See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• JOHN MARSTON (c. 1575-1634)
• MARSTON, PHILIP BOURKE (1850-1887)

MARSTON (c. 1575-1634)  , See also:

• ENGLISH

English dramatist and satirist, eldest son of See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• MARSTON, JOHN (c. 1575-1634)
• MARSTON, PHILIP BOURKE (1850-1887)

Marston of See also:

• COVENTRY, SIR JOHN (d. 1682)
• COVENTRY, SIR WILLIAM (c. 1628-1686)
• COVENTRY, THOMAS COVENTRY, 1ST BARON (2578–1640)

Coventry, at one See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time lecturer of the See also:

• MIDDLE

Middle See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

Temple, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in 1575, or See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early in 1576 . See also:

• SWINBURNE, ALGERNON CHARLES (1837–1909)

Swinburne notes his See also:

• AFFINITIES

affinities with See also:

• ITALIAN

Italian literature, which may be partially explained by his parentage, for his See also:

• MOTHER

mother was the daughter of an Italian physician, See also:

• ANDREW (Gr. 'AvBp4as, manly)
• ANDREW, JOHN ALBION (1818-1867)

Andrew Guarsi . He entered Brasenose See also:

• COLLEGE (Collegium)

College, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, in 1592, taking his B.A. degree in 1594 . The See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder Marston in his will expresses regret that his son, to whom he See also:

• LEFT

left his See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law-books and the See also:

• FURNITURE (from " furnish," Fr. fournir)

furniture of his rooms in the Temple, had not been willing to follow his profession . John Marston married See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary Wilkes, daughter of one of the royal chaplains, and See also:

• BEN (from Old Eng. bennan, within)

Ben See also:

• JONSON

Jonson said that " Marston wrote his See also:

• FATHER

father-in-law's preachings, and his father-in-law his sermons." His first See also:

• WORK

work was The See also:

• METAMORPHOSIS

Metamorphosis of Pigmalions See also:

• IMAGE (Lat. imago, perhaps from the same root as imitari, copy, imitate)

Image, and certaine Satyres (1598) . " Pigmalion " is an erotic poem in the See also:

• METRE ((terpuc?, sc. rFxvf, from Gr. Or poi', measure)

metre of See also:

• VENUS

Venus and See also:

• ADONIS

Adonis, and See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall attached a rather clumsy See also:

• EPIGRAM

epigram to every copy that was exposed for See also:

• SALE
• SALE, GEORGE (c. 1697-1736)
• SALE, SIR ROBERT HENRY (1782—1845)

sale in See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge . In the same See also:

• YEAR

year Marston published, under the See also:

• PSEUDONYM (Gr. >l ev&,vuµos, having a false name, ¢Evirls, false and ovoµa, name)

pseudonym of W . Kinsayder, already employed in the earlier See also:

• VOLUME

volume, his See also:

• SCOURGE (Ital. scoriada, from Lat. excoriare, to flay, corium, skin)

Scourge of Villanie, eleven satires, in the See also:

• SIXTH

sixth of which he asserted that Pigmalion was intended to See also:

• PARODY (Gr. s-apybia, literally a song sung beside, a comic parallel)

parody the amorous See also:

• POETRY

poetry of the time . Both this volume and its predecessor were burnt by See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order of the See also:

• ARCHBISHOP (Lat. archiepiscopus, from Gr. apxceatorcoros)

archbishop of See also:

• CANTERBURY
• CANTERBURY, CHARLES

Canterbury . The satires, in which Marston avowedly took See also:

• PERSIUS

Persius as his See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model, are coarse and vigorous . In addition to a See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general attack on the vices of his See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age he avenges himself on Joseph Hall who had assailed him in Virgidemiae . He had a See also:

• GREAT

great reputation among his contemporaries .

