See also:

• MILLET (Fr. millet; Ital. miglietto, diminutive of miglio= Lat. mille, a thousand, in allusion to its fertility)
• MILLET (or MILE), JEAN FRANCOIS (c. 1642–1679)
• MILLET, FRANCIS DAVIS (1846- )
• MILLET, JEAN FRANCOIS (1814–1875)

MILLET (or MILE), See also:

• JEAN

JEAN See also:

• FRANCOIS (1558-1614)

FRANCOIS (c. 1642–1679)  , commonly called FRANCISQIJE, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp about 1642, and is generally classed amongst the painters of See also:

• FLANDERS (Flem. Vlaanderen)

Flanders on See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of the See also:

• ACCIDENT
• ACCIDENT (from Lat. accidere, to happen)

accident of his See also:

• BIRTH (a word common in various forms to Teutonic languages from the root of the verb " to bear ")

birth . But his See also:

• FATHER

father was a Frenchman, a See also:

• TURNER, CHARLES (1773–1857)
• TURNER, JOSEPH MALLORD WILLIAM (1775–1851)
• TURNER, NAT (1800-1831)
• TURNER, SHARON (1768-1847)
• TURNER, SIR JAMES (1615–1686)
• TURNER, WILLIAM (d. 1568)

turner in See also:

• IVORY (Fr. ivoire, Lat. ebur)
• IVORY, SIR JAMES (1765-1842)

ivory of See also:

• DIJON

Dijon, who took service with the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince of See also:

• CONDE
• CONDE, LOUIS DE BOURBON, PRINCE
• CONDE, LOUIS II
• CONDE, PRINCES OF

Conde and probably returned after a See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time to his native See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country . He remained See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long enough in Antwerp to apprentice his son to an obscure member of a painter See also:

• FAMILY

family called See also:

• LAURENT, FRANCOIS (1810–1887)

Laurent, See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• GABRIEL (Heb. SKns, man of God)

Gabriel See also:

• FRANCK
• FRANCK, CESAR (1822-1890)
• FRANCK, or FRANK [latinized FRANCUS], SEBASTIAN (c. 1499-c. 1543)

Franck . With Laurent, Francisque See also:

• LEFT

left Antwerp for See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, and there settled in 166o after marrying his See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master's daughter . He was received a member of the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of See also:

• PAINTING

Painting at Paris in 1673, and after gaining See also:

• CONSIDERATION (from Lat. considerare, to look at closely, examine, generally taken to be from con-, and the base seen in sidus, sideris, a star, the word being supposed to be originally an astrological or astronomical term)

consideration as an imitator of the Poussins he died in 1679, bequeathing his See also:

• ART

art and some of his talents to one of his sons . Francisque probably knew, as well as imitated, See also:

• NICOLAS
• NICOLAS, SIR NICHOLAS HARRIS (1799–1848)

Nicolas Poussin, Gaspar Dughet and See also:

• SEBASTIAN
• SEBASTIAN, ST

Sebastian See also:

• BOURDON, FRANCOIS LOUIS (d. 1797)

Bourdon; and it is doubtless because of his acquaintance with these travelled artists that, being himself without familiarity with the classic lands of See also:

• ITALY
• ITALY (Italia)

Italy and See also:

• GREECE

Greece, he was able to imagine and reproduce See also:

• ITALIAN

Italian and Arcadian scenery with considerable See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace and effectiveness . It is indeed surprising to observe, even at this See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day how skilfully he executed these imaginary subjects, enlivened them with appropriate figures, and See also:

• SHED

shed over them the glow of a warm yet fresh and sparkling See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone . Twelve of his most important landscapes, which remained in the See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace of the Tuileries, were destroyed by See also:

• FIRE (in O. Eng. f j'r; the word is common to West German languages, cf. Dutch vuur, Ger. Feuer; the pre-Teutonic form is seen in Sanskrit pu, pavaka, and Gr. irup; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. purus)

fire; and though many of his pieces may still be found catalogued in See also:

• CONTINENTAL

Continental and See also:

• ENGLISH

English collections, others in See also:

• GREAT

great number remain unknown and unacknowledged . His son See also:

• JEAN

JEAN See also:

• FRANCOIS (1558-1614)

FRANCOIS See also:

• MILLET (Fr. millet; Ital. miglietto, diminutive of miglio= Lat. mille, a thousand, in allusion to its fertility)
• MILLET (or MILE), JEAN FRANCOIS (c. 1642–1679)
• MILLET, FRANCIS DAVIS (1846- )
• MILLET, JEAN FRANCOIS (1814–1875)

MILLET, the younger (1666–1723), also called Francisque, was born in Paris, and was made a member of the Academy of Painting in 1709 . He is not quite so See also:

• INDEPENDENT

independent in his art as his father; but he had See also:

• CLEVER

clever See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends, and when he wanted figures to his landscapes, he consulted See also:

• WATTEAU, ANTOINE (1684-1721)

Watteau., and other followers of the " See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court shepherdess" school . In the museum of See also:

• GRENOBLE

Grenoble is a " Paysage " by him which is prettily adorned with Watteau's figures .