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JUAN DE MENA (1411–1456) , See also: Spanish poet, was See also: born at Cordova in 1411
.
In his twenty-See also: fourth See also: year he matriculated at the university of Salamanca, and studied later at See also: Rome
.
His scholarship obtained for him the See also: post of Latin secretary at the See also: court of Castille; subsequently he became historiographer to See also: John II. and magistrate at C6rdova
.
According to the Epicedio of Valerio Francisco Romero, Mena died from natural causes in 1456; popular tradition, however, ascribes his
See also: death to a fall from his See also: mule
.
Though nominally the See also: king's chronicler, Mena had no share in the Cr6nica de
See also: Don Juan II.; the statement that he wrote the first See also: act of the See also: Celestina (q.v.) is rejected; but three authentic specimens of his cumbrous See also: prose exist in the commentary to his dull poem entitled La See also: Coronation or Calamacileos, in the Iliada en See also: romance (an abridged version of See also: Homer), and in the unpublished Memorias de algunos linajes antiguas a nobles de Castilla
.
He is conjectured to be the author of the satirical Coplas de la panadera; but, apart from the fact that these verses are ascribed by Argote de See also: Molina to Inigo Ortiz de Zuiiiga,, they are See also: instinct with a See also: tart See also: humour of which Mena was destitute
.
His See also: principal See also: work is his allegorical poem, El Laberinto de See also: Fortuna, dedicated to John II.; in the See also: oldest See also: manuscripts it consists of 297 stanzas, but three more stanzas were added to it later, and hence the alternative, popular title of See also: Las Trezientas
.
The Laberinto is modelled on See also: Dante, and further contains reminiscences of the See also: Roman de la See also: rose, as well as episodes borrowed from Virgil and See also: Lucan
.
It is marred by excessive emphasis and pedantic diction, and the arte mayor measure in which it is written is monotonous; but many octaves are of such excellence that the ante mayor metre continued in fashion for nearly a
century
.
The poem, as a whole, is tedious; yet its dignified expression of patriotic spirit has won the admiration of Spaniards from Cervantes' See also: time to our own
.
A critical edition of the Laberinto has been issued by R
.
Foulche-Delbosc (See also: Macon, 1904)
.
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