See also:

• DANIEL
• DANIEL (DANIL)
• DANIEL, BOOK
• DANIEL, GABRIEL (1649-1728)

DANIEL See also:

• DANIEL MACLISE (1806-1870)

MACLISE (1806-1870)  , Irish painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• CORK
• CORK (perhaps through Sp. corcha from Lat. cortex, bark, but possibly connected with quercus, oak)
• CORK, RICHARD BOYLE

Cork, the son of a Highland soldier . His See also:

• EDUCATION

education was of the plainest See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind, but he was eager for culture, fond of See also:

• READING

reading, and anxious to become an artist . His See also:

• FATHER

father, however, placed him, in 182o, in Newenham's See also:

• BANK

Bank, where he remained for two years, and then See also:

• LEFT

left to study in the Cork school of See also:

• ART

art . In 1825 it happened that See also:

• SIR

Sir See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott was travelling in See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland, and See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young See also:

• MACLISE, DANIEL (1806-1870)

Maclise, having seen him in a bookseller's See also:

• SHOP

shop, made a surreptitious See also:

• SKETCH (directly adapted from Dutch schets, which was taken from Ital. schizzo, a rough draft, Lat. schedium, something hastily made, Gr. oxE&os, sudden, off-hand, axeb6v, near by; Ger. Skizze and Fr. esquisse are from the same source)

sketch of the See also:

• GREAT

great See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man, which he afterwards lithographed . It was exceedingly popular, and the artist became celebrated enough to receive many commissions for portraits, which he executed, in See also:

• PENCIL (Lat. penicillus, brush, literally little tail)

pencil, with very careful treatment of detail and See also:

• ACCESSORY

accessory . Various influential See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends perceived the See also:

• GENIUS (from Lat. genere, gignere)

genius and promise of the lad, and were anxious to furnish him with the means of studying in the See also:

• METROPOLIS (Gr. piir17Pi mother, srGXis, city)

metropolis; but with rare See also:

• INDEPENDENCE
• INDEPENDENCE, DECLARATION OF
• INDEPENDENCE, WAR OF

independence he refused all aid, and by careful See also:

• ECONOMY

economy saved a sufficient sum to enable him to leave for See also:

• LONDON

London . There he made a lucky See also:

• HIT

hit by a sketch of the younger See also:

• KEAN, EDMUND (1787–1833)

Kean, which, like his portrait of Scott, was lithographed and published . He entered the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy See also:

• SCHOOLS

schools in 1828, and carried off the highest prizes open to the students . In 1829 he exhibited for the first See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in the Royal Academy . Gradually he began to confine himself more exclusively to subject and See also:

• HISTORICAL

historical pictures, varied occasionally by portraits of See also:

• CAMPBELL, ALEXANDER (1788–1866)
• CAMPBELL, BEATRICE STELLA (Mrs PATRICK CAMPBELL) (1865– )
• CAMPBELL, GEORGE (1719–1796)
• CAMPBELL, JOHN
• CAMPBELL, JOHN (1708-1775)
• CAMPBELL, JOHN CAMPBELL, BARON (1779-1861)
• CAMPBELL, JOHN FRANCIS
• CAMPBELL, LEWIS (1830-1908)
• CAMPBELL, REGINALD JOHN (1867— )
• CAMPBELL, THOMAS (1777—1844)

Campbell, See also:

• MISS

Miss See also:

• LANDON, CHARLES PAUL (1760-1826)
• LANDON, LETITIA ELIZABETH (18o2-1838)

Landon, See also:

• DICKENS, CHARLES JOHN HUFFAM (1812-187o)

Dickens, and other of his See also:

• LITERARY

literary friends . In 1833 he exhibited two pictures which greatly increased his reputation, and in 1835 the " Chivalric See also:

• VOW (Lat. votum, vow, promise: cf. VOTE)

Vow of the Ladies and the See also:

• PEACOCK (Lat. Pavo, O. Eng. Pawe, Du. pauuw, Ger. Pfau, Fr. Paon)
• PEACOCK, GEORGE (1791–1858)
• PEACOCK, SIR BARNES (1810-189o)
• PEACOCK, THOMAS LOVE (1785-1866)

Peacock "procured his See also:

• ELECTION
• ELECTION (from Lat. eligere, to pick out)

election as See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of the Academy, of which he became full member in 1840 . The years that followed were occupied with a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• SERIES (a Latin word from serere, to join)

series of figure pictures, deriving their subjects from See also:

• HISTORY

history and tradition and from the See also:

• WORKS

works of See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare, See also:

• GOLDSMITH
• GOLDSMITH, LEWIS (c. 1763–1846)
• GOLDSMITH, OLIVER (1728–1774)

Goldsmith and Le See also:

• SAGE, RUSSELL (1816-1906)

Sage .

