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JUAN See also: Spanish dramatist, poet and novelist, was See also: born at See also: Madrid in 1602
.
At the age of eighteen he became a licentiate in See also: theology, was ordained See also: priest in 1625 and appointed See also: notary to the Inquisition
.
In 1619 he began writing for the stage under the guidance of Lope de Vega, who is said to have assisted him in composing El Orfeo en lengua castellana (1624), a poem obviously intended to compete with See also: Jauregui's Orfeo, published earlier in the same See also: year
.
The See also: prose tales in Sucesos y prodigies de amor (1624) and Para todos (1632) were very popular
.
See also: Montalban's See also: father, a publisher at Madrid, issued a pirated edition of Quevedo's Busc6n, which roused an angry controversy
.
The violence of these polemics, the strain of overwork, and the See also: death of Lope de Vega so affected Montalban that he became insane; he died at Madrid on the 25th of See also: June 1638
.
His last See also: work was a eulogistic biography of Lope de Vega in the See also: Fama pOstuma (1636)
.
His plays, published in 1635–1638, are all in the manner of that See also: great dramatist, and were represented with much success, but, with the exception of Los Amantes de See also: Teruel, are little
more than See also: clever improvizations
.
A libellous attack on Quevedo, entitled El Tribunal de la justa venganza (1635), is often ascribed to him
.
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