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ANTONIO HURTADO DE See also: Spanish dramatist, was See also: born about the end of the 16th century in the province of See also: Asturias, became page to the count de Saldana (son of the duke de Lerma), and was recognized as a rising poet by Cervantes in the Viaje del Parnaso (1614)
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He See also: rose rapidly into favour under See also: Philip IV., who appointed him private secretary, commissioned from him comedias palaciegas for the royal theatre at Aranjuez, and in 1623 conferred on him the orders of
See also: Santiago and Calatrava
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Most of his contemporaries and rivals paid See also: court to " el discreto de palacio," and See also: Mendoza seems to have lived on the friendliest terms with all his See also: brother-dramatists except See also: Ruiz de See also: Alarcon
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He is said to have been involved in the fall of See also: Olivares, and died unexpectedly at Saragossa on the ,9th of See also: September 1644
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Only one of his plays, Querer See also: por See also: solo querer, was published with his consent; it is included in a See also: volume (1623) containing his semi-official account of the performances at Aranjuez in 1622
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The best edition of Mendoza's plays and verses bears the title of Obras liricas y c6micas, divinas y humanas (1728)
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Much of his See also: work does not rise above the level of graceful and accomplished verse; but that he had higher qualities is shown by El Marido hate mujer, a brilliant See also: comedy of See also: manners, which forms the chief source of See also: Moliere's Ecole See also: des marts
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The Fiesta que se hizo en Aranjuez and Querer por solo querer were translated into See also: English by See also: Sir See also: Richard See also: Fanshawe, afterwards ambassador at See also: Madrid, in a See also: posthumous volume published in 1671
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