See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

ANTONIO HURTADO DE See also:

• MENDOZA
• ANTONIO HURTADO DE MENDOZA (1593?-1644)
• MENDOZA, DIEGO HURTADO DE (1503-1575)
• MENDOZA, PEDRO GONZALEZ DE (1428-1495)

MENDOZA (1593?-1644)  , See also:

• SPANISH

Spanish dramatist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born about the end of the 16th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century in the See also:

• PROVINCE
• PROVINCE (Lat. provincia; perhaps a contraction of providentia)

province of See also:

• ASTURIAS

Asturias, became See also:

• PAGE
• PAGE, THOMAS NELSON (1853- )
• PAGE, WILLIAM (1811-1885)

page to the See also:

• COUNT (Lat. comes, gen. comitis, Fr. comte, Ital. conte, Span. conde)

count de Saldana (son of the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke de See also:

• LERMA, FRANCISCO DE SANDOVAL Y ROJAS, DUKE OF (1552–1625)

Lerma), and was recognized as a rising poet by Cervantes in the Viaje del Parnaso (1614) . He See also:

• ROSE
• ROSE (Rosa)
• ROSE, GEORGE (1744-1818)
• ROSE, HUGH JAMES (1795—1838)
• ROSE, WILLIAM STEWART (1775-1843)

rose rapidly into favour under See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip IV., who appointed him private secretary, commissioned from him comedias palaciegas for the royal See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre at See also:

• ARANJUEZ (perhaps the ancient Ara Jovis)

Aranjuez, and in 1623 conferred on him the orders of See also:

• SANTIAGO, or SANTIAGO DE CHILE

Santiago and Calatrava . Most of his contemporaries and rivals paid See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court to " el discreto de palacio," and See also:

• MENDOZA
• MENDOZA, ANTONIO HURTADO DE (1593?-1644)
• MENDOZA, DIEGO HURTADO DE (1503-1575)
• MENDOZA, PEDRO GONZALEZ DE (1428-1495)

Mendoza seems to have lived on the friendliest terms with all his See also:

• BROTHER

brother-dramatists except See also:

• RUIZ, JUAN (c. 1283-c. 1350)

Ruiz de See also:

• ALARCON, HERNANDO DE
• ALARCON, JUAN RUIZ DE (1518 ?-1639)
• ALARCON, PEDRO ANTONIO DE (1833-1891)

Alarcon . He is said to have been involved in the fall of See also:

• OLIVARES, GASPAR DE GUZMAN

Olivares, and died unexpectedly at See also:

• SARAGOSSA (Zaragoza)
• SARAGOSSA, COUNCILS OF (Concilia Caesarauguslana)

Saragossa on the ,9th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1644 . Only one of his plays, Querer See also:

• POR

por See also:

• SOLO, OR SOLO WHIST

solo querer, was published with his consent; it is included in a See also:

• VOLUME

volume (1623) containing his semi-See also:

• OFFICIAL (Late Lat. QJicialis, for class. Lat. apparitor, from officium, office, duty)

official See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of the performances at Aranjuez in 1622 . The best edition of Mendoza's plays and verses bears the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of Obras liricas y c6micas, divinas y humanas (1728) . Much of his See also:

• WORK

work does not rise above the level of graceful and accomplished See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse; but that he had higher qualities is shown by El Marido hate mujer, a brilliant See also:

• COMEDY

comedy of See also:

• MANNERS, CHARLES (1857– )

manners, which forms the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief source of See also:

• MOLIERE (1622-1673)

Moliere's Ecole See also:

• DES

des marts . The Fiesta que se hizo en Aranjuez and Querer por solo querer were translated into See also:

• ENGLISH

English by See also:

• SIR

Sir See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard See also:

• FANSHAWE, SIR RICHARD

Fanshawe, afterwards See also:

• AMBASSADOR (also EMBASSADOR, the form sometimes still used in America; from the Fr. ambassadeur, with which compare Ital. ambasciatore and Span. embajador, all variants of the Med. Lat. ambassiator, ambassiator, ambasator, &c., derived from Med. Lat. amba

ambassador at See also:

• MADRID

Madrid, in a See also:

• POSTHUMOUS

posthumous volume published in 1671 .