See also:

• PIERRE

PIERRE See also:

• PIERRE MIGNARD (1610-1695)

MIGNARD (1610-1695)  , called—to distinguish him from his See also:

• BROTHER

brother See also:

• NICHOLAS
• NICHOLAS (1841– )
• NICHOLAS (or NICLAES), HENRY (or HENDRIK) (c. 1501-C. 158o)
• NICHOLAS, SIR EDWARD (1593-1669)
• NICHOLAS, ST

Nicholas—Le Romain, See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• TROYES

Troyes in Oro, and came of a See also:

• FAMILY

family of artists . In 1630 he See also:

• LEFT

left the studio of See also:

• SIMON, ABRAHAM (1622-1692)
• SIMON, JULES FRANCOIS (1814–1896)
• SIMON, RICHARD (1638–1712)
• SIMON, SIR JOHN (1816–1904)
• SIMON, THOMAS (c. 1623-1665)

Simon See also:

• VOUET, SIMON (1590-1649)

Vouet for See also:

• ITALY
• ITALY (Italia)

Italy, where he spent twenty-two years, and made a reputation which brought him a See also:

• SUMMONS (Fr. semonce, from semonner or semondre, Lat. summonere, summonitio)

summons to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . Successful with his portrait of the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king, and in favour with the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court, See also:

• MIGNARD, PIERRE (1610-1695)

Mignard pitted himself against Le Brun, declined to enter the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of which he was the See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head, and made himself the centre of opposition to its authority . The See also:

• HISTORY

history of this struggle is most important, because it was identical, as See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long as it lasted, with that between the old See also:

• GILDS, or GUILDS

gilds of See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France and the new See also:

• BODY

body which See also:

• COLBERT, JEAN BAPTISTE (1619-1683)

Colbert, for See also:

• POLITICAL

political reasons, was determined to support . Shut out, in spite of the deserved success of his decorations of the See also:

• CUPOLA (Ital., from Lat. cupula, small cask or vault, cupa, tub)

cupola of Val de See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

Grace (1664), from any See also:

• GREAT

great See also:

• SHARE (O. Eng. scearu, chiefly in compounds, e.g. land-scearu, a share of land, from sceran to cut; cf. " shear" )

share in those public See also:

• WORKS

works the See also:

• CONTROL (Fr. contrdle, older form contre rolle, from Med. Lat. contra-rotulus, a counter roll or copy of a document used to check the original; there is no instance in English of the use of " control " in this, its literal, meaning)

control of which was the attribute of the new Academy, Mignard was chiefly active in See also:

• PORTRAITURE

portraiture . See also:

• TURENNE, HENRI DE LA TOUR

Turenne, See also:

• MOLIERE (1622-1673)

Moliere, See also:

• BOSSUET, JAQUES BENIGNE (1627-1704)

Bossuet, See also:

• MAINTENON

Maintenon (Louvre), La Valliere, See also:

• SEVIGNE, MARIE DE

Sevigne, See also:

• MONTESPAN

Montespan, See also:

• DESCARTES, RENE (1596-1650)

Descartes (See also:

• CASTLE
• CASTLE (Lat. castellum, a fort, diminutive of castra, a camp; Fr. chateau and chdtel)

Castle See also:

• HOWARD (FAMILY)
• HOWARD, CATHERINE (d. 1542)
• HOWARD, JOHN (1726-1790)
• HOWARD, LORD WILLIAM (1563–1640)
• HOWARD, OLIVER OTIS (1830-19o9)
• HOWARD, SIR ROBERT (1626–1698)

Howard), all the beauties and celebrities of his See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day, sat to him . His readiness and skill, his happy See also:

• INSTINCT

instinct for grace of arrangement, atoned for want of originality and real See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power . With the See also:

• DEATH

death of Le Brun (1690) the situation changed; Mignard deserted his See also:

• ALLIES, THOMAS WILLIAM (1813-1903)

allies, and succeeded to all the posts held by his opponent . These See also:

• LATE

late honours he did not long enjoy; in 1695 he died whilst about to commence See also:

• WORK

work on the cupola of the Invalides . His best compositions have been engraved by See also:

• AUDRAN
• AUDRAN, EDMOND (1842-19o1)

Audran, See also:

• EDELINCK, GERARD (1649-1707)

Edelinck, See also:

• MASSON, DAVID (1822–1907)
• MASSON, LOUIS CLAUDE FREDERIC (1847– )

Masson, Poilly and others .