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MASOLINO DA PANICALE (1383—c. 1445) , Florentine painter, was said to have been See also: born at Panicale di Valdelsa, near Florence
.
It is more probable, however, that he was born in Florence itself, his See also: father, Cristoforo Fini, who was an " imbiancatore," or whitewasher, having been domiciled in the Florentine quarter of S
.
Croce
.
There is reason to believe that Tommaso, nick-named Masolino, was a pupil of the painter Stamina, and was principally influenced in See also: style by Antonio Veneziano; he may probably enough have become in the sequel the master of See also: Masaccio
.
He was born in 1383; he died later than 1429, perhaps as See also: late as 1440 or even 1447
.
Towards 1423 he entered the service of Filippo Scolari, the Florentine-born obergespann of Temeswar in Hungary, and stayed some See also: time in that country, returning towards 1427 to See also: Italy
.
The only See also: works which can with certainty be assigned to him are a series of See also: wall paintings executed towards 1428, commissioned by See also: Cardinal Branda See also: Castiglione, in the See also: church of Castiglione d'Olona, not far from Milan, and another series in the adjoining baptistery
.
The first set is signed as painted by " Masolinus de Florentia." It was recovered in 1843 from a coating of
See also: white-
See also: wash, considerably damaged; its subject See also: matter is taken from the lives of the Virgin and of SS See also: Lawrence and See also: Stephen
.
The series in the baptistery relates to the See also: life and See also: death of See also: John the Baptist
.
The reputation of Masolino had previously rested almost entirely upon the considerable share which hewas supposed to have had in the celebrated frescoes of the Brancacci
See also: Chapel, in the Church of the See also: Carmine in Florence; he was regarded as the precursor of Masaccio, and by many years the predecessor of Filippino See also: Lippi, in the execution of a large proportion of these works
.
But from a comparison of the Castiglione with the Brancacci frescoes, and from other data, it is very doubtful whether Masolino had any See also: hand at all in the latter series
.
Possibly he painted in the Brancacci Chapel certain specified subjects which are now either destroyed or worked over
.
Several paintings assigned to Masolino on the authority of See also: Vasari are now ascribed to Masaccio
.
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