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See also: born at Brussels on the 3rd of See also: February 1796
.
He studied at the Brussels See also: Academy of See also: Fine Arts and was a pupil of See also: Francois
.
While draughtsman to the topographical military division at Courtrai, he received a commission for lithographic See also: work from a Brussels publisher
.
It was about 1820 that he began his See also: artistic career
.
Between 1825 and 1827 he contributed to See also: Les Vues pittoresques de la Belgique, to a See also: Life of See also: Napoleon, and to See also: works on the costumes of the See also: Netherlands, and later made a See also: great reputation by his work in La Physionomie de la societe en See also: Europe depuis 1400 iusqu' a nos jours (1836) and Les Scenes de la See also: vie See also: des peintres
.
It was not until about 184o that he began to paint in oils, and the success of his early efforts in this See also: medium resulted in a long series of pictures representing scenes of See also: village and city life, including " The Fiddler," " The See also: Jewel See also: Merchant," " The Police See also: Court," " The Drunkard," " The See also: Ill-regulated See also: Household," and " The Village Politicians." Among his numerous works mention may also be made of " The Feast at the Chateau " (1851), " The Unwelcome Guests " (1852, Brussels Gallery), generally regarded as his masterpiece, " The Rat See also: Hunt" (acquired by Leopold II., See also: king of the Belgians), " The Arquebusier " (1860), and " The Stirrup Cup." At the age of sixty-eight he decorated a
See also: hall in his
See also: house with a series of large paintings representing scenes from La Fontaine's fables, and ten years later made for King Leopold a series of decorative paintings for the chateau of Ciergnon
.
See also: Madou died at Brussels on the 31st of See also: March 1877
.
For a
See also: list of his paintings see the See also: annual report of the Academy of Belgium for 1899
.
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