BENEDETTO See also:

• BENEDETTO MARCELLO (1686-1739)

MARCELLO (1686-1739)  , - See also:

• ITALIAN

Italian musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in 1686, either on the 31st of See also:

• JULY

July or on the 1st of See also:

• AUGUST (originally Sextilis)

August . He was of See also:

• NOBLE, SIR ANDREW (1832- )

noble See also:

• FAMILY

family (in his compositions he is frequently described as "Patrizio Veneto "), and although a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• LOTTI, ANTONIO (1667?-174o)

Lotti and Gasparini, was intended by his See also:

• FATHER

father to devote himself to the See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law . In 1711 he was a member of the See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

Council of See also:

• FORTY

Forty, and in 1730 went to See also:

• POLA (Gr. Hart or Haas; Slovene, Pulj)

Pola as Provveditore . His See also:

• HEALTH

health having been impaired by the See also:

• CLIMATE

climate of See also:

• ISTRIA (Ger. Istrien)

Istria, he retired after eight years to See also:

• BRESCIA
• BRESCIA (anc. Brixia)

Brescia in the capacity of Camerlengo, and died there on the 24th of July 1739 . See also:

• MARCELLO, BENEDETTO (1686-1739)

Marcello is best remembered by his Estro poetico-armonico (See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice, 1724–1727), a musical setting for voices and strings of the first fifty See also:

• PSALMS, BOOK
• PSALMS, BOOK OF, or PSALTER

Psalms, as paraphrased in Italian by G . See also:

• GIUSTINIANI

Giustiniani . They were much admired by See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles Avison, who with See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• GARTH, SIR SAMUEL (1661-1719)

Garth brought out an edition with See also:

• ENGLISH

English words (See also:

• LONDON

London, 1757) . Some extracts are to be found in See also:

• HAWKINS, CAESAR HENRY (1798-1884)
• HAWKINS, or HAWKYNS, SIR JOHN (1532-1595)
• HAWKINS, or HAWKYNS, SIR RICHARD (c. 1562-1622)
• HAWKINS, SIR JOHN (1719-1789)

Hawkins's See also:

• HISTORY

History of See also:

• MUSIC

Music . His other See also:

• WORKS

works are chiefly cantatas, either for one See also:

• VOICE (Fr. voix, from Lat. vox)

voice or several; the library of the See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

conservatoire possesses some interesting volumes of chamber-cantatas composed for his See also:

• MISTRESS

mistress . Although he produced an See also:

• OPERA (Italian for " work ")

opera, La Fede riconosciuta, at See also:

• VICENZA

Vicenza in 1702, he had little sympathy with this See also:

• FORM (Lat. forma)

form of See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition, and vented his opinions on the See also:

• STATE
• STATE, GREAT OFFICERS OF

state of musical See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama at the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in the satirical pamphlet Il Teatro ally moda, published anonymously in Venice in 1720 . This little See also:

• WORK

work, which was frequently reprinted, is not only extremely amusing, but is also most valuable as a contribution to the history of opera . A See also:

• CATALOGUE (a Fr. adaptation of the Gr. KaraXoyos, a register, from Karalyety, to enrol or pick out)

catalogue of his works is given in Monatshefte See also:

• FUR (connected with O. Fr. forre, a sheath or case; so " an outer covering ")

fur Musikgeschichte, vol. See also:

• XXIII

xxiii .

(1891) .