FRANCISCO DE PAULA MARTYNEZ DE LA See also:

• ROSA, CARL AUGUST NICHOLAS (1843-1889)
• ROSA, MONTE
• ROSA, SALVATOR (1615-1673)

ROSA (2789–1862)  , See also:

• SPANISH

Spanish statesman and dramatist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the loth of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1789 at See also:

• GRANADA
• GRANADA, LUIS DE (1504-1588)

Granada, and educated at the university there . He won popularity with a See also:

• SERIES (a Latin word from serere, to join)

series of epigrams on See also:

• LOCAL

local celebrities published under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of El Cementerio de momo . During the struggle against See also:

• NAPOLEON

Napoleon he took the patriotic See also:

• SIDE
• SIDE (mod. Eski Adalia)

side, was elected See also:

• DEPUTY (through the Fr. from a Late Lat. use of deputare, to cut off, allot; putare having the original sense of to trim, prune)

deputy, and at See also:

• CADIZ
• CADIZ (Cadiz)
• CADIZ (in Lat. Gades, and formerly called Cales by the English)

Cadiz produced his first See also:

• PLAY

play, Lo que puede un empleo, a See also:

• PROSE

prose See also:

• COMEDY

comedy in the manner of the younger See also:

• MORATIN, LEANDRO ANTONIO EULOGIO MELITUN FERNANDEZ DE (176o-1828)
• MORATIN, NICOLAS FERNANDEZ DE (1737-1780)

Moratin . La Viuda de See also:

• PADILLA, JUAN LOPEZ DE

Padilla (1814), a tragedy modelled upon See also:

• ALFIERI, VITTORIO, COUNT (1749-1803)

Alfieri, was less acceptable to the Spanish public . Meanwhile the author became more and more engulfed in politics, and in 2814 was banished to See also:

• AFRICA
• AFRICA, ROMAN

Africa, where he remained till 182o, when he was suddenly recalled and appointed See also:

• PRIME, PRIMER AND PRIMING

prime See also:

• MINISTER (Lat. minister, servant)

minister . During the next three years he was the most unpopular See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man in See also:

• SPAIN
• SPAIN (Espana)

Spain; denounced as a revolutionist by the Conservatives and as a reactionary by the Liberals, he alienated the sympathies of all parties, and his See also:

• RHETORIC (Gr. psroperctj TEXvq, the art of the orator)

rhetoric earned for him the contemptuous nick-name of Rosita la Pastelera . Exiled in 1823, he took See also:

• REFUGE

refuge in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, where he issued his Obras literarias (1827), including his Arte poetica, in which he exaggerated the See also:

• LITERARY

literary theories already promulgated by Luzan . Returning to Spain in 1831, he became prime minister on the See also:

• DEATH

death of See also:

• FERDINAND
• FERDINAND (1577-1650)
• FERDINAND (COLOGNE)
• FERDINAND (Span. Fernando or Hernando; Ital. Ferdinando or Ferrante; in O. H. Ger. Herinand, i.e. " brave in the host," from O. H. G. Heri, "army," A. S. here, Mod. Ger. Heer, and the Goth. nan]jan, " to dare ")
• FERDINAND, MAXIMILIAN KARL LEOPOLD MARIA

Ferdinand VII., but proved incapable of See also:

• COPING (from " cope," Lat. capa)

coping with the insurrectionary See also:

• MOVEMENT

movement and resigned in 1834 . He was See also:

• AMBASSADOR (also EMBASSADOR, the form sometimes still used in America; from the Fr. ambassadeur, with which compare Ital. ambasciatore and Span. embajador, all variants of the Med. Lat. ambassiator, ambassiator, ambasator, &c., derived from Med. Lat. amba

ambassador at Paris in 1839–1840 and at See also:

• ROME
• ROME (Roma)

Rome in 1842–1843, joined the Conservative party, held many important offices, and was See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of See also:

• CONGRESS (Lat. congressus, coming together, from congredi; cum, with, and gradus, step)

congress and director of the Spanish See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy at the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time of his death, which took See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place at See also:

• MADRID

Madrid on the 7th of See also:

• FEBRUARY

February 1862 . As a states-man, Martinez de la See also:

• ROSA, CARL AUGUST NICHOLAS (1843-1889)
• ROSA, MONTE
• ROSA, SALVATOR (1615-1673)

Rosa never See also:

• ROSE
• ROSE (Rosa)
• ROSE, GEORGE (1744-1818)
• ROSE, HUGH JAMES (1795—1838)
• ROSE, WILLIAM STEWART (1775-1843)

rose above mediocrity . It was his misfortune to be in place without real See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power, to struggle against a turbulent pseudo-democratic movement promoted by unscrupulous soldiers, and to contend with the intrigues of the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king, the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court camarilla and the See also:

• CLERGY (M.E. clergie, O. Fr. clergie, from Low Lat. form clericia [Skean, by assimilation with O. Fr. clergie, Fr. clerge,from Low Lat. clericatus)
• CLERGY, BENEFIT OF

clergy . But circumstances which hampered him in politics favoured his career in literature .

He was not a See also:

• GREAT

great natural force; his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early plays and poems are influenced by Moratin or by Melendez See also:

• VALDES, JUAN DE (c. 1500-1541)

Valdes; his Espiritu del siglo (1835) is an elegant See also:

• SUMMARY

summary of all the commonplaces concerning the See also:

• PHILOSOPHY (Gr. gthos, fond of, and vo4 (a, wisdom)

philosophy of See also:

• HISTORY

history; his Dona See also:

• ISABEL

Isabel de See also:

• SOLIS, ANTONIO DE (1610-16S6)

Solis (1837–1846) is a weak See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott's See also:

• HISTORICAL

historical novels . Still his place in the history of Spanish literature is secure, if not eminent . Through the happy See also:

• ACCIDENT
• ACCIDENT (from Lat. accidere, to happen)

accident of his See also:

• EXILE (Lat. exsilium or exilium, from exsul or exul, which is derived from ex, out of, and the root sal, to go, seen in salire, to leap, consul, &c.; the connexion with solum, soil, country is now generally considered wrong)

exile at Paris he was thrown into relations with the leaders of the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French'romantic movement, and was so far impressed with the innovations of the new school as to write in French a romantic piece entitled Aben-Humeya (183o), which was played at the See also:

• PORTE, THE SUBLIME (Arab. babi-'ali, the high gate, through the French translation la sublime porte)

Porte See also:

• SAINT (lat. sanctus, " holy ")

Saint-See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin . The experiment was not unsuccessful, and on his return to Madrid Martinez de la Rosa produced La ConjuraciOn de Venecia (See also:

• APRIL

April 23, 1834), which entitles him to be called the See also:

• PIONEER

pioneer of the romantic See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama in Spain . The play is more reminiscent of Casimir See also:

• DELAVIGNE, JEAN FRANCOIS CASIMIR (1793-1843)

Delavigne than of See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

Victor See also:

• HUGO, GUSTAV VON (1764–1844)
• HUGO, VICTOR MARIE (1802-1885)

Hugo; but it was unquestionably effective, and smoothed the way for the bolder essays of Rivas, See also:

• GARCIA
• GARCIA (DEL POPOLO VICENTO), MANOEL (1775-1832)

Garcia Gutierrez and See also:

• HARTZENBUSCH, JUAN EUGENIO (18o6-188o)

Hartzenbusch .