ANTONY See also:

• RAPHAEL (Hebrew smm, " God heals ")

RAPHAEL See also:

• ANTONY RAPHAEL MENGS (1728-1779)

MENGS (1728-1779)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in 1728 at See also:

• AUSSIG (Czech Ousti ned Labem)

Aussig in Bohemia, but his See also:

• FATHER

father, Ismael See also:

• MENGS, ANTONY RAPHAEL (1728-1779)

Mengs, a Danish painter, established himself finally at See also:

• DRESDEN

Dresden, whence in 1741 he took his son to See also:

• ROME
• ROME (Roma)

Rome . The See also:

• APPOINTMENT, POWER OF

appointment of Mengs in 1749 as first painter to the elector of See also:

• SAXONY
• SAXONY (Ger. Provinz Sachsen)

Saxony did not prevent his spending much See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in Rome, where he had married in 1748, and abjured the See also:

• PROTESTANT

Protestant faith, and where he became in 1754 director of the Vatican school of See also:

• PAINTING

painting, nor did this hinder him on two occasions from obeying the See also:

• CALL (from Anglo-Saxon ceallian, a common Teutonic word, cf. Dutch kallen, to talk or chatter)

call of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles III. of See also:

• SPAIN
• SPAIN (Espana)

Spain to See also:

• MADRID

Madrid . There Mengs produced some of his best See also:

• WORK

work, and specially the See also:

• CEILING (from a verb " to ceil," i.e. to line or cover; of disputed etymology, but apparently connected with Fr. ciel, Lat. caelum, sky)

ceiling of the banqueting-See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall, the subject of which was the See also:

• TRIUMPH (triumphus)

Triumph of See also:

• TRAJAN [MARCUS ULPIUS TRAJANUS] (A. D. 53-117)

Trajan and the See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

Temple of See also:

• GLORY (through the O. Fr. glorie, modern gloire, from Lat. gloria, cognate with Gr. KXebs, abets)

Glory . After the completion of this work in 1777, Mengs returned to Rome, and there he died, two years later, in poor circumstances, leaving twenty See also:

• CHILDREN, LAW RELATING TO

children, seven of whom were pensioned by the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of Spain . Besides numerous paintings in the Madrid See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery, the See also:

• ASCENSION
• ASCENSION, FEAST OF THE

Ascension at Dresden, See also:

• PERSEUS

Perseus and See also:

• ANDROMEDA

Andromeda at St See also:

• PETERSBURG

Petersburg, and the ceiling of the See also:

• VILLA

Villa See also:

• ALBANI
• ALBANI, or ALBANO, FRANCESCO

Albani must be mentioned among his See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• WORKS

works . In See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• NORTHUMBERLAND
• NORTHUMBERLAND, EARLS AND DUKES OF
• NORTHUMBERLAND, JOHN DUDLEY, VISCOUNT LISLE, EARL OF WARWICK
• NORTHUMBERLAND, JOHN NEVILLE, EARL OF (c. 1430-1471)

Northumberland possesses a See also:

• HOLY

Holy See also:

• FAMILY

Family, and the colleges of All Souls and Magdalen, at See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, have See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar-pieces by his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand . In his writings, in See also:

• SPANISH

Spanish, See also:

• ITALIAN

Italian and German, Mengs has put forth his eclectic theory of See also:

• ART

art, which treats of perfection as attainable by a well-schemed See also:

• COMBINATION (Lat. combinare, to combine)

combination of diverse excellences—See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design, with the expression of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael, the See also:

• CHIAROSCURO (from the Ital. chiaro, Iight or brightness, and oscuro, darkness or shade)

chiaroscuro of See also:

• CORREGGIO
• CORREGGIO, or COREGGIO

Correggio, and the See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour of See also:

• TITIAN
• TITIAN (c. 1477-1576)

Titian . His intimacy with See also:

• WINCKELMANN, JOHANN JOACHIM (1717-.1768)

Winckelmann—who constantly wrote at his dictation—has enhanced his See also:

• HISTORICAL

historical importance, for he formed no scholars, and the critic must now concur in See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe's See also:

• JUDGMENT

judgment of Mengs in Winckelmann and sein Jahrhundert; he must deplore that so much learning should have been allied to a See also:

• TOTAL

total want of initiative and poverty of invention, and embodied with a strained and artificial mannerism . See Opere di See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio Raffaello Mengs (See also:

• PARMA

Parma, 178o) ; Mengs Werke, ubersetzt v . G . F . Prange (1786); Zeitschri t See also:

• FUR (connected with O. Fr. forre, a sheath or case; so " an outer covering ")

fur bildende Kunst (188o); Bianconi, Elogio storico di Mengs (See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan, 1780); Woermann, Ismael and Raphael Mengs (See also:

• LEIPZIG

Leipzig, 1893) .