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See also: singer, daughter of Manoel Garcia, was See also: born in See also: Paris on the 24th of See also: March 18o8
.
Her
See also: father was then a member of the See also: company of the Theatre See also: des Italiens, and she accompanied him to See also: Italy and See also: London
.
She possessed a See also: soprano See also: voice of unusual beauty and
phenomenal compass, which was carefully cultivated by her father
.
She was only seventeen when, in consequence of an indisposition of Madame Pasta, she was suddenly asked to take her place in The See also: Barber of Seville at Covent Garden
.
She was forthwith engaged for the remaining six See also: weeks of the season, and then followed her father to New See also: York, where she appeared in Othello, The Barber of Seville, See also: Don Juan, Romeo and Juliet, Tattered
.
Her gifts as an actress were on a See also: par with her magnificent voice, and her gaiety made her irresistible in See also: light See also: opera, although her See also: great triumphs were obtained chiefly in tragic parts
.
She married a French banker of New York, named See also: Malibran, who was much older than herself
.
The See also: marriage was an unhappy one, and Mme Malibran returned alone to See also: Europe in 1828, when she began the series of representations at the Theatre des Italiens, which excited an See also: enthusiasm in Paris only exceeded by the reception she received in the See also: principal towns of Italy
.
She was formally divorced from Malibran in 1835, and married the Belgian violinist, See also: Charles de Beriot; but she died of fever on the 23rd of
See also: September 1836
.
See See also: Memoirs of Mme Malibran by the comtesse de Merlin and other intimate See also: friends, with a selection from her See also: correspondence (2 vols., 184o) ; and M
.
Teneo, La Malibran, d'apres des documents inedits, in Sammelbande der internationalen Musik-Gesellschaft (See also: Leipzig, 1906)
.
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