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See also: English poet and historian, son of See also: Sir See also: Thomas May of Mayfield,
See also: Sussex, was See also: born in 1595• He entered See also: Sidney Sussex See also: College, Cambridge, in 16og, and took his B.A. degree three years later
.
His See also: father having lost his See also: fortune and sold the See also: family estate, Thomas May, who was hampered by an impediment in his speech, made literature his profession
.
In 162o he produced The Heir, an ingeniously constructed See also: comedy, and, probably about the same See also: time, The Old Couple, which was not printed until 1658
.
His other dramatic See also: works are classical tragedies on the subjects of See also: Antigone, See also: Cleopatra, and See also: Agrippina
.
F
.
G
.
Fleay has suggested that the more famous See also: anonymous tragedy of See also: Nero (printed 1624, reprints in A
.
H
.
Bullen's Old English Plays and the Mermaid Series) should also be assigned to May
.
But his most important See also: work in the department of pure literature was his See also: translation (1627) into heroic couplets of the Pharsalia of See also: Lucan
.
Its success led May to write a continuation of Lucan's narrative down to the See also: death of Caesar
.
See also: Charles I. became his
See also: patron, and commanded him to write metrical histories of See also: Henry II. and
See also: Edward III., which were completed in 1635
.
When the See also: earl of Pembroke, then See also: lord See also: chamberlain, broke his staff across May's shoulders at a masque, the
See also: king took him under his
See also: protection as " my poet," and Pembroke made him an See also: apology accompanied with a gift of 50
.
These marks of the royal favour seem to have led May to expect the posts of poet-laureate and city chronologer when they See also: fell vacant on the death of See also: Ben See also: Jonson in 1637, but he was disappointed, and he forsook the See also: court and attached himself to the party of the Parliament
.
In 1646 he is styled one of the " secretaries " of the Parliament, and in 1647 he published his best known work, The See also: History of the Long Parliament
.
In this official apology for the moderate or Presbyterian party, he professes to give an impartial statement of facts, unaccompanied by any expression of party or See also: personal opinion
.
If he refrained from actual invective, he accomplished his purpose, according to Guizot, by " omission, palliation and dissimulation." Accusations of this kind were foreseen by May, who says in his preface that if he gives more information about the Parliament men than their opponents it is that he was more conversant with them and their affairs
.
In r65o he followed this with another work written with a more definite See also: bias, a Breviary of the History of the Parliament of See also: England, in Latin and English, in which he defended the position of the See also: Independents
.
He stopped See also: short of the catastrophe of the king's execution, and it seems likely that his subservience to See also: Cromwell was not quite voluntary
.
In See also: February 165o he was brought to See also: London from See also: Weymouth under a strong guard for having spread false reports of the Parliament and of Cromwell
.
He died on the 13th of See also: November in the same See also: year, and was buried in See also: Westminster Abbey, but after the Restoration his remains were exhumed and buried in a pit in the yard of St See also: Margaret's, Westminster
.
May's change of See also: side made him many bitter enemies, and he is the See also: object of scathing condemnation from many of his contemporaries
.
There is a long See also: notice of May in the Biographia Britannica
.
See also W
.
J . See also: Courthope, Hist. of Eng
.
See also: Poetry, vol
.
3; and Guizot, Etudes biographiques sur la revolution d'Angleterre (pp
.
403-426, ed
.
1851)
.
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