John See also:

• WEEVER
• WEEVER, JOHN (1576-1632)

Weever couples his name with Ben Jonson's in an epigram; See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis See also:

• MERES, FRANCIS (1565-1647)

Meres in Palladis tamia (1598) mentions him among the satirists; a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long passage is devoted to " See also:

• MONSIEUR (Fr., formed from men, my, and sieur, lord)

Monsieur Kinsayder " in the Return from See also:

• PARNASSUS (mod. Likkoura or Likeri)

Parnassus (1606), and Dr Brinsley See also:

• NICHOLSON, HENRY ALLEYNE (1844-1899)
• NICHOLSON, JOHN (1822-18J7)
• NICHOLSON, WILLIAM (1753-1815)
• NICHOLSON, WILLIAM (1784-1844)

Nicholson has suggested that Furor poeticus in that piece may be a satirical portrait of him . But his invective by its general See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone, goes far to justify Mr W . J . See also:

• COURTHOPE, WILLIAM JOHN (1842— )

Courthope's See also:

• JUDGMENT

judgment that " it is likely enough that in seeming to satirize the See also:

• WORLD

world without him, he is usually holding up the See also:

• MIRROR (through O. Fr. mirour, mod. miroir, from a sup-posed Late Lat. miratorium, from mirari, to admire)

mirror to his own prurient mind." On the 28th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1599 See also:

• HENSLOWE, PHILIP (d. 1616)

Henslowe notices in his See also:

• DIARY

diary that he See also:

• LENT (0. Eng. lenclen, " spring," M. Eng. lenten, lente, lent; cf. Dut. lente, Ger. Lenz, " spring," 0. H. Ger. lenzin, lengizin, lenzo, probably from the same root as " long " and referring to " the lengthening days ")

lent " unto Mr Maxton, the new poete, the sum of See also:

• FORTY

forty shillings," as an advance on a See also:

• PLAY

play which is not named . Another 1 Hist. of Eng . Poetry, iii . 70 . See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand has amended "Maxton " to " Mastone." The earliest plays to which Marston's name is attached are The See also:

• HISTORY

History of See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio and Mellida . The First See also:

• PART

Part; and Antonio's Revenge . The Second Part (both entered at Stationers' Hall in 16o1 and printed 1602) . The second part is preceded by a See also:

• PROLOGUE (from Gr. 7rpo, before, and Myer, a word)

prologue which, in its gloomy forecast of the play, moved the admiration of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• LAMB (a word common to Teutonic languages; cf. Ger. Lamm)
• LAMB, CHARLES (1775–1834)

Lamb, who also compares the situation of Andrugio and See also:

• LUCIA (or LucY), ST

Lucia to See also:

• LEAR, EDWARD (1812-1888)

Lear and See also:

• KENT
• KENT, EARLS AND DUKES OF
• KENT, JAMES (1763-1847)
• KENT, WILLIAM (1685-1748)

Kent, but the See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene which he quotes gives a misleading See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of the play and of the general See also:

• TENOR (through Fr. and It. from Lat. tenor, holding on, course, sense of a law, tone)

tenor of Marston's work . The See also:

• MELODRAMA (a coined word from Gr. µEXos, music, and Spaµa, action)

melodrama and the exaggerated expression of these two plays offered an opportunity to Ben Jonson, who had already twice ridiculed Marston, and now pilloried him as Crispinus in The Poetaster (16o0 .

The See also:

• QUARREL

quarrel was patched up, for Marston dedicated his Malcontent (1604) to Jonson, and in the next year he prefixed commendatory verses to See also:

• SEJANUS, LUCIUS AELIUS

Sejanus . Far greater See also:

• RESTRAINT (from " to restrain," Lat. restringere, to hold back, prevent)

restraint is shown iii The Malcontent than in the earlier plays . It was printed twice in .1604, the second time with additions by John See also:

• WEBSTER
• WEBSTER, ALEXANDER (1707-1784)
• WEBSTER, BENJAMIN NOTTINGHAM (1797-1882)
• WEBSTER, DANIEL (1782-1852)
• WEBSTER, JOHN (fl. 1602-1624)
• WEBSTER, NOAH (1758-1843)
• WEBSTER, THOMAS (1773-1844)
• WEBSTER, THOMAS (1800-1886)

