MLLE [See also:

• ANNE (1665-1714)
• ANNE (1693-1740)

ANNE FRANCOISE HYPPOLYTE BOUTET] See also:

• MARS
• MARS (MAYORS, MARMAR, MARSPITER GA MASPITER)
• MLLE [ANNE FRANCOISE HYPPOLYTE BOUTET] MARS (1779-1847)

MARS (1779-1847)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French actress, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 9th of See also:

• FEBRUARY

February 1779, the natural daughter of the actor-author named See also:

• MONVEL (1745-1812)

Monvel [Jacques See also:

• MARIE

Marie Boutet, 1745-18121, and ,Mlle See also:

• MARS
• MARS (MAYORS, MARMAR, MARSPITER GA MASPITER)
• MARS, MLLE [ANNE FRANCOISE HYPPOLYTE BOUTET] (1779-1847)

Mars Salvetat, an actress whose See also:

• SOUTHERN

southern See also:

• ACCENT

accent had made her Paris debut a failure . Mlle Mars began her See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage career in See also:

• CHILDREN, LAW RELATING TO

children's parts, and by 1799, after the rehabilitation of the Comedie Francaise, she and her See also:

• SISTER

sister (Mars ainee) joined that See also:

• COMPANY

company, of which she remained an active member for See also:

• THIRTY

thirty-three years . Her beauty and talents soon placed her at the See also:

• TOP (cf. Dan. top, Ger. Topf, also meaning pot)

top of her profession . She was incomparable in ingenue parts, and equally charming as the coquette . See also:

• MOLIERE (1622-1673)

Moliere, See also:

• MARIVAUX, PIERRE CARLET DE CHAMBLAIN DE (1688-1763)

Marivaux, See also:

• SEDAINE, MICHEL JEAN (1719-1797)

Sedaine, and See also:

• BEAUMARCHAIS, PIERRE AUGUSTIN CARON DE (1732-1799)

Beaumarchais had no more accomplished interpreter, and in her career of See also:

• HALF

half a See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century, besides many See also:

• COMEDY

comedy roles of the older repertoire, she created fully a See also:

• HUNDRED

hundred parts in plays which owed success largely to her . For her farewell performance she selected Elmire in Tartuffe, and Silvia in See also:

• FEU

feu de ?amour et du hasard, two of her most popular roles; and for her benefit, a few days after, Celimene in Le Misanthrope and Araminthe in See also:

• LES

Les Femmes savantes . She retired in 1841, and died in Paris on the loth of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1847 .