See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES See also:

• CHARLES MACKLIN (c. 1699-1797)

MACKLIN (c. 1699-1797)  , Irish actor and playwright, whose real name was McLaughlin, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland, and had an adventurous youth before coming to See also:

• BRISTOL
• BRISTOL, EARLS AND MARQUESSES OF
• BRISTOL, GEORGE DIGBY, 2ND EARL OF1 (1612-1677)
• BRISTOL, JOHN DIGBY, 1ST EARL OF 6 (1580-1653)

Bristol, where he made his first See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage as See also:

• RICHMOND
• RICHMOND, EARLS AND DUKES OF
• RICHMOND, LEGH (1772-1827)
• RICHMOND, SIR WILLIAM BLAKE (1842– )

Richmond in See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard III . He was at See also:

• LINCOLN
• LINCOLN, ABRAHAM (1809-1865)
• LINCOLN, EARLS OF

Lincoln's See also:

• INN

Inn See also:

• FIELDS, JAMES THOMAS (1817-1881)

Fields about 1725, and by 1733 was at See also:

• DRURY, SIR WILLIAM (1527-1579)

Drury See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane, where the See also:

• QUARREL

quarrel between the manager and the See also:

• PRINCIPAL

principal actors resulted in his getting better parts . When the trouble was over and these were taken from him, he went to the Haymarket, but he returned in 1734 to Drury Lane and acted there almost continuously until 1748 . Then for two seasons he and his wife (d. c . 1758), an excellent actress, were in See also:

• DUBLIN

Dublin under See also:

• SHERIDAN
• SHERIDAN, PHILIP HENRY (1831-1888)

Sheridan, then back in See also:

• LONDON

London at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden . He played a See also:

• GREAT

great number of characters, principally in See also:

• COMEDY

comedy, although Shylock was his greatest See also:

• PART

part, and Iago and the See also:

• GHOST (a word common to the W. Teutonic languages; O.E. vest, Dutch, 'geest, Ger. Geist)

Ghost in See also:

• HAMLET

Hamlet were in his repertory . At the end of 1953 See also:

• MACKLIN, CHARLES (c. 1699-1797)

Macklin bade farewell to the stage to open a See also:

• TAVERN

tavern, near the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre, where he personally supervised the serving of See also:

• DINNER

dinner . He also delivered an evening lecture, followed by a debate, which was soon a hopeless subject of ridicule . The tavern failed, and Macklin returned to the stage, and played for a number of years in London and Dublin . His See also:

• QUICK

quick See also:

• TEMPER (from Lat. temperare, to mingle or compound in due proportion, to qualify, rule, regulate, to be moderate, formed from tempos, time, fit or due season)

temper got him into See also:

• CONSTANT, BENJAMIN (1845-1902)

constant trouble . In a foolish quarrel over a See also:

• WIG (short for " periwig," an alternative form of " peruke," Fr. perruque; cf. Span. peluca; conjecturally derived from Lat. pilus)

wig in 1735 he killed a See also:

• FELLOW

fellow actor in the See also:

• GREEN, A
• GREEN, ALEXANDER HENRY (1832—1896)
• GREEN, DUFF (1791—1875)
• GREEN, JOHN RICHARD (1837—1883)
• GREEN, MATTHEW (1696-1737)
• GREEN, THOMAS HILL (1836-1882)
• GREEN, VALENTINE (1739–1813)
• GREEN, WILLIAM HENRY (.1825–1900)

green-See also:

• ROOM

room at Drury Lane, and he was constantly at See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law over his various contracts and quarrels . The bitterest of these arose on See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of his appearing as See also:

• MACBETH

Macbeth at Covent Garden in 1772 .

The part was usually played there by See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• SMITH
• SMITH, ADAM (1723–1790)
• SMITH, ALEXANDER (183o-1867)
• SMITH, ANDREW JACKSON (1815-1897)
• SMITH, CHARLES EMORY (1842–1908)
• SMITH, CHARLES FERGUSON (1807–1862)
• SMITH, CHARLOTTE (1749-1806)
• SMITH, COLVIN (1795—1875)
• SMITH, EDMUND KIRBY (1824-1893)
• SMITH, G
• SMITH, GEORGE (1789-1846)
• SMITH, GEORGE (184o-1876)
• SMITH, GEORGE ADAM (1856- )
• SMITH, GERRIT (1797–1874)
• SMITH, GOLDWIN (1823-191o)
• SMITH, HENRY BOYNTON (1815-1877)
• SMITH, HENRY JOHN STEPHEN (1826-1883)
• SMITH, HENRY PRESERVED (1847– )
• SMITH, JAMES (1775–1839)
• SMITH, JOHN (1579-1631)
• SMITH, JOHN RAPHAEL (1752–1812)
• SMITH, JOSEPH, JR
• SMITH, MORGAN LEWIS (1822–1874)
• SMITH, RICHARD BAIRD (1818-1861)
• SMITH, ROBERT (1689-1768)
• SMITH, SIR HENRY GEORGE WAKELYN
• SMITH, SIR THOMAS (1513-1577)
• SMITH, SIR WILLIAM (1813-1893)
• SMITH, SIR WILLIAM SIDNEY (1764-1840)
• SMITH, SYDNEY (1771-1845)
• SMITH, THOMAS SOUTHWOOD (1788-1861)
• SMITH, WILLIAM (1769-1839)
• SMITH, WILLIAM (c. 1730-1819)
• SMITH, WILLIAM (fl. 1596)
• SMITH, WILLIAM FARRAR (1824—1903)
• SMITH, WILLIAM HENRY (1808—1872)
• SMITH, WILLIAM HENRY (1825—1891)
• SMITH, WILLIAM ROBERTSON (1846-'894)

Smith, and the public would not See also:

• BROOK

brook a See also:

• CHANGE (derived through the Fr. from the Late Lat. cambium, cambiare, to barter; the ultimate derivation is probably from the root which appears in the Gr. «a urmu', to bend)

change . A few nights later the See also:

• AUDIENCE (from Lat. audire, to hear)

audience refused to hear Macklin as Shylock, and shouted their wish, in response to the manager's question, to have him discharged . This was done in See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to quell the See also:

• RIOT (0. Fr. riote, of uncertain etymology)

riot . His lawsuit, well conducted by him-self, against the leaders of the disturbance resulted in an See also:

• AWARD (from O. Fr. ewart, or esguart, cf. " reward ")

award of £600 and See also:

• COSTS

costs, but Macklin magnanimously elected instead that the defendants should take £See also:

• LOO (formerly called " Lanterloo," Fr. lanturlu, the refrain of a popular 17th-century song)

loo in tickets at three benefits—for himself, his daughter and the management . He returned to Covent Garden, but his appearances thereafter were less frequent, ending in 1789, when as Shylock,. at his benefit, he was only able to begin the See also:

• PLAY

play, apologize for his wandering memory, and retire . He lived until the 11th of See also:

• JULY

July 1797, and his last years were provided for by a subscription edition of two of his best plays, i The See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man of the See also:

• WORLD

World and Love in a See also:

• MAZE

Maze . M4cklin's daughter, See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary Macklin (c . 1734-1781), was a well-known actress in her See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day . See See also:

• EDWARD

Edward A . See also:

• PARRY (from Fr. parer, to ward off)
• PARRY, SIR CHARLES HUBERT HASTINGS, BART
• PARRY, SIR WILLIAM EDWARD (179o–1855)

Parry, See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles Macklin (1891) .