ANTON See also:

• ANTON MAUVE (1838–1888)

MAUVE (1838–1888)  , Dutch landscape painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ZAANDAM (incorrectly SAAuDAM)

Zaandam, the son of a Baptist See also:

• MINISTER (Lat. minister, servant)

minister . Much against the wish of his parents he took up the study of See also:

• ART

art and entered the studio of See also:

• VAN

Van Os, whose dry See also:

• ACADEMIC

academic manner had, however, but little attraction for him . He benefited far more by his intimacy with his See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends Jozef Israels and W . See also:

• MARIS, JACOB (1837-1899)

Maris . Encouraged by their example he abandoned his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early tight and highly finished manner for a freer, looser method of See also:

• PAINTING

painting, and the brilliant See also:

• PALETTE (the Fr. diminutive of pale, spade, blade of an oar, from Lat. Pala, spade, baker's shovel or peel; cf. pandere, to spread)

palette of his youthful See also:

• WORK

work for a See also:

• TENDER

tender lyric See also:

• HARMONY (Gr. dpµovia, a concord of musical sounds, dpA'ew to join; &plan midi (sc. TeXvil)

harmony which is generally restricted to delicate greys, greens, and See also:

• LIGHT

light See also:

• BLUE (common in different forms to most European languages)

blue . He excelled in rendering the soft hazy See also:

• ATMOSPHERE (Gr. fir µ6r, vapour; orkaipa, a sphere)

atmosphere that lingers over the See also:

• GREEN, A
• GREEN, ALEXANDER HENRY (1832—1896)
• GREEN, DUFF (1791—1875)
• GREEN, JOHN RICHARD (1837—1883)
• GREEN, MATTHEW (1696-1737)
• GREEN, THOMAS HILL (1836-1882)
• GREEN, VALENTINE (1739–1813)
• GREEN, WILLIAM HENRY (.1825–1900)

green meadows of See also:

• HOLLAND
• HOLLAND, CHARLES (1733–1769)
• HOLLAND, COUNTY AND PROVINCE OF
• HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
• HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
• HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
• HOLLAND, JOSIAH GILBERT (1819-1881)
• HOLLAND, PHILEMON (1552-1637)
• HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
• HOLLAND, SIR HENRY, BART

Holland, and devoted himself almost exclusively to depicting the peaceful rural See also:

• LIFE

life of the See also:

• FIELDS, JAMES THOMAS (1817-1881)

fields and See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country lanes of Holland—especially of the districts near Oosterbeek and Wolfhezen, the See also:

• SAND
• SAND, GEORGE (1804-1876)

sand See also:

• DUNES

dunes of the See also:

• COAST (from Lat. costa, a rib, side)

coast at See also:

• SCHEVENINGEN

Scheveningen, and the country near Laren, where he spent the last years of his life . A little sad and See also:

• MELANCHOLY (Gr. µe)tayXotia, from µEtas, black, and Xotii, bile)

melancholy, his See also:

• PASTORAL (from Lat. pastor, a shepherd)

pastoral scenes are nevertheless conceived in a peaceful soothing lyrical See also:

• MOOD

mood, which is in marked contrast to the epic See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power and almost tragic intensity of J . F . See also:

• MILLET (Fr. millet; Ital. miglietto, diminutive of miglio= Lat. mille, a thousand, in allusion to its fertility)
• MILLET (or MILE), JEAN FRANCOIS (c. 1642–1679)
• MILLET, FRANCIS DAVIS (1846- )
• MILLET, JEAN FRANCOIS (1814–1875)

Millet . There are fourteen of See also:

• MAUVE, ANTON (1838–1888)

Mauve's pictures at the Mesdag Museum at the See also:

• HAGUE, THE (in Dutch, 's Gravenhage, or, abbreviated, den Haag; in Fr. La Haye; and in Late Lat. Haga Comitis)

Hague, and two (" Milking See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

Time " and " A Fishing See also:

• BOAT (0. Eng. bdt; the true etymological connexion with Dutch and Ger. boot, Fr. bateau, Ital. battello presents great difficulties; Celtic forms are from O. Eng.)

Boat putting to See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

Sea ") at the Ryks Museum in See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam . The See also:

• GLASGOW

Glasgow See also:

• CORPORATION (from Lat. corporare, to form into a body, corpus, corporis)

Corporation See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery owns his painting of " A See also:

• FLOCK

Flock of See also:

• SHEEP
• SHEEP (from the Anglo-Saxon sceap, a word common in various forms to Teutonic languages; e.g. the German Schaf)

Sheep." The finest and most representative private collection of pictures by Mauve was made by Mr J . C .

J . Drucker, See also:

• LONDON

London .