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HENRY MIIRGER (1822–1861)

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Originally appearing in Volume V19, Page 35 of the 1911 Encyclopedia Britannica.
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HENRY MIIRGER (1822–1861)  , French man of letters, was born in Paris on the 24th of March 1822 . His
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father was a German concierge and a tailor . At the age of fifteen Murger was sent into a lawyer's office, but the occupation was uncongenial and his father's trade still more so; and he became secretary to Count Alexei Tolstoi . He published in 1843 a poem entitled Via dolorosa, but it made no mark . He also tried journalism, and the paper Le
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Castor, which figures in his
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Vie de Boheeeme as having combined devotion to the interests of the
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hat trade with recondite philosophy and elegant literature, is said to have existed, though shortlived . In 1848 appeared the collected sketches called Scenes de la vie de Boheme . This
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book describes the fortunes and misfortunes, the loves, studies, amusements and sufferings of a
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group of impecunious students, artists and men of letters, of whom Rodolphe represents Murger himself, while the others have been more or less positively identified . Murger, in fact, belonged to a clique of so-called Bohemians, the most remarkable of whom, besides himself, were Privat d'Anglemont and Champfleury . La Vie de Bohee"me, arranged for the stage in collaboration with Theodore Barriere, was produced at the Varietes on the 22nd of November 1849, and was a triumphant success; it afterwards formed the basis of Puccini's opera, La Boheme (1898) . From this time it was easy for Murger to live by journalism and general literature . He was introduced in 1851 to the Revue
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des deux mondes . But he was a slow, fastidious and capricious worker, and his years of hardship and dissipation had impaired his
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health .

He published among other

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works Claude et Marianne in 1851; a
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comedy, Le Bonhomme Jadis in 1852; Le Pays Latin in 1852; Adeline Protat (one of the most graceful and innocent if not the most
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original of his tales) in 18J3; and
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Les Buveurs d'eau in 1855 . This last, the most powerful of his books next to the Vie de Boheeeme, traces the
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fate of certain artists and students who, exaggerating their own powers and disdaining merely profitable
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work, come to an evil end not less rapidly than by dissipation . Some years before his
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death, which took place in a maison de sante near Paris on the 28th of
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January 1861, Murger went to live at Marlotte, near
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Fontainebleau, and there he wrote an unequal book entitled Le Sabot rouge (186o), in which the character of the French peasant is uncomplimentarily treated . See an article by A. de Pontmartin in the Revue des deux mondes (
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October 1861) .

End of Article: HENRY MIIRGER (1822–1861)
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