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EDMOND MALONE (1741-1812)

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Originally appearing in Volume V17, Page 495 of the 1911 Encyclopedia Britannica.
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EDMOND See also:

MALONE (1741-1812)  , Irish Shakespearian See also:scholar and editor, was See also:born in See also:Dublin, on the 4th of See also:October 1741, the son of a See also:barrister and a member of the Irish See also:House of See also:Commons . He was educated at Trinity See also:College, Dublin, and was called to the Irish See also:bar in 1767 . The See also:death of his See also:father in 1774 assured him a competency, and he went to See also:London, where he frequented See also:literary and See also:artistic circles . He frequently visited Dr See also:Johnson and was of See also:great assistance to See also:Boswell in revising and See also:proof-See also:reading his See also:Life, four of the later See also:editions of which he annotated . He was intimate with See also:Sir See also:Joshua See also:Reynolds, to whom he sat for a portrait now in the See also:National Portrait See also:Gallery . He was one of Reynolds' executors, and published a See also:posthumous collection of his See also:works (1798) with a memoir . See also:Horace See also:Walpole, See also:Burke, See also:Canning, See also:Lord See also:Charlemont, and, at first, See also:George See also:Steevens, were among See also:Malone's See also:friends . Encouraged by the two last he devoted himself to the study of Shakespearian See also:chronology, and the results of his " See also:Attempt to ascertain the See also:Order in which the Plays of See also:Shakespeare were written " (1778) are still largely accepted . This was followed in 178o by two supplementary volumes to Steevens's version of Dr Johnson's Shakespeare, partly consisting of observations on the See also:history of the Elizabethan See also:stage, and of the See also:text of doubtful plays; and this again, in 1783, by an appendix See also:volume . His refusal to alter some of his notes to See also:Isaac See also:Reed's edition of 1785, which disagreed with . Steevens's, resulted in a See also:quarrel with the latter . The next seven years were devoted to Malone's own edition of Shakespeare in eleven volumes, of which his essays on the history of the stage, his See also:biography of Shakespeare, and his attack on the genuineness of the three parts of See also:Henry VI., were especially valuable.' His editorial See also:work was lauded by Burke, criticized by Walpole and damned by See also:Joseph See also:Ritson .

It certainly showed indefatigable See also:

research and proper respect for the text of the earlier editions . Malone published a denial of the claim to antiquity of the See also:Rowley poems (see See also:CHATTERTON), and in this (1782) as in his See also:branding (1796) of the See also:Ireland See also:MSS . (see IRELAND, See also:WILLIAM HENRY) as forgeries, he was among the first to guess and See also:state the truth . His elaborate edition of See also:Dryden's works (1800), with a memoir, was another See also:monument to his See also:industry, accuracy and scholarly care . In 18oI the university of Dublin made him an LL.D . At the See also:time of his death, on the 25th of See also:April 1812, Malone was at work on a new See also:octavo edition of Shakespeare, and he See also:left his material to See also:James Boswell the younger; the result was the edition of 1821—generally known as the Third Variorum edition—in twenty-one volumes . Lord Sunderlin (1738-1816), his See also:elder See also:brother and executor, presented the larger See also:part of Malone's splendid collection of books, including dramatic varieties, to the Bodleian Library, which afterwards bought many of his MS. notes and his literary See also:correspondence . The See also:British Museum also owns some of his letters and his annotated copy of Johnson's See also:Dictionary . A memoir of Malone by James Boswell is included in the Prolegomena tc the edition of 1821 . See also Sir J . See also:Prior's Life of Edmond Malone (186o) .

End of Article: EDMOND MALONE (1741-1812)
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