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MONTEMAYOR (or MONTEMOR), JORGE (1520?-156x) , See also: Spanish novelist and poet, of Portuguese descent, was See also: born about 1520 at Montemor o Velho (near See also: Coimbra), whence he derived his name, the Spanish See also: form of which is Montemayor
.
He seems to have studied See also: music in his youth, and to have gone to See also: Spain in 1543 as chorister in the suite of the Portuguese Infanta Maria, first wife of See also: Philip II
.
In 1552 he went back to
See also: Portugal in the suite of the Infanta Juana, wife of D
.
Joao, and on the See also: death of this See also: prince in 1554 returned to Spain
.
He is said to have served in the army, to have accompanied Philip II. to See also: England in 1555, and to have travelled in See also: Italy and the Low Countries; but it is certain that his poetical See also: works were published at See also: Antwerp in 1554, and again in 1558
.
His reputation is based on a See also: prose See also: work, the See also: Diana, a pastoral See also: romance published about 1559
.
Shortly afterwards Montemayor was killed in Piedmont, apparently in a love affair; a See also: late edition of the Diana gives the exact date of his death as the 26th of See also: February 1561
.
The Diana is generally stated to have been printed at See also: Valencia in 1542; but, as the See also: Canto de Orfeo refers to the widowhood of the Infanta Juana in 1554, the See also: book must be of later date
.
It is important as the first pastoral novel published in Spain; as the starting-point of a universal See also: literary fashion; and as the indirect source, through the See also: translation included in See also: Googe's Eglogs, epytaphes and sonnets (1563), of an See also: episode in the Two Gentlemen of See also: Verona
.
Though Portuguese was Montemayor's native language, he only used it for two songs and a See also: short prose passage in the See also: sixth book of the Diana
.
His mastery of Spanish is amazing, and even Cervantes, who See also: judges the verses in the Diana with unaccustomed severity, recognizes the remarkable merit of Montemayor's prose See also: style
.
That he pleased his own generation is proved by the •seventeen See also: editions and two continuations of the Diana published in the '16th century, by parodies, imitations and renderings in French and See also: English
.
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