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MIMNERMUS of See also: Colophon, See also: Greek elegiac poet, flourished about 63o-600 B.C
.
His See also: life See also: fell in the troubled See also: time when the Ionic cities of See also: Asia Minor were struggling to maintain themselves against the rising power of the Lydian See also: kings
.
One of the extant fragments of his poems refers to this struggle, and contrasts the See also: present effeminacy of his countrymen with the bravery of those who had once defeated the Lydian See also: king
See also: Gyges
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But his most important poems were a set of elegies addressed to a See also: flute-player named Nanno, collected in two books called after her name
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Mimnermus was the first to make the elegiac verse the vehicle for love-See also: poetry
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He set his own poems to the See also: music of the flute, and the poet Hipponax says that he used the melancholy vbµos epains, "the fig-branch strain," said to be a See also: peculiar melody, to the accompaniment of which two human purificatory victims were led out of Athens to be sacrificed during the festival of See also: Thargelia (See also: Hesychius, s.v.)
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Edition of fragments in T
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See also: Bergk, Poetae lyrici Graeci; see also G
.
Vanzolini, Mimnermo (1883), a study of the poet, with notes and a metrical version of the fragments
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