JORGE See also:

• MANRIQUE, GOMEZ (1412?-149o?)
• JORGE MANRIQUE (1440?-1478)

MANRIQUE (1440?-1478)  , See also:

• SPANISH

Spanish poet and soldier, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born probably at Paredes de Nava . The See also:

• FOURTH

fourth son of Rodrigo See also:

• MANRIQUE, GOMEZ (1412?-149o?)
• MANRIQUE, JORGE (1440?-1478)

Manrique, See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

count de Paredes, he became like the See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest of his See also:

• FAMILY

family a fervent See also:

• PARTISAN, or PARTIZAN

partisan of See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• ISABEL

Isabel, served with See also:

• GREAT

great distinction in many engagements, and was made comendador of Montiz&n in the See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order of See also:

• SANTIAGO, or SANTIAGO DE CHILE

Santiago . He was killed in a skirmish near the fortress' of Garci-Mufloz in 1478, and was buried in the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church attached to the See also:

• CONVENT (Lat. conventus, from convenire, to come together)

convent of tides . His love-songs, satires, and See also:

• ACROSTIC (Gr. aKpos, at the end, and arixos, line or verse)

acrostic verses . are merely ingenious compositions in the See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste of his See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age; he owes his imperishable renown to a single poem, the Coplas per la muerte de su padre, an See also:

• ELEGY

elegy of See also:

• FORTY

forty stanzas on the See also:

• DEATH

death of his See also:

• FATHER

father, which was apparently first printed in the Cancionero llamade de Fray Ingo- de See also:

• MENDOZA
• MENDOZA, ANTONIO HURTADO DE (1593?-1644)
• MENDOZA, DIEGO HURTADO DE (1503-1575)
• MENDOZA, PEDRO GONZALEZ DE (1428-1495)

Mendoza about the See also:

• YEAR

year 1482 . There is no See also:

• FOUNDATION (Lat. fundatio, from fundare, to found)

foundation for the theory that Manrique See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew his See also:

• INSPIRATION (Lat. inspirare, breathe upon or into)

inspiration from an Arabic poem by See also:

• ABU

Abu 'l-See also:

• BAKU

Baku Sslih ar-Rundi; the See also:

• FORM (Lat. forma)

form of the Copies is influenced by the Consejos of his See also:

• UNCLE

uncle, See also:

• GOMEZ, DIOGO (DIEGO) (ff. 1440-1482)

Gomez Manrique, and the See also:

• MATTER

matter derives from the See also:

• BIBLE
• BIBLE, ENGLISH

Bible, from Boethius and from other See also:

• SOURCES

sources readily accessible . The great sonorous See also:

• COMMON

common-places on death are vitalized by the intensely See also:

• PERSONAL

personal grief of the poet, who See also:

• LENT (0. Eng. lenclen, " spring," M. Eng. lenten, lente, lent; cf. Dut. lente, Ger. Lenz, " spring," 0. H. Ger. lenzin, lengizin, lenzo, probably from the same root as " long " and referring to " the lengthening days ")

lent a new solemnity and significance to thoughts which had been for centuries the common See also:

• PROPERTY

property of mankind . It was given to Jorge Manrique to have one single moment of See also:

• SUBLIME (Lat. sublimis, exalted)

sublime expression, and this isolated achievement has won him a fame undimmed by any See also:

• CHANGE (derived through the Fr. from the Late Lat. cambium, cambiare, to barter; the ultimate derivation is probably from the root which appears in the Gr. «a urmu', to bend)

change of taste during four centuries . The best edition of the Coplas is that issued by R . Foulche-Delbosc in the Bibliothece hispanica; the poem has been admirably translated by See also:

• LONGFELLOW, HENRY WADSWORTH (1807-1882)

Longfellow . Manrique's other verses were mostly printed in Hernando del See also:

• CASTILLO

Castillo's Cancionero See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general (1511) .