E See also:

• E MARLITT

MARLITT  ., the See also:

• PSEUDONYM (Gr. >l ev&,vuµos, having a false name, ¢Evirls, false and ovoµa, name)

pseudonym of See also:

• EUGENIE

EUGENIE See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN (1825-1887), See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German novelist, who was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ARNSTADT

Arnstadt in Thuringia, the daughter of a See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

merchant, on the 5th of See also:

• DECEMBER (Lat. decent, ten)

December 1825 . By her musical See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent she attracted the See also:

• NOTICE

notice of the reigning princess of Schwarzburg-See also:

• SONDERSHAUSEN

Sondershausen, who provided for her training as a See also:

• SINGER, SIMEON (1846-1906)

singer at the See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

Conservatoire . After three years' study she made a successful See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage debut, but was compelled in consequence of deafness to abandon this career . She then became reader and travelling See also:

• COMPANION (through the O. Fr. compaignon or compagnon, from the Late Lat. companio,—cum, with, and panis, bread,—one who shares meals with another; the word has been wrongly derived from the Late Lat. compagnus, one of the same pages or district)

companion to her patroness, and her See also:

• LIFE

life at the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court and on her many travels furnished her with material for her novels . In 1863 she resigned her See also:

• POST

post, and then lived with her See also:

• BROTHER

brother at Arnstadt until her See also:

• DEATH

death on the 22nd of See also:

• JUNE

June 1887 . Her first novel, See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die zwolf Apostel, was published in the Gartenlaube in 1865 and this was followed in 1866 by Goldelse (23rd ed., 189o), with which she established her See also:

• LITERARY

literary reputation . Among others of her novels may be mentioned Blaubart (1866) ; Das Geheimnis der See also:

• ALTEN, SIR CHARLES [Karl] (1764–1840)

alten Mamsell (1867; 13th ed., 1888); Reichsgrafin Gisela (1869; 9th ed., 19o0), Das Heideprinzesschen (1871; 8th ed., 1888) and See also:

• IM(K2+a2+h2—2 ah cos 0)

Im Hause See also:

• DES

des Kommerzienrats (1877; 5th ed., 1891) . All these See also:

• WORKS

works are directed against social prejudices, but, although attractively written, are deficient in higher literary qualities and See also:

• APPEAL

appeal mostly to juvenile readers . E . See also:

• MARLITT, E

Marlitt's Gesammelte Romane and Novellen were published in ro volumes (1888—189o; 2nd ed., 1891—1894), to which is appended a See also:

• BIOGRAPHICAL

biographical memoir .