
- KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
- KING, CHARLES WILLIAM (1818-1888)
- KING, CLARENCE (1842–1901)
- KING, EDWARD (1612–1637)
- KING, EDWARD (1829–1910)
- KING, HENRY (1591-1669)
- KING, RUFUS (1755–1827)
- KING, THOMAS (1730–1805)
- KING, WILLIAM (1650-1729)
- KING, WILLIAM (1663–1712)
king of Bohemia
.
He followed his See also:master to See also:Russia and See also:Poland, and, though of peaceful tastes himself, saw twenty battles and a See also:hundred tourneys
.
When John was killed at See also:Crecy in 1346 Machaut was received at the See also:court of See also:Normandy, and on the See also:accession of John the See also:Good to the See also:throne of See also:France (1350) he received an See also:- OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")
office which enabled him to devote himself thenceforth to See also:music and See also:poetry
.
Machaut wrote about 1348 in See also:honour of See also:Charles III., king of See also:Navarre, a See also:long poem much admired by contemporaries, Le Jugement du roi de Navarre
.
When Charles was thrown into See also:prison by his See also:father-in-See also:law, King John, Machaut addressed him a Contort d'ami to See also:console him for his enforced separation from his See also:young wife, then aged fifteen
.
This was followed about 1370 by a poem of 9000 lines entitled La Prise d'Alexandrie, one of the last See also:chronicles See also:cast in this See also:form
.
Its See also:hero was See also:Pierre de See also:Lusignan, king of See also:Cyprus
.
Machaut is best known for the See also:strange See also:book telling of the love affair of his old See also:age with a young and See also:noble See also:lady long supposed to be See also:Agnes of Navarre, See also:sister of Charles the See also:Bad; Paulin See also:Paris in his edition of the Voir dit (Historie vraie) identified her as Perronne d'See also:Armentieres, a noble lady of Champagne
.
In 1362, when Machaut must have been at least sixty-two years of age, he received a See also:rondeau from Perronne, who was then eighteen, expressing her devotion
.
She no doubt wished to See also:play Laura to his See also:Petrarch, and the Voir dit contains the See also:correspondence and the poems which they exchanged
.
The See also:romance, which ended with Perronne's See also:marriage and Machaut's See also:desire to remain her doux See also:anti, has gleams of poetry, especially in Perronne's verses, but its subject and its length are bothdeterrent to See also:modern readers
.
But Machaut with See also:Deschamps marks a distinct transition
.
The trouveres had been impersonal
.
It is difficult to gather any details of their See also:personal See also:history from their See also:work
.
Machaut and Deschamps wrote of their own affairs, and the next step in development was to be the self-See also:analysis of See also:Villon
.
Machaut was also a musician
.
He composed a number of motets, songs and See also:ballads, also a See also:mass supposed to have been sung at the See also:coronation of Charles V
.
This was translated into modern notation by See also:Perne, who read a See also:notice on it before the See also:Institute of France in 1817
.
Machaut's Oeuvres choisies were edited by P
.
Tarbe (Rheims and Paris, 1849) ; La Prise d'Alexandrie, by L. de Mas-Latrie (See also:Geneva, 1877); and Le Livre du voir-dit, by Paulin Paris (1875)
.
See also F
.
G
.
See also:Fetis, Biog. universelle See also:des musiciens
...
(Paris, 1862), and a notice on the See also:Instruments de musique an xive siecle d'anres See also:Guillaume de Machaut, by E
.
Travers (Paris, 1882)
.
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