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MARY See also: English novelist and dramatist, only daughter of Dr See also: George Mitford, or Midford, was See also: born at Alresford, Hampshire, on the 16th of See also: December 1787
.
She retains an honourable place in English literature as the authoress of Our See also: Village, a series of sketches of village scenes and characters unsurpassed in their kind, and as fresh as if they had been written yesterday
.
Her See also: father was a curious character
.
He first spent his wife's See also: fortune in a few years; then he spent the greater See also: part of f20,000, which in 1797 his daughter, then at the age of ten, See also: drew as a prize in a lottery; then he lived on a small remnant of his fortune and the proceeds of his daughter's See also: literary industry
.
The father kept fresh in his daughter the keen delight in incongruities, the lively sympathy with self-willed vigorous individuality, and the womanly tolerance of its excess, which inspire so many of her sketches of character
.
See also: Miss Mitford lived in close attendance on him, refused all See also: holiday invitations because he could not live without her, and worked incessantly for him except when she broke off her See also: work to read him the sporting See also: newspapers
.
Her writing has all the charm of perfectly unaffected spontaneous See also: humour, combined with See also: quick wit and exquisite literary skill
.
Miss Mitford met See also: Elizabeth Barrett (Mrs
See also: Browning) in 1836, and the acquaintance ripened into a warm friendship
.
The strain of poverty began to tell on her
work, for although her books sold at high prices, her income did not keep See also: pace with her father's extravagances
.
In 1837, however, she received a See also: civil See also: list pension, and five years later her father died
.
A subscription was raised to pay his debts, and the surplus increased the daughter's income
.
Miss Mitford eventually removed to a cottage at Swallowfield, near See also: Reading, where she died on the loth of See also: January 1855
.
Miss Mitford's youthful ambition had been to be " the greatest English poetess," and her first publications were poems in the manner of See also: Coleridge and See also: Scott (See also: Miscellaneous Verses, 181o, reviewed by Scott in the Quarterly; Christine, a metrical tale, 1811; See also: Blanche, 1813)
.
Her See also: play Julian was produced at Covent Garden, with Macready in the title-role, in 1823; The See also: Foscari was performed at Covent Garden, with See also: Charles Kemble as the
See also: hero, in 1826; See also: Rienzi, 1828, the best of her plays, had a run of See also: thirty-four nights, and Miss Mitford's friend, Talfourd, imagined that its vogue militated against the success of his own play See also: Ion
.
Charles the First was refused a licence by the See also: Lord See also: Chamberlain, but was played at the Surrey Theatre in 1834
.
But the
See also: prose, to which she was driven by domestic necessities, has rarer qualities than her verse
.
The first series of Our Village sketches appeared in 1824, a second in 1826, a third in 1828, a See also: fourth in 183o, a fifth in 1832
.
Our Village was several times reprinted; Belford Regis, a novel in which the neighbourhood and society of Reading were idealized, was published in 1835
.
Her Recollections of a Literary See also: Life (1852) is a series of causeries about her favourite books
.
Her talk was said by her See also: friends, Mrs Browning and Hengist See also: Horne, to have been even more amusing than her books, and five volumes of her Life and Letters, published in 187o and 1872, show her to have been a delightful letter-writer
.
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