ALICE CHRISTIANA See also:

• ALICE CHRISTIANA MEYNELL (1850— )

MEYNELL (1850— )  , See also:

• ENGLISH

English poet and essayist, was the daughter of T . J . See also:

• THOMPSON
• THOMPSON, FRANCIS (1860-1907)
• THOMPSON, LAUNT (1833-1894)
• THOMPSON, SIR HENRY, BART
• THOMPSON, SIR JOHN SPARROW (1844-1894)
• THOMPSON, THOMAS PERONNET (1783-1869)
• THOMPSON, WILLIAM HEPWORTH (18ro–1886)

Thompson . Her See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• LIFE

life was spent chiefly in See also:

• ITALY
• ITALY (Italia)

Italy, and she was educated by her See also:

• FATHER

father . Her first See also:

• VOLUME

volume of See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse, Preludes (1875), illustrated by her See also:

• SISTER

sister See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

Elizabeth, afterwards See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady See also:

• BUTLER
• BUTLER (or BOTELER), SAMUEL (1612–168o)
• BUTLER (through the O. Fr. bouteillier, from the Late Lat. buticularius, buticula, a bottle)
• BUTLER, ALBAN (1710-1773)
• BUTLER, BENJAMIN FRANKLIN (1818-1893)
• BUTLER, CHARLES (1750–1832)
• BUTLER, GEORGE (1774-1853)
• BUTLER, JOSEPH (1692-1752)
• BUTLER, NICHOLAS MURRAY (1862– )
• BUTLER, SAMUEL (1774-1839)
• BUTLER, SAMUEL (1835-1902)
• BUTLER, SIR WILLIAM FRANCIS (1838– )
• BUTLER, WILLIAM ARCHER (1814-1848)

Butler, attracted little public See also:

• NOTICE

notice, but the delicacy and beauty of the poems and especially of the See also:

• SONNET (Ital. Sonetto, dim. of Suono, Fr. Sonnet)

sonnet " Renunciation," were warmly praised by See also:

• RUSKIN, JOHN (1819-1goo)

Ruskin . She married in 18i7 the well-known See also:

• ROMAN

Roman See also:

• CATHOLIC (Gr. KcaBoXuK6s, general, universal)

Catholic journalist and author See also:

• WILFRID (c. 634-709)

Wilfrid See also:

• MEYNELL, ALICE CHRISTIANA (1850— )

Meynell, who became proprietor and editor of the Weekly See also:

• REGISTER

Register . Under W . E . See also:

• HENLEY, JOHN (1692-1759)
• HENLEY, WILLIAM ERNEST (1849-1903)

Henley's editorship she wrote regularly in See also:

• PROSE

prose for the See also:

• NATIONAL

National Observer, and also later for the See also:

• PALL

Pall Mall See also:

• GAZETTE

Gazette, the Saturday See also:

• REVIEW (Fr. revue, from revoir, to see again, Lat. re and videre)

Review, &c . Her Poems (1893), including much of the earlier volume of Preludes, brought her at last more definitely before the public; and this was followed in 1901 by another slender See also:

• BOOK

book of delicate verse, Later Poems . Mrs Meynell also showed herself a See also:

• FINE

fine critic of See also:

• POETRY

poetry by her admirable selection, The See also:

• FLOWER (Lat. flos, floris; Fr. fleur)
• FLOWER, SIB

Flower of the Mind (1897), an See also:

• ANTHOLOGY

anthology of English verse . She edited the Selected Poems (1894) of T .

G . See also:

• HAKE (Merluccius vulgaris)
• HAKE, EDWARD (fl. 1579)
• HAKE, THOMAS GORDON (1809-1895)

Hake, the Poetry of Pathos and Delight (1896) of her intimate friend See also:

• COVENTRY, SIR JOHN (d. 1682)
• COVENTRY, SIR WILLIAM (c. 1628-1686)
• COVENTRY, THOMAS COVENTRY, 1ST BARON (2578–1640)

Coventry See also:

• PATMORE, COVENTRY KERSEY DIGHTON (1823-1896)

Patmore, and the selections from Patmore in the " See also:

• MUSES, THE (Gr. Mo6o-at, the thinkers)

Muses' Library." Her prose essays, remarkable for fineness of culture and See also:

• PECULIAR

peculiar See also:

• RESTRAINT (from " to restrain," Lat. restringere, to hold back, prevent)

restraint of See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, appeared in successive volumes as The See also:

• RHYTHM (Greek pvBµds, from bap, to flow)

Rhythm of Life (1893), The See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

Colour of Life and other Essays (1896), The See also:

• CHILDREN, LAW RELATING TO

Children (1897), and The Spirit of See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

Place (1898) . Later books are See also:

• LONDON

London Impressions (1898) and The See also:

• WORK

Work of See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John S . See also:

• SARGENT, JOHN SINGER (1856– )

Sargent (1903) . See W . See also:

• ARCHER, WILLIAM (1856— )

Archer, Poets of the Younger See also:

• GENERATION (from Lat. generare, to beget, procreate; genus, stock, race)

Generation (1902) .