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See also: Spanish poet, soldier, politician and dramatist, was See also: born at Amusco
.
The fifth son of Pedro Manrique, adelantado mayor of Leon, and See also: nephew of See also: Santillana (q.v.), See also: Gomez Manrique was .introduced into public See also: life at an early age, took a prominent See also: part against the See also: constable Alvaro de Luna during the reign of See also: John II., went into opposition against
See also: Miguel Lucas de Iranzo in the reign of See also: Henry IV., and declared in favour of the infanta
See also: Isabel, whose See also: marriage with See also: Ferdinand he promoted
.
Besides being a distinguished soldier, he acted as a moderating
See also: political influence and, when appointed corregidor of Toledo, was active in protecting the converted Jews from popular resentment
.
His will was signed on the 31st of May 1490, and he is known to have died before the 16th of See also: February 1491
.
He inherited the See also: literary taste of his See also: uncle Santillana, and was greatly esteemed in his own age; but his reputation was afterwards eclipsed by that of his nephew Jorge Manrique (q.v.), whose Coplas were continually reproduced
.
Gomez Manrique's poems were not printed 6111885, . when they were edited by Antonio Paz y Melia
.
They at once revealed him to be a .poet of eminent merit, and it seems certain that his Consejos, addressed to Diego Arias de Avila, inspired the more famous Coplas of his nephew
.
His didactic verses are modelled upon those of Santillana, and his satires are somewhat coarse in thought and expression; but his place in the See also: history of Spanish literature is secure as the earliest Spanish dramatist whose name has reached posterity
.
He wrote the Representaci4n del nascimiento de Nuestro Senor, a See also: play on the Passion, and two mantes, or interludes, played at See also: court
.
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