Webster . The Dutch Courtezan (1605) and Parasitaster, or the Fawne (1606) followed . In 1605 Eastward See also:

• HOE (through Fr. houe from O.H.G. houwd, mod. Ger. Haue; the root is seen in " hew," to cut, cleave; the word must be distinguished from " hoe," promontory, tongue of land, seen in place names, e.g. Morthoe, Luton Hoo, the Hoe at Plymouth, &c. ; this is t
• HOE, RICHARD MARCH (1812-1886)

Hoe,2 a See also:

• GAY, JOHN (1685-1732)
• GAY, MARIE FRANCOISE SOPHIE (1776-1852)
• GAY, WALTER (1856– )

gay See also:

• COMEDY

comedy of See also:

• LONDON

London See also:

• LIFE

life, which gave offence to the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king's Scottish See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends, caused the playwrights concerned in its See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production—Marston, See also:

• CHAPMAN (from O. Eng. ceap, and Mid. Eng. ,heap, to barter, cf. " Cheapside " in London, and Ger. Kaufmann)
• CHAPMAN, GEORGE (? 1559–1634)

Chapman and Jonson—to be imprisoned at the instance of See also:

• SIR

Sir See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James See also:

• MURRAY
• MURRAY (or MORAY), EARLS OF
• MURRAY (or MORAY), JAMES STUART, EARL OF (c. 1531-1570)
• MURRAY (or MORAY), SIR ROBERT (c. 1600-1673)
• MURRAY, ALEXANDER STUART (1841-1904)
• MURRAY, DAVID (1849– )
• MURRAY, EUSTACE CLARE GRENVILLE (1824–1881)
• MURRAY, JAMES (c. 1719-1794)
• MURRAY, JOHN
• MURRAY, JOHN (1778–1820)
• MURRAY, LINDLEY (1745–1826)
• MURRAY, LORD GEORGE (1694–1760)
• MURRAY, SIR JAMES AUGUSTUS HENRY (1837– )
• MURRAY, SIR JOHN (1841– )

Murray . The Wonder of See also:

• WOMEN

Women, or the Tragedie of Sophonisba (1606), seems to have been put forward by Marston as a model of what could be accomplished in tragedy . In the See also:

• PREFACE (Med. Lat. prefatia, for classical praefatio, praefari, to speak beforehand)

preface he mocks at those authors who make a See also:

• PARADE (Fr. parade, an adaptation from Ital. parada; cf. Span. parada, from Lat. parade, to prepare, equip, furnish)

parade of their authorities and their learning, and the next play, What you Will (printed 1607; but probably written much earlier), contains a further attack on Jonson . The tragedy of The Insatiate Countesse was printed in 1613, and again, this time anonymously, in 1616 . It was not included in the collected edition of Marston's plays in 1633, and in the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

Duke of See also:

• DEVONSHIRE (DEvoN)
• DEVONSHIRE, EARLS AND DUKES OF

Devonshire's library there is a copy bearing the name of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William Barksteed, the author of the poems, Myrrha, the Mother of Adonis (1607), and Hiren and the See also:

• FAIR

Fair See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek (1611) . The piece contains many passages See also:

• SUPERIOR

superior to anything to be found in Marston's well-authenticated plays, and Mr A . H . Bullen suggests that it may be Barksteed's version of an earlier one drafted by Marston .

The See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character and history of See also:

• ISABELLA (1451-15o4)
• ISABELLA, ISABEAU

Isabella are taken chiefly from " The Disordered Lyfe of the Countess of Celant " in William See also:

• PAYNTER (or PAINTER), WILLIAM (c. 1540-1594)

Paynter's See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

Palace of See also:

• PLEASURE (through Fr. plaisir from Lat. placere, to please; Gr. rlbovii)

Pleasure, derived eventually from See also:

• BANDELLO, MATTEO (1480-1562)

