See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

VICTOR See also:

• MAUREL, ABDIAS (d. 1705)
• VICTOR MAUREL (1848– )

MAUREL (1848– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• SINGER, SIMEON (1846-1906)

singer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MARSEILLES

Marseilles, and educated in See also:

• MUSIC

music at the See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

Conservatoire . He made his debut in See also:

• OPERA (Italian for " work ")

opera at Paris in 1868, and in See also:

• LONDON

London in 1873, and from that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time onwards his admirable acting and vocal method established his reputation as one of the finest of operatic baritones . He created the leading See also:

• PART

part in See also:

• VERDI, GIUSEPPE FORTUNINO FRANCESCO (1813-1901)

Verdi's Otello, and was equally See also:

• FINE

fine in Wagnerian and See also:

• ITALIAN

Italian opera .