AUZIAS See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• AUZIAS MARCH (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

MARCH (c. "1395-1458)  , Catalan poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• VALENCIA
• VALENCIA, or VALENTIA

Valencia towards the end of the 14th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century . Little is known of his career except that he was twice married—first to Na Ysabel Martorell, and second to Na Johanna Scorna—that he died on the 4th of See also:

• NOVEMBER (Lat. novem, nine)

November 1458, and that he See also:

• LEFT

left several natural See also:

• CHILDREN, LAW RELATING TO

children . Inheriting an easy See also:

• FORTUNE, ROBERT (1813-188o)

fortune from his See also:

• FATHER

father, the treasurer to the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• GANDIA

Gandia, and enjoying the powerful patronage of See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince See also:

• CARLOS, DON (1545-1568)
• CARLOS, DON (1788-1855)
• CARLOS, DON (CHARLES MARIA DE LOS DOLORES JUAN ISIDOR.E JOSEPH FRANCIS QUIRIN ANTONY MICHAEL GABRIEL RAPHAEL) (1848—1909)

Carlos de Viana of See also:

• ARAGON, or ARRAGON (in Span. Aragon)

Aragon, See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March was enabled to devote himself to poetical See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition . He is an undisguised follower of See also:

• PETRARCH (1304-1374)

Petrarch, carrying the See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation to such a point that he addresses his Cants d'amor to a See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

lady whom he professes to have seen first in See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church on See also:

• GOOD, JOHN MASON (1764-1827)

Good See also:

• FRIDAY (A.S. frige-dreg, fr. frige, gen. of frigu, love, or the goddess of love—the Norse Frigg,—the dreg, day; cf. Icelandic frjddagr, O.H. Ger. friatag, frigatag, mod. Ger. Freitag)

Friday; so far as the difference of See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language allows, he reproduces the rhythmical cadences of his See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model, and in the Cants de mort touches a See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note of brooding sentiment See also:

• PECULIAR

peculiar to himself . Though his poems are disfigured by obscurity and a monotonous morbidity, he was fully entitled to the supremacy which he enjoyed among his contemporaries, and the success of his innovation no doubt encouraged Boscan to introduce the See also:

• ITALIAN

Italian metres into Castilian . His verses were first printed in Catalan in 1543, but they had already become known through the Castilian See also:

• TRANSLATION

translation published by Baltasar de Romani in 1539 .