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MARSYAS , in See also: Greek See also: mythology, a Phrygian See also: god or See also: Silenus, son of Hyagnis
.
He was originally the god of the small See also: river of the same name near See also: Celaenae, an old Phrygian See also: town
.
He represents the See also: art of playing the See also: flute as opposed to the lyre—the one the accompaniment of the worship of Cybele, the other that of the worship of See also: Apollo
.
According to the See also: legend, Athena, who had invented the flute, threw it away in disgust, because it distorted the features
.
Marsyas found it, and having acquired See also: great skill in playing it, challenged Apollo to a contest with his See also: lyre
.
See also: Midas, See also: king of
See also: Phrygia, who had been appointed See also: judge, declared in favour of Marsyas, and Apollo punished Midas by changing his ears into ass's ears
.
In another version, the Muses were See also: judges and awarded the victory to Apollo, who tied Marsyas to a See also: tree and flayed him alive
.
Marsyas, as well as Midas and Silenus, are associated in legend with Dionysus and belong to the See also: cycle of legends of Cybele
.
A statue of Marsyas was set
1 According to others, a See also: reed-See also: pipe made of the stalks of hemlock; the See also: reading scutica (" See also: whip ") has also been proposed.up in the See also: Roman forum and colonies as a See also: symbol of liberty
.
The contest and punishment of Marsyas were favourite subjects in Greek art, both See also: painting and sculpture
.
In Florence there are several statues of Marsyas See also: hanging on the tree as he is going to be flayed (see GREEK ART, fig
.
54, Pl
.
II.); Apollo and the executioner See also: complete the See also: group
.
In the Lateran museum at See also: Rome there is a statue representing Marsyas in the See also: act of picking up the flute, a copy of a masterpiece by See also: Myron (See also: Hyginus, Fab
.
167, 191; See also: Apollodorus i
.
4, 2; Ovid, Metam. vi
.
382-400, xi
.
145-193), for which see GREEK ART, fig
.
64 (Pl
.
III.)
.
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