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PEDRO DE MENA (d. 1693) , See also: Spanish sculptor, was See also: born in See also: Adra
.
He was a pupil of his See also: father as well as of Alonzo Cano
.
His first conspicuous success was achieved in See also: work for the See also: con-vent El See also: Angel at See also: Granada, including figures of St See also: Joseph, St Antony of See also: Padua, St Diego, St Pedro Meantara, St Franciscus and See also: Santa See also: Clara
.
In 1658 he signed a contract for sculptural work on the choir stalls of the See also: cathedral at Malaga—this work extending over four years
.
Other See also: works are, statues of the Madonna and See also: child and of St Joseph in See also: Madrid, the polychromatic figures in the See also: church of St Isodoro, the Magdalena and the Gertrudis in the church of St
See also: Martin (Madrid), the crucifixion in the Nuestra Senora de Gracia (Madrid), the statuette of St
See also: Francis of See also: Assisi in Toledo, and of St Joseph in the St See also: Nicholas church in See also: Murcia
.
Between 1673 and 1679 Mena worked at Cordova
.
About 168o he was in Granada, where he executed a See also: half-length Madonna and child (seated) for St Dominicos
.
Mena died in See also: Malaga in 1693
.
He and Mora (q.v.) may be regarded as See also: artistic descendants of Montanes and Alonzo Cano, but in technical skill and the expression of religious See also: motive his statues are unsurpassed in the sculpture of See also: Spain
.
His feeling for the nude was remarkable
.
Like his immediate predecessors he excelled in the portrayal of contemplative figures and scenes; Mena's See also: drawing of See also: Santiago leaping upon his charger is See also: good, and the See also: carving admirable, but the necessary See also: movement for so spirited an See also: action is lacking
.
See B
.
Haendeke, Studien zur Geschichte der spanischen Plastik ( Strassburg, 1900) . |
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