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See also: man of letters, was See also: born in See also: Paris on the 24th of See also: March 1822
.
His
See also: father was a See also: German See also: concierge and a tailor
.
At the age of fifteen Murger was sent into a lawyer's office, but the occupation was uncongenial and his father's See also: trade still more so; and he became secretary to Count Alexei Tolstoi
.
He published in 1843 a poem entitled Via dolorosa, but it made no mark
.
He also tried journalism, and the paper Le See also: Castor, which figures in his See also: Vie de Boheeeme as having combined devotion to the interests of the See also: hat trade with recondite philosophy and elegant literature, is said to have existed, though shortlived
.
In 1848 appeared the collected sketches called Scenes de la vie de Boheme
.
This See also: book describes the fortunes and misfortunes, the loves, studies, amusements and sufferings of a See also: group of impecunious students, artists and
men of letters, of whom Rodolphe represents Murger himself, while the others have been more or less positively identified
.
Murger, in fact, belonged to a clique of so-called Bohemians, the most remarkable of whom, besides himself, were Privat d'Anglemont and Champfleury
.
La Vie de Bohee"me, arranged for the stage in collaboration with See also: Theodore Barriere, was produced at the Varietes on the 22nd of See also: November 1849, and was a triumphant success; it afterwards formed the basis of See also: Puccini's See also: opera, La Boheme (1898)
.
From this See also: time it was easy for Murger to live by journalism and general literature
.
He was introduced in 1851 to the Revue See also: des deux mondes
.
But he was a slow, fastidious and capricious worker, and his years of hardship and dissipation had impaired his See also: health
.
He published among other See also: works See also: Claude et Marianne in 1851; a See also: comedy, Le Bonhomme Jadis in 1852; Le Pays Latin in 1852; Adeline Protat (one of the most graceful and innocent if not the most See also: original of his tales) in 18J3; and See also: Les Buveurs d'eau in 1855
.
This last, the most powerful of his books next to the Vie de Boheeeme, traces the See also: fate of certain artists and students who, exaggerating their own See also: powers and disdaining merely profitable See also: work, come to an evil end not less rapidly than by dissipation
.
Some years before his See also: death, which took place in a maison de sante near Paris on the 28th of See also: January 1861, Murger went to live at Marlotte, near See also: Fontainebleau, and there he wrote an unequal book entitled Le Sabot See also: rouge (186o), in which the character of the French peasant is uncomplimentarily treated
.
See an article by A. de Pontmartin in the Revue des deux mondes (See also: October 1861)
.
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