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MEDEA (Gr. Mi/Seta)

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Originally appearing in Volume V18, Page 19 of the 1911 Encyclopedia Britannica.
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MEDEA (Gr. Mi/Seta)  , in Greek legend, a famous sorceress, daughter of Aeetes, king of
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Colchis . Having been thrown into prison by her
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father, who was afraid of being injured by her
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witchcraft, she escaped by means of her
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art and fled to the temple of Helios the Sun-
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god, her reputed grandfather . She fell in love with Jason the Argonaut, who reached Colchis at this time, and exacted a terrible revenge for his faithlessness (see ARGONAUTS and JASON) . After the
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murder of Jason's second wife and her own children, she fled from Corinth in her car
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drawn by dragons, the gift of Helios, to Athens, where she married king
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Aegeus, by whom she had a son, Medus . But the
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discovery of an attempt on the
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life of
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Theseus, the son of Aegeus, forced her to leave Athens (
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Apollodorus i . 9, 28;
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Pausanias ii . 3, 6-11; Diod . Sic. iv . 45, 46, 54-56) . Accompanied by her son, she returned to Colchis, and restored her father to the
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throne, of which he had been deprived by his own
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brother Perses . Medus was regarded as the
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eponymous hero and progenitor of the Medes . Medea was honoured as a goddess at Corinth, and was said to have become the wife of Achilles in the Elysian fields .

The

chief seat of her cult, however, was
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Thessaly, which was always regarded as the home of magic . As time went on her character was less favourably described . In the case of Jason and the Argonauts, she plays the
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part of a kindly, good-natured fairy; Euripides, however, makes her a barbarous priestess of Hecate, while the Alexandrian writers depicted her in still darker colours . Some authorities regard Medea as a lunar divinity, but the ancient conception of her as a Thessalian sorceress is probably correct . The popularity of the story of Jason and Medea in antiquity is shown by the large amount of literature on the subject . The
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original story was probably contained in an old epic poem called Manias aotrlols, the authorship of which was ascribed to Prodicus of Phocaea . It is given at some length in the
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fourth Pythian ode of Pindar, and forms the subject of the Argonautica of
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Apollonius Rhodius . There is a touching
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epistle (Medea to Jason) in the Heroides of Ovid . Medea is the heroine of extant tragedies of Euripides and
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Seneca; those of Aeschylus and Ennius (adapted from Euripides) are lost . Neophron of Sicyon and
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Melanthius wrote plays of the same name . Among
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modern writers on the same theme may be mentioned T . Corneille, F .

Grillparzer and M . Cherubini (opera) . The
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death of Glauce and the murder of her children by Medea Was frequently represented in ancient art . In the famous picture of Tomomachus of
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Byzantium Medea is deliberating whether or not she shall kill her children; there are copies of this
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painting in the mural decorations of
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Herculaneum and
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Pompeii . See Leon Mallinger, Medee: etude sur la litterature comparee, an account of Medea in Greek,
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Roman,
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middle age and modern literature (1898); and the articles in Daremberg and Saglio's Dictionnaire
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des antiquites and Roscher's Lexikon der Mythologie .

End of Article: MEDEA (Gr. Mi/Seta)
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