He also designed illustrations for several of Dickens's See also:

• CHRISTMAS (i.e. the Mass of Christ)

Christmas books and other works . Between the years 1830 and 1836 he contributed to See also:

• FRASER
• FRASER, ALEXANDER CAMPBELL (1819– )
• FRASER, JAMES (1818-1885)
• FRASER, JAMES BAILLIE (1783--1856)
• FRASER, SIR WILLIAM AUGUSTUS

Fraser's See also:

• MAGAZINE

Magazine, under the See also:

• PSEUDONYM (Gr. >l ev&,vuµos, having a false name, ¢Evirls, false and ovoµa, name)

pseudonym of See also:

• ALFRED

Alfred Croquis, a remarkable series of portraits of the literary and other celebrities of the time—See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character studies, etched or lithographed in outline, and touched more or less with the emphasis of the caricaturist, which were afterwards published as the Maclise Portrait See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery (1871) . In 1858 Maclise commenced one of the two great monumental works of his See also:

• LIFE

life, the " See also:

• MEETING (from " to meet," to come together, assemble, 0. Eng. metals ; cf. Du. moeten, Swed. mota, Goth. gamotjan, &c., derivatives of the Teut. word for a meeting, seen in O. Eng. Wit, moot, an assembly of the people; cf. witanagemot)

Meeting of See also:

• WELLINGTON
• WELLINGTON, ARTHUR WELLESLEY, 1ST DUKE OF (1769-1852)

Wellington and See also:

• BLUCHER, GEBHARD LEBERECHT VON (1742—1819)

Blucher," on the walls of See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace . It was begun in See also:

• FRESCO (Ital. for cool, " fresh ")

fresco, a See also:

• PROCESS

process which proved unmanageable . The artist wished to resign the task; but, encouraged by See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert, he studied in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin the new method of " See also:

• WATER

water-See also:

• GLASS
• GLASS (O.E. glees, cf. Ger. Glas, perhaps derived from an old Teutonic root gla-, a variant of glo-, having the general sense of shining, cf. " glare," " glow ")
• GLASS, STAINED

glass " See also:

• PAINTING

painting, and carried out the subject and its See also:

• COMPANION (through the O. Fr. compaignon or compagnon, from the Late Lat. companio,—cum, with, and panis, bread,—one who shares meals with another; the word has been wrongly derived from the Late Lat. compagnus, one of the same pages or district)

companion, the " See also:

• DEATH

Death of See also:

• NELSON
• NELSON, HORATIO NELSON, VISCOUNT (1758-1805)
• NELSON, ROBERT (s656-1715)

Nelson," in that See also:

• MEDIUM

medium, completing the latter painting in 1864 . The intense application which he gave to these great historic works, and various circumstances connected with the See also:

• COMMISSION (from Lat. commissio, committere)

commission, had a serious effect on the artist's See also:

• HEALTH

health . He began to shun the See also:

• COMPANY

company in which he formerly delighted; his old buoyancy of See also:

• SPIRITS

spirits was gone; and when, in 1865, the presidentship of the Academy was offered to him he declined the See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour . He died of acute See also:

• PNEUMONIA (Gr. ?rveu AMP, lung)

pneumonia on the 25th of See also:

• APRIL

April 187o . His works are distinguished by powerful intellectual and imaginative qualities, but most of them are marred by harsh and dull colouring, by metallic hardness of See also:

• SURFACE

surface and texture, and by frequent touches of the theatrical in the See also:

• ACTION

action and attitudes of the figures . His fame rests most securely on his two greatest works at Westminster . A memoir of Maclise, by his friend W . J .

O'Driscoll, was published in 1871 .