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See also: born in See also: Algeria, were the sons of General See also: Jean Auguste See also: Margueritte (1823—1870), who after an honourable career in Algeria was mortally wounded in the See also: great cavalry See also: charge at See also: Sedan, and died in Belgium, on the 6th of See also: September 187o
.
An account of his See also: life was published by See also: Paul Margueritte as Mon Pere (1884; enlarged ed., 1897)
.
The names of the two See also: brothers are generally associated, on account of their collaboration
.
Paul Margueritte, who has given a picture of his home in Algiers in Le Jardin du passe (1895), was sent to the military school of La See also: Fleche for the sons of See also: officers, and became in 188o clerk to the See also: minister of public instruction
.
He designed two pantomimes, See also: Pierrot assassin de sa femme (Theatre Libre, 1882), and Colombine pardonnee (Cercle funambulesque, 1888),
in which the traditional Pierrot, played by Margueritte himself, became a See also: nervous, tragic creature
.
He resigned his clerkship in 1889 to devote himself entirely to literature, producing in rapid succession a series of novels, among which were Tous quatre (1885), La Confession posthume (1886), Maison ouverte (1887), Pascal Gefosse (1887), Jours d'epreuve (1889), Amants (189o),La Force See also: des choses (1891), Sur le retour (1892), La Tour mente (1893), Ma grande (1892), Ame d'enfant (1894) and L'Eau qui See also: dort (1896)
.
Paul Margueritte had begun as a realistic novelist, but he was one of the five writers who signed a manifesto against Zola's La Terre, and he made his reputation by delicate, sober studies of the by-ways of sentiment
.
His See also: brother Victor entered his See also: father's regiment, the 1st chasseurs d'Afrique, in 1888, and served in the army until 1896, when he resigned his commission
.
He was already known by some volumes of See also: poetry, and by a See also: translation from Calderon (La See also: Double meprise, played at the Odeon, 1898) when he began to collaborate with his brother
.
From the See also: time of this collaboration Paul Margueritte's See also: work gained in colour and force
.
Among the books written in See also: common by the brothers, the most famous is the series known under the collective title, Une Epoque, dealing with the events of 187o-1871, and including the novels Le Desastre (1898), See also: Les Tronrcons du glaive (19oo), Les Braves gens (19o1), La Commune (1904)
.
They also collaborated in an Histoire de la guerre de r87o-1871(1903)
.
These books were founded on a mass of documentary and verbal information, amassed with great care and arranged with admirableSee also: art; the authors are historians rather than novelists
.
The disasters and humiliations of the See also: campaigns are faithfully described, but are traced to defects of organization and leadership; while the courage and patriotism of the army itself is made the 'basis of an assured confidence in the destinies of See also: France
.
La Commune is a bold See also: indictment of the methods adopted by the victorious party
.
The novelists also attacked the See also: laws governing See also: marriage and See also: divorce and the abuses entailed by the dowry demanded from the bride, in See also: pamphlets and in the novels, Femmes nouvelles (1899), Les Deux vies (1902), and Le Prisme (1905)
.
Their See also: literary partner-See also: ship was dissolved in 1907
.
Paul Margueritte was one of the See also: original members of the See also: Academic de See also: Goncourt
.
See P. et V
.
Margueritte (1905) by E
.
Pilon, in the series of Celebrites d'aujourd'hui, and A
.
France, La See also: Vie litteraire (4th series, 1892)
.
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