Bandello . There is no certain See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

evidence of Marston's authorship in Histriomastix (printed 161o, but probably produced before 1599), or in Jacke Drums Entertainement, or the Comedie of Pasquil and Katherine (1616), though he probably had a hand in both . Mr R . See also:

• BOYLE
• BOYLE, JOHN J
• BOYLE, ROBERT (1627-1691)

Boyle (Englische Sludien, vol. See also:

• XXX

xxx., 1901), in a See also:

• CRITICAL (in alphabetical order of authors)

critical study of See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare's See also:

• TROILUS

Troilus and Cressida, assigns to Marston's hand the whole of the See also:

• ACTION

action dealing with See also:

• HECTOR

Hector, with the prologue and See also:

• EPILOGUE

epilogue, and attributes to him the bombast and coarseness in the last scenes of the play . It will be seen that his undoubted dramatic work was completed in 1607 . It is uncertain at what time he exchanged professions, but in 1616 he was presented to the living of See also:

• CHRISTCHURCH

Christchurch, See also:

• HAMPSHIRE (or COUNTY OF SOUTHAMPTON, abbreviated HANTS)

Hampshire . He formally resigned his See also:

• CHARGE
• CHARGE (through the Fr. from the Late Lat. carricare, to load in a carrus or wagon; cf. " cargo ")

charge in 1631, and when his See also:

• WORKS

works were collected in 1633 the publisher, William Sheares, stated that the author " in his autumn and declining age " was living " far distant from this See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place." Nevertheless he died in London, in the See also:

• PARISH (Gr. irapouda, district, neighbourhood; 7r&poucos, one dwelling near or beside, from crap&, OtKOS, house; Lat. paroecur, Late Lat. parochia; cf. Fr. paroisse)

parish of Aldermanbury, on the 25th of See also:

• JUNE

June 1634 . He was buried in the Temple See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church . Marston's works were first published in 1633, once anonymously as Tragedies and Comedies, and then in the same year as Workes of Mr John Marston . The Works of John Marston (3 vols.) were reprinted by Mr J . O . Halliwell (Phillipps) in 1856, and again by Mr .

A . H . Bullen (3 vols.) in 1887 . His Poems (2 vols.) were edited by Dr A . B . See also:

• GROSART, ALEXANDER BALLOCH (1827-1899)

Grosart in 1879 . The See also:

• BRITISH

British Museum See also:

• CATALOGUE (a Fr. adaptation of the Gr. KaraXoyos, a register, from Karalyety, to enrol or pick out)

Catalogue tentatively assigns to Marston The Whipper of the Satyre his pennance in a See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

white sheete; or, the See also:

• BEADLE

Beadle's Confutation (160,), a pamphlet in See also:

• ANSWER (derived from and, against, and the same root as swear)

answer to The See also:

• WHIPPING, or FLOGGING

Whipping of the Satyre . For an See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of the quarrel of See also:

• DEKKER (or DECKER), THOMAS (c. 1570-1641)
• DEKKER, EDWARD DOUWES (182o-1887)
• DEKKER, JEREMIAS DE (1610-1666)

Dekker and Marston with Ben Jonson see Dr R . A . Small, The 2 Revived at See also:

• DRURY, SIR WILLIAM (1527-1579)

Drury See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane (1751) as The Prentices, in 1775 as Old See also:

• CITY (through Fr. cite, from Lat. civitas)

City See also:

• MANNERS, CHARLES (1857– )

Manners,-and said to have suggested See also:

• HOGARTH, WILLIAM (1697–1764)

Hogarth's " Industrious and Idle Prentices." See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

Stage Quarrel between Ben Jonson and the so-called Poetasters; in E . Koelbing, Forschungen zur englischen Sprache and Litteratur, pt. i . (1899) .

See also three articles John Marston als Dramatiker, by Ph . Aronstein in Englische Studien (vols. xx. and xxi., 1895), and " Quellenstudien zu den Dramen Ben Jonsons, John Marstons ... by Emil Koeppel (Miinchener Beitrdge zur See also:

• ROMAN

roman. and engl . Philologie, pt. xi . 1895) .