See also:

• MARIE

MARIE See also:

• MARIE MALIBRAN

MALIBRAN  F$LICITE (1808-1836), operatic See also:

• SINGER, SIMEON (1846-1906)

singer, daughter of Manoel See also:

• GARCIA
• GARCIA (DEL POPOLO VICENTO), MANOEL (1775-1832)

Garcia, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 24th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 18o8 . Her See also:

• FATHER

father was then a member of the See also:

• COMPANY

company of the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre See also:

• DES

des Italiens, and she accompanied him to See also:

• ITALY
• ITALY (Italia)

Italy and See also:

• LONDON

London . She possessed a See also:

• SOPRANO (a variant of Ital. sovrano, supreme, sovereign, Late Lat. superanus, from super, above)

soprano See also:

• VOICE (Fr. voix, from Lat. vox)

voice of unusual beauty and phenomenal See also:

• COMPASS (Fr. corn pas, ultimately from Lat. cum, with, and passus, step)

compass, which was carefully cultivated by her father . She was only seventeen when, in consequence of an indisposition of Madame Pasta, she was suddenly asked to take her See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place in The See also:

• BARBER (from Lat. barba, beard)

Barber of See also:

• SEVILLE
• SEVILLE (Span. Sevilla, Lat. Ispalis or Hispalis, Moorish Ishbiliya)

Seville at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden . She was forthwith engaged for the remaining six See also:

• WEEKS, EDWIN LORD (1849-1903)

weeks of the See also:

• SEASON (0. Fr. seson, seison, mod. saison, Lat. satio, sowing time, the spring, from serere, to sow; in Late Lat. the word is found with its present meaning, the spring being considered as particularly the season of the year)

season, and then followed her father to New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, where she appeared in Othello, The Barber of Seville, See also:

• DON
• DON (anc. Tanais)

Don Juan, Romeo and Juliet, Tattered . Her gifts as an actress were on a See also:

• PAR (Lat. par, equal)

par with her magnificent voice, and her gaiety made her irresistible in See also:

• LIGHT

light See also:

• OPERA (Italian for " work ")

opera, although her See also:

• GREAT

great triumphs were obtained chiefly in tragic parts . She married a See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French banker of New York, named See also:

• MALIBRAN, MARIE

Malibran, who was much older than herself . The See also:

• MARRIAGE

marriage was an unhappy one, and Mme Malibran returned alone to See also:

• EUROPE

Europe in 1828, when she began the See also:

• SERIES (a Latin word from serere, to join)

series of representations at the Theatre des Italiens, which excited an See also:

• ENTHUSIASM

enthusiasm in Paris only exceeded by the reception she received in the See also:

• PRINCIPAL

principal towns of Italy . She was formally divorced from Malibran in 1835, and married the Belgian violinist, See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles de See also:

• BERIOT, CHARLES AUGUSTE DE (18cn-187o)

Beriot; but she died of See also:

• FEVER (Lat. febris, connected with fervere, to burn)

fever on the 23rd of See also:

• SEPTEMBER (Lat. septem, seven)

September 1836 . See See also:

• MEMOIRS

Memoirs of Mme Malibran by the comtesse de See also:

• MERLIN, ANTOINE CHRISTOPHE (1762-1833)
• MERLIN, PHILIPPE ANTOINE, COUNT (1754-1838)

Merlin and other intimate See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends, with a selection from her See also:

• CORRESPONDENCE
• CORRESPONDENCE (from med. scholastic Lat. correspondentia, corrcspondere, compounded of Lat. cum, with, and respond ere, to answer; cf. Fr. correspondance)

correspondence (2 vols., 184o) ; and M . Teneo, La Malibran, d'apres des documents inedits, in Sammelbande der internationalen Musik-Gesellschaft (See also:

• LEIPZIG

Leipzig, 1906) .