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EDMOND See also: scholar and editor, was See also: born in See also: Dublin, on the 4th of See also: October 1741, the son of a See also: barrister and a member of the Irish See also: House of See also: Commons
.
He was educated at Trinity See also: College, Dublin, and was called to the Irish See also: bar in 1767
.
The See also: death of his See also: father in 1774 assured him a competency, and he went to See also: London, where he frequented See also: literary and See also: artistic circles
.
He frequently visited Dr See also: Johnson and was of
See also: great assistance to See also: Boswell in revising and proof-See also: reading his See also: Life, four of the later See also: editions of which he annotated
.
He was intimate with See also: Sir See also: Joshua See also: Reynolds, to whom he sat for a portrait now in the See also: National Portrait Gallery
.
He was one of Reynolds' executors, and published a See also: posthumous collection of his See also: works (1798) with a memoir
.
Horace Walpole, Burke, Canning, See also: Lord Charlemont, and, at first, See also: George Steevens, were among See also: Malone's See also: friends
.
Encouraged by the two last he devoted himself to the study of Shakespearian chronology, and the results of his " Attempt to ascertain the See also: Order in which the Plays of See also: Shakespeare were written " (1778) are still largely accepted
.
This was followed in 178o by two supplementary volumes to Steevens's version of Dr Johnson's Shakespeare, partly consisting of observations on the See also: history of the Elizabethan stage, and of the text of doubtful plays; and this again, in 1783, by an appendix See also: volume
.
His refusal to alter some of his notes to Isaac See also: Reed's edition of 1785, which disagreed with
.
Steevens's, resulted in a See also: quarrel with the latter
.
The next seven years were devoted to Malone's own edition of Shakespeare in eleven volumes, of which his essays on the history of the stage, his biography of Shakespeare, and his attack on the genuineness of the three parts of See also: Henry VI., were especially valuable.' His editorial
See also: work was lauded by Burke, criticized by Walpole and damned by See also: Joseph See also: Ritson
.
It certainly showed indefatigable research and proper respect for the text of the earlier editions . Malone published a denial of the claim to antiquity of theSee also: Rowley poems (see See also: CHATTERTON), and in this (1782) as in his branding (1796) of the See also: Ireland See also: MSS
.
(see IRELAND, See also: WILLIAM HENRY) as forgeries, he was among the first to guess and
See also: state the truth
.
His elaborate edition of See also: Dryden's works (1800), with a memoir, was another monument to his industry, accuracy and scholarly care
.
In 18oI the university of Dublin made him an LL.D
.
At the See also: time of his death, on the 25th of See also: April 1812, Malone was at work on a new See also: octavo edition of Shakespeare, and he See also: left his material to See also: James Boswell the younger; the result was the edition of 1821—generally known as the Third Variorum edition—in twenty-one volumes
.
Lord Sunderlin (1738-1816), his elder
See also: brother and executor, presented the larger See also: part of Malone's splendid collection of books, including dramatic varieties, to the Bodleian Library, which afterwards bought many of his MS. notes and his literary See also: correspondence
.
The See also: British Museum also owns some of his letters and his annotated copy of Johnson's See also: Dictionary
.
A memoir of Malone by James Boswell is included in the Prolegomena tc the edition of 1821
.
See also Sir J
.
See also: Prior's Life of Edmond Malone (186o)
.
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