See also:ABRAHAM See also:MIGNON (1640-1697)
, Dutch painter, was See also:born at See also:Frankfort
.
His See also:father, a See also:merchant, placed him under the still-See also:life painter See also:Jacob Merrel, by whom he was taken to See also:- HOLLAND
- HOLLAND, CHARLES (1733–1769)
- HOLLAND, COUNTY AND PROVINCE OF
- HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
- HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
- HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
- HOLLAND, JOSIAH GILBERT (1819-1881)
- HOLLAND, PHILEMON (1552-1637)
- HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
- HOLLAND, SIR HENRY, BART
Holland about 166o
.
He then worked under de See also:Heem at See also:Utrecht, where in 1675 he married the daughter of the painter Cornelis Willaerts
.
Sibylle See also:Merian (1647-1717), daughter of the engraver See also:Matthew Merian, became his See also:- PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)
pupil and achieved distinction as a See also:flower painter
.
He died at See also:Wetzlar
.
See also:Mignon devoted himself almost exclusively to See also:flowers, See also:fruit, birds and other " still life," though at times he also attempted See also:portraiture
.
His flower pieces are marked by careful finish and delicate handling
.
His favourite See also:- SCHEME (Lat. schema, Gr. oxfjya, figure, form, from the root axe, seen in exeiv, to have, hold, to be of such shape, form, &c.)
scheme was to introduce red or See also:- WHITE
- WHITE, ANDREW DICKSON (1832– )
- WHITE, GILBERT (1720–1793)
- WHITE, HENRY KIRKE (1785-1806)
- WHITE, HUGH LAWSON (1773-1840)
- WHITE, JOSEPH BLANCO (1775-1841)
- WHITE, RICHARD GRANT (1822-1885)
- WHITE, ROBERT (1645-1704)
- WHITE, SIR GEORGE STUART (1835– )
- WHITE, SIR THOMAS (1492-1567)
- WHITE, SIR WILLIAM ARTHUR (1824--1891)
- WHITE, SIR WILLIAM HENRY (1845– )
- WHITE, THOMAS (1628-1698)
- WHITE, THOMAS (c. 1550-1624)
white See also:roses in the centre of the See also:canvas and to set the whole See also:group of flowers against a dark background
.
Nowhere can his See also:work be seen to better See also:advantage than at the See also:Dresden See also:Gallery, which contains fifteen of his paintings, twelve of which are signed
.
Six of his pictures are at the Louvre, four at the Hermitage, and other examples are to be found at the museums of See also:Amsterdam, The See also:Hague, See also:Rotterdam, See also:Brussels, See also:Munich, See also:Karlsruhe, See also:Brunswick, See also:Cassel, See also:Schwerin, See also:Copenhagen and See also:Turin
.
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