See also:

• OCTAVE (from Lat. octavus, eighth, octo, eight)

OCTAVE See also:

• HENRI

HENRI See also:

• MARIE

MARIE See also:

• OCTAVE HENRI MARIE MIRBEAU (1850- )

MIRBEAU (1850- )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dramatist and journalist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Trevieres (See also:

• CALVADOS

Calvados) on the 16th of See also:

• FEBRUARY

February i85o . He was educated in a Jesuit school at See also:

• VANNES

Vannes, and studied See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . He began his journalistic career as dramatic critic of the Bonapartist See also:

• PAPER
• PAPER (Fr. papier, from Lat. papyrus)

paper, L'Ordre . For a See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time before 1877 he was sous-prefet and then prefet of See also:

• SAINT (lat. sanctus, " holy ")

Saint-Girons, but from that time he devoted himself to literature . He was one of the earliest defenders of the Impressionist painters . His witty articles in the See also:

• ANTI, or CAMPA

anti-republican papers, and his attacks on established reputations, involved him in more than one See also:

• DUEL (Ital. duello, Lat. duellum—old form of bellum-from duo, two)

duel . He gradually See also:

• DEVELOPED

developed extreme individualist views . In 1890 he began to write for the Revolte, but his anarchist sympathies were definitely checked by the See also:

• MURDER

murder of See also:

• RESIDENT

resident See also:

• CARNOT, LAZARE EIPPOLYTE (18ot-1888)
• CARNOT, MARIE FRANCOIS SADI (1837-1894)
• CARNOT, SADI NICOLAS LEONHARD (1796-1832)

Carnot in 1894 . He was one of the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early and consistent defenders of See also:

• CAPTAIN (derived from Lat. ca put, head, through the Low Lat. capitanus)

Captain See also:

• ALFRED

Alfred See also:

• DREYFUS, ALFRED (1859– )

Dreyfus . He married in 1887 the actress Alice See also:

• REGNAULT, HENRI (1843-1871)
• REGNAULT, HENRI VICTOR (1810-1878)
• REGNAULT, JEAN BAPTISTE (1754-1829)

Regnault . His first novel, See also:

• JEAN

Jean Marcellin (1885), attracted little See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention, but he made his See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

mark as a conteur with a See also:

• SERIES (a Latin word from serere, to join)

series of tales of the See also:

• NORMAN
• NORMAN, SIR HENRY WYLIE (1826-1904)

Norman peasantry, Lettres de ma chaumiere (1886) . Le Calvaire (1887), a See also:

• CHAPTER (a shortened form of chapiter, a word still used in architecture for a capital; derived from O. Fr. chapitre, Lat. capitellum, diminutive of caput, head)

chapter of which on the defeat of 1870 aroused much discussion, was followed by L'See also:

• ABBE (Serbo-Croatian Rai))

Abbe Jules (1888), the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story of a mad See also:

• PRIEST (Ger. Priester, Fr. pretre)

priest; by Sebastien See also:

• ROCH, ST (Lat. Rochus; Ital. Rocco; Span. Roque; Fr. Roch) (d. 1327)

Roch (189o), a See also:

• BITTER, KARL THEODORE FRANCIS (1867– )

bitter picture of the Jesuit school in which his own early years were spent; Le Jardin See also:

• DES

des supplices (1899), a See also:

• CHINESE, JAPANESE AND

Chinese story; See also:

• LES

Les Memoires d'une femme de chambre (1901); and Les Vingt-et-un jours d'un neurasthenique (1902) .

In 1897 his five-See also:

• ACT (Lat. actus, actum)

act piece, Les Mauvais Bergers, was played at the See also:

• RENAISSANCE, THE

Renaissance by Sarah See also:

• BERNHARDT, SARAH (ROSINE BERNARD) (1845- )

Bernhardt, and he followed this up with Les Affaires sont les affaires (See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre See also:

• FRANCAIS, ANTOINE, COUNT (1756-1836)

Francais, 1903), which was adapted by See also:

• SYDNEY

Sydney See also:

• GRUNDY, MRS
• GRUNDY, SYDNEY (1848– )

Grundy for See also:

• SIR

Sir H . Beerbohm See also:

• TREE (0. Eng. treo, treow, cf. Dan. tree, Swed. Odd, tree, trd, timber; allied forms are found in Russ. drevo, Gr. opus, oak, and 36pv, spear, Welsh derw, Irish darog, oak, and Skr. dare, wood)
• TREE, SIR HERBERT BEERBOHM (1853- )

Tree in 1905 . Some of his short pieces are collected as Farces et moralites (1904) .