See also:

• PAUL
• PAUL (PAULUS)

PAUL See also:

• PAUL MARGUERITTE (186o— )

MARGUERITTE (186o— )  and See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

VICTOR (1866— ), See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French novelists, both See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• ALGERIA
• ALGERIA (Algerie)

Algeria, were the sons of See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

General See also:

• JEAN

Jean Auguste See also:

• MARGUERITTE, PAUL (186o— )

Margueritte (1823—1870), who after an See also:

• HONOURABLE (Fr. honorable, from Lat. honorabilis, worthy of honour)

honourable career in Algeria was mortally wounded in the See also:

• GREAT

great See also:

• CAVALRY (Fr. cavalerie, Ger. Kavallerie or Reiterei, derived ultimately from late Lat. caballus, horse)

cavalry See also:

• CHARGE
• CHARGE (through the Fr. from the Late Lat. carricare, to load in a carrus or wagon; cf. " cargo ")

charge at See also:

• SEDAN

Sedan, and died in See also:

• BELGIUM
• BELGIUM (Fr. Belgique; Flem. Belgic)

Belgium, on the 6th of See also:

• SEPTEMBER (Lat. septem, seven)

September 187o . An See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of his See also:

• LIFE

life was published by See also:

• PAUL
• PAUL (PAULUS)

Paul Margueritte as Mon Pere (1884; enlarged ed., 1897) . The names of the two See also:

• BROTHERS, RICHARD (1757-1824)

brothers are generally associated, on account of their collaboration . Paul Margueritte, who has given a picture of his See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home in See also:

• ALGIERS (Fr. Alger, Arab. Jezair, i.e. The Islands)

Algiers in Le Jardin du passe (1895), was sent to the military school of La See also:

• FLECHE (French for " arrow ")

Fleche for the sons of See also:

• OFFICERS

officers, and became in 188o clerk to the See also:

• MINISTER (Lat. minister, servant)

minister of public instruction . He designed two pantomimes, See also:

• PIERROT (Ital. Pedrolino)

Pierrot See also:

• ASSASSIN (properly Hashish n, from Hashish, the opiate made from the juice of hemp leaves)

assassin de sa femme (See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre Libre, 1882), and Colombine pardonnee (Cercle funambulesque, 1888), in which the traditional Pierrot, played by Margueritte himself, became a See also:

• NERVOUS

nervous, tragic creature . He resigned his clerkship in 1889 to devote himself entirely to literature, producing in rapid See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession a See also:

• SERIES (a Latin word from serere, to join)

series of novels, among which were Tous quatre (1885), La See also:

• CONFESSION (Lat. confessio, from confiteor, acknowledge, confess)

Confession posthume (1886), Maison ouverte (1887), See also:

• PASCAL, BLAISE (1623-1662)
• PASCAL, JACQUELINE (1625-T661)

Pascal Gefosse (1887), Jours d'epreuve (1889), Amants (189o),La Force See also:

• DES

des choses (1891), Sur le retour (1892), La Tour mente (1893), Ma grande (1892), Ame d'enfant (1894) and L'Eau qui See also:

• DORT, SYNOD OF

dort (1896) . Paul Margueritte had begun as a realistic novelist, but he was one of the five writers who signed a manifesto against See also:

• ZOLA, EMILE EDOUARD CHARLES ANTOINE (1840-1902)

Zola's La Terre, and he made his reputation by delicate, sober studies of the by-ways of sentiment . His See also:

• BROTHER

brother Victor entered his See also:

• FATHER

father's See also:

• REGIMENT (from Late Latin regimentum, rule, regere, to rule, govern, direct)

regiment, the 1st chasseurs d'Afrique, in 1888, and served in the See also:

• ARMY
• ARMY (from Fr. armee, Lat. armata)

army until 1896, when he resigned his See also:

• COMMISSION (from Lat. commissio, committere)

commission . He was already known by some volumes of See also:

• POETRY

poetry, and by a See also:

• TRANSLATION

translation from See also:

• CALDERON, RODRIGO (d. 1621), COUNT OF OLIVA AND MARQUES DE LAS SIETE IGLESIAS

Calderon (La See also:

• DOUBLE
• DOUBLE (from the Mid. Eng. duble, the form which gives the present pronunciation, through the Old Er. duble, from Lat. duplus, twice as much)

Double meprise, played at the Odeon, 1898) when he began to collaborate with his brother . From the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of this collaboration Paul Margueritte's See also:

• WORK

work gained in See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour and force . Among the books written in See also:

• COMMON

common by the brothers, the most famous is the series known under the collective See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title, Une Epoque, dealing with the events of 187o-1871, and including the novels Le Desastre (1898), See also:

• LES

Les Tronrcons du glaive (19oo), Les Braves gens (19o1), La See also:

• COMMUNE (Med. Lat. communia, Lat. communis, common)
• COMMUNE, MEDIEVAL

Commune (1904) . They also collaborated in an Histoire de la guerre de r87o-1871(1903) .

These books were founded on a See also:

• MASS (O.E. maesse; Fr. messe; Ger. Messe; Ital. messa; from eccl. Lat. missa)
• MASS, IN

mass of documentary and verbal See also:

• INFORMATION (from Lat. informare, to give shape or form to, to represent, describe)

information, amassed with great care and arranged with admirable See also:

• ART

art; the authors are historians rather than novelists . The disasters and humiliations of the See also:

• CAMPAIGNS

campaigns are faithfully described, but are traced to defects of organization and leadership; while the courage and patriotism of the army itself is made the 'basis of an assured confidence in the destinies of See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France . La Commune is a bold See also:

• INDICTMENT (from Anglo-Fr. enditernent, enditer, to charge; Lat. in, against, dictare, declare)

indictment of the methods adopted by the victorious party . The novelists also attacked the See also:

• LAWS

laws governing See also:

• MARRIAGE

marriage and See also:

• DIVORCE

divorce and the abuses entailed by the See also:

• DOWRY (in Anglo-Fr. dowarie, O. Fr. douaire, Med. Lat. dotaria, from Lat. dos; from root of dare, to give; in Fr. dot)

dowry demanded from the See also:

• BRIDE (a common Teutonic word, e.g..Goth. bruths, O. Eng. bryd, O. H. Ger. prs2t, Mod. Ger. Bract, Dut. bruid, possibly derived from the root bru-, cook, brew; from the med. latinized form bruta, in the sense of daughter-in-law, is derived the Fr. bru)

bride, in See also:

• PAMPHLETS

pamphlets and in the novels, Femmes nouvelles (1899), Les Deux vies (1902), and Le Prisme (1905) . Their See also:

• LITERARY

literary partner-See also:

• SHIP

ship was dissolved in 1907 . Paul Margueritte was one of the See also:

• ORIGINAL

original members of the See also:

• ACADEMIC

Academic de See also:

• GONCOURT, DE

Goncourt . See P. et V . Margueritte (1905) by E . Pilon, in the series of Celebrites d'aujourd'hui, and A . France, La See also:

• VIE

Vie litteraire (4th series, 1892) .