CARL See also:

• MARK
• CARL MARK (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

MARK (1858– )  , See also:

• AMERICAN

American artist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MILWAUKEE

Milwaukee, See also:

• WISCONSIN (known as " the Badger' state ")
• WISCONSIN, UNIVERSITY OF

Wisconsin, on the 14th of See also:

• FEBRUARY

February 1858, the son of an engraver . He was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry See also:

• VIANDEN

Vianden in Milwaukee, of Schauss in See also:

• WEIMAR

Weimar, of Gussow in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin, and subsequently of See also:

• OTTO

Otto Seitz, See also:

• GABRIEL (Heb. SKns, man of God)

Gabriel and Max Lindenschmitt in See also:

• MUNICH (Ger. Munchen)

Munich . His first See also:

• WORK

work, " See also:

• AHASUERUS (the Latinized form of the Hebrew siSi nte; in LXX. 'AQ rofrgpos, once in Tobit 'Ao o pos)

Ahasuerus, the Wandering See also:

• JEW, THE WANDERING

Jew," received a See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal in Munich . One of his pictures, " See also:

• EPISODE

Episode of 1813," is in the Royal See also:

• HANOVER
• HANOVER (Ger. Hannover)

Hanover See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, and his " See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany in 18o6 " received a See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold medal in Munich and is in the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of Koenigsberg . A large See also:

• CANVAS

canvas " The See also:

• FLAGELLANTS (from Lat. flagellare, to whip)

Flagellants," now in the Milwaukee public library, received a gold medal at the Munich Exposition in 1889 . Another canvas, " Summer Afternoon," in the See also:

• PHOEBE

Phoebe Hearst collection, received a gold medal in Berlin, in 1892 . Marr became a See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor in the Munich Academy in 1893, and in 1895 a member of the Berlin Academy of Arts . MARRADI; GIOVANNI (1852– ), See also:

• ITALIAN

Italian poet, was born at See also:

• LEGHORN (Ital. Livorno, Fr. Livourne)

Leghorn, and educated at See also:

• PISA
• PISA, COUNCIL OF (1409)

Pisa and See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence . At the latter See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place he started with others a See also:

• SHORT, FRANCIS JOB (1857– )

short-lived See also:

• REVIEW (Fr. revue, from revoir, to see again, Lat. re and videre)

review, the Nuovi Goliardi, which made some See also:

• LITERARY

literary sensation . He became a teacher at various colleges, and eventually an educational inspector in See also:

• MASSA

Massa See also:

• CARRARA
• CARRARA, or CARRARESI

Carrara . He was much influenced by See also:

• CARDUCCI, BARTOLOMMEO (156o-161o)
• CARDUCCI, GIOSUE (1836-1907)

Carducci, and became known not only as a critic but as a charming descriptive poet, his See also:

• PRINCIPAL

principal volumes of See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse being See also:

• CANZONE

Canzone moderne (187o), Fantasie marnie (1881), Canzoni e fantasie (1853), Ricordi lirici (1884), Poesie (1887), Nuovi canti (1891) and Ballate moderne (1895) .