MINO DI GIOVANNI (1431-1484)  , called DA See also:

• FIESOLE (anc. Faesulae, q.v.)

FIEsoLE, See also:

• ITALIAN

Italian sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Poppi in the Casentino . He had See also:

• PROPERTY

property at Fiesole . See also:

• VASARI, GIORGIO (1511-1571)

Vasari's See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of him is very inaccurate . Mino was a friend and See also:

• FELLOW

fellow-worker with Desiderio da Settignano and Matteo Civitale, all three being about the same See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age . Mino's See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture is remarkable for its finish and delicacy of details, as well as for its spirituality and strong devotional feeling . Of Mino's earlier See also:

• WORKS

works, the finest are in the duomo of Fiesole, the altarpiece and See also:

• TOMB (Gr. Tuµ/3a, Tuµ(3os, probably allied to Lat. tumulus, literally a swelling, tumere, to swell)

tomb of See also:

• BISHOP (A.S. bisceop, from Lat. episcopus, Gr. irio-Korros, " overlooker " or " overseer ")
• BISHOP, ISABELLA (1832-1904)
• BISHOP, SIR HENRY ROWLEY (1786-1855)

Bishop Salutati, executed before 1466 . In the Badia of See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence are an altarpiece and the tombs of Bernardo Giugni (1466) and the See also:

• MARGRAVE (Ger. Markgraf)

Margrave See also:

• HUGO, GUSTAV VON (1764–1844)
• HUGO, VICTOR MARIE (1802-1885)

Hugo (1481), all sculptured in See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

white See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble, with See also:

• LIFE

life-sized recumbent See also:

• EFFIGIES, MONUMENTAL

effigies and attendant angels . The See also:

• PULPIT (from Lat. pulpitum, a staging, platform: equivalents are Fr. chaire d'eglise, Ital. pulpito, Ger. Kanzel)

pulpit in See also:

• PRATO

Prato See also:

• CATHEDRAL

Cathedral, in which he collaborated with See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio See also:

• ROSSELLINO, ANTONIO (1427-c. 1479)

Rossellino, finished in 1473, is very delicately sculptured with bas-reliefs of See also:

• GREAT

great minuteness, but somewhat weakly designed . Soon after the completion of this See also:

• WORK

work Mino went to See also:

• ROME
• ROME (Roma)

Rome, where he executed the tomb of See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope See also:

• PAUL
• PAUL (PAULUS)

Paul II . (now in the See also:

• CRYPT (Lat. crypta, from the Gr. Kp&arrew, to hide)

crypt of St See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter's), the tomb of See also:

• FRANCESCO
• FRANCESCO, 210

Francesco Tornabuoni in S . Maria sopra See also:

• MINERVA

Minerva, and a beautiful little marble See also:

• TABERNACLE
• TABERNACLE (Lat. tabernaculum, a hut, tent)

tabernacle for the See also:

• HOLY

holy See also:

• OILS (adopted from the Fr. oile, mod. huile, Lat. oleum, olive oil)

oils in S . Maria in Trastevere .

There can be little doubt that he was also the sculptor of several monuments in S . Maria del Popolo, especially those of Bishop Gomiel and See also:

• ARCHBISHOP (Lat. archiepiscopus, from Gr. apxceatorcoros)

Archbishop Rocca (1482), and the marble See also:

• REREDOS (Anglo-Fr. areredos, from arere, behind, and dos, back)

reredos given by Pope See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander VI . Some of Mino's portrait busts and See also:

• PROFILE

profile bas-reliefs are preserved in the Bargello at Florence; they are full of life and expression, though without the extreme See also:

• REALISM (from Low Lat. realis, appertaining to res, things, as opposed to ideas and imaginations)

realism of Verrocchio and other sculptors of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . See Vasari, See also:

• MILANESI, GAETANO (1813-1895)

Milanesi's ed . (1878-1882); See also:

• PERKINS, CHARLES CALLAHAN (1823-1886)
• PERKINS, JACOB (1766-1849)

Perkins's Italian Sculptors, See also:

• WINCKELMANN, JOHANN JOACHIM (1717-.1768)

Winckelmann and D'See also:

• AGINCOURT (AZINCOURT)

Agincourt, Storia della scultura (1813) ; Hans See also:

• SEMPER, GOTTFRIED (1803–1879)

Semper, Architekien der See also:

• RENAISSANCE, THE

Renaissance (See also:

• DRESDEN

Dresden, 188o); Wilhelm See also:

• BODE, JOHANN ELERT (1747–1826)

Bode, See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die italienische Plastik (See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin, 1893) .