See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

ALBERT See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

JOSEPH See also:

• MOORE, A
• ALBERT JOSEPH MOORE (1841–1893)
• MOORE, EDWARD (1712–1757)
• MOORE, GEORGE (1853– )
• MOORE, GEORGE FOOT (1851– )
• MOORE, HENRY (1831–1895)
• MOORE, JOHN (1729-1802)
• MOORE, SIR JOHN (1761-1809)
• MOORE, THOMAS (1779-1852)

MOORE (1841–1893)  , See also:

• ENGLISH

English decorative painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York on the 4th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1841 . He was the youngest of the fourteen See also:

• CHILDREN, LAW RELATING TO

children of the artist, See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• MOORE, A
• MOORE, ALBERT JOSEPH (1841–1893)
• MOORE, EDWARD (1712–1757)
• MOORE, GEORGE (1853– )
• MOORE, GEORGE FOOT (1851– )
• MOORE, HENRY (1831–1895)
• MOORE, JOHN (1729-1802)
• MOORE, SIR JOHN (1761-1809)
• MOORE, THOMAS (1779-1852)

Moore, of York who in the first See also:

• HALF

half of the I9th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century enjoyed a considerable reputation in the See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

North of See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England as a painter of portraits and landscape . In his childhood See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert Moore showed From Strasburger's Lelnbuch der Botanik, by permission of Gustav See also:

• FISCHER
• FISCHER, EMIL (1852– )
• FISCHER, ERNST KUNO BERTHOLD (1824–1907)

Fischer . Botrychium Lunaria . an extraordinary love of See also:

• ART

art, and as he was encouraged in his tastes by his See also:

• FATHER

father and See also:

• BROTHERS, RICHARD (1757-1824)

brothers, two of whom after-wards became famous as artists—See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John Collingham Moore, and See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry Moore, R.A.—he was able to begin the active exercise of his profession at an unusually See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age . His first exhibited See also:

• WORKS

works were two drawings which he sent to the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy in 1857 . A See also:

• YEAR

year later he became a student in the Royal Academy See also:

• SCHOOLS

schools; but after working in them for a few months only he decided that he would be more profitably occupied in See also:

• INDEPENDENT

independent practice . During the See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period that extended from 1858 to 187o, though he produced and exhibited many pictures and drawings, he gave up much of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time to decorative See also:

• WORK

work of various kinds, and painted, in 1863, a See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• WALL (O. Eng. weal, weall, Mid. Eng. wal, wane, adapted from Lat. vallum, rampart; the original O. Eng. word for a wall was wag or tenth)
• WALL, RICHARD (1694-1778)

wall decorations at Coombe See also:

• ABBEY (Lat. abbatia; from Syr. abba, father)
• ABBEY, EDWIN AUSTIN (1852– )

Abbey, the seat of the See also:

• EARL

earl of See also:

• CRAVEN, PAULINE MARIE ARMANDE AGLAE (18o8—189r)
• CRAVEN, WILLIAM CRAVEN, EARL

Craven; in 1865 and 1866 some elaborate compositions: " The Last Supper " and " The Feeding of the Five Thousand " on the See also:

• CHANCEL (through O. Fr. from Lat. plur. cancelli, dim. of cancer, grating, lattice, probably connected with an Indo-European root Kar-, to bend; cf. circus, curve, &c.)

chancel walls of the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of St See also:

• ALBAN, SAINT

Alban's, See also:

• ROCHDALE

Rochdale; and in 1868 " A See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek See also:

• PLAY

Play," an important See also:

• PANEL (O. Fr. panel, mod. panneau, piece of cloth, from Med. Lat. pannellus, diminutive of pannus, cloth)

panel in See also:

• TEMPERA (the Italian term), or DISTEMPER

tempera for the See also:

• PROSCENIUM (Gr. 7rpoutci/veov)

proscenium of the See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen's See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre in See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

Long See also:

• ACRE
• ACRE, or AQUIRY

Acre . His first large See also:

• CANVAS

canvas, " See also:

• ELIJAH (a Hebrew name meaning " Yah[weh] is God ")

Elijah's See also:

• SACRIFICE (from Lat. sacrificium; sacer, holy, and facere, to make)

Sacrifice," was completed during a stay of some five months in See also:

• ROME
• ROME (Roma)

Rome at the beginning of 1863, and appeared at the Academy in 1865 . A still larger picture, " The Shunamite See also:

• RELATING

relating the Glories of See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• SOLOMON, ODES OF
• SOLOMON, PSALMS OF

Solomon to her Maidens," was exhibited in 1866, and with it two smaller works, " Apricots " and " Pomegranates." In these Albert Moore asserted plainly the particular technical conviction which for the See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest of his See also:

• LIFE

life governed the whole of his practice, and with them he first took his See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place definitely among the most See also:

• ORIGINAL

original of See also:

• BRITISH

British painters . Of his subsequent works the most notable are "The Quartette " (1869), " See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

Sea Gulls " (1871), " Follow-my-See also:

• LEADER, BENJAMIN WILLIAMS (1831– )

Leader " (1873), " Shells " (1874), " See also:

• TOPAZ

Topaz " (1879), " See also:

• ROSE
• ROSE (Rosa)
• ROSE, GEORGE (1744-1818)
• ROSE, HUGH JAMES (1795—1838)
• ROSE, WILLIAM STEWART (1775-1843)

Rose Leaves " (1880), " Yellow Marguerites " (1881), " Blossoms " (1881), " Dreamers " (1882), " See also:

• READING

Reading Aloud " (1884), " See also:

• SILVER

Silver " (1886), " Midsummer " (1887), " A See also:

• RIVER

River See also:

• SIDE
• SIDE (mod. Eski Adalia)

Side " (1888), " A Summer See also:

• NIGHT

Night " (189o), " See also:

• LIGHTNING

Lightning and See also:

• LIGHT

Light " (1892), " An Idyll " (1893), and " The Loves of the Winds and the Seasons," a large picture which was finished only a few days before his See also:

• DEATH

death . He died on the 25th of September 1893, at his studio in See also:

• SPENSER, EDMUND (c. 1552-1599)
• SPENSER, JOHN (1559-1614)

Spenser See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street, See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster .

Several of his pictures are now in public collections; among the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief are " Blossoms," in the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery of British Art; " A Summer Night " in the See also:

• LIVERPOOL
• LIVERPOOL, EARLS
• LIVERPOOL, EARLS OF

Liverpool See also:

• CORPORATION (from Lat. corporare, to form into a body, corpus, corporis)

Corporation Gallery; " Dreamers " in the See also:

• BIRMINGHAM

Birmingham Corporation Gallery; and a See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, " The Open See also:

• BOOK

Book," in the See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria and Albert Museum, See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

South See also:

• KENSINGTON

Kensington . In all his pictures, See also:

• SAVE, or SAVA (Ger. Sau; Hungarian Szdva; Lat. Savus)

save two or three produced in his later boyhood, he avoided any approach to See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story-telling, and occupied himself exclusively with decorative arrangements of lines and colour masses . The spirit of his art is essentially classic, and his work shows plainly that he was deeply influenced by study of See also:

• ANTIQUE (Lat. antiquus, old)

antique See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture; but he was not in any sense an archaeological painter, nor did he See also:

• ATTEMPT (Lat. adtemptare, attentare, to try)

attempt reconstructions of the life of past centuries . Artistically he lived in a See also:

• WORLD

world of his own creation, a place peopled with robust types of humanity of Greek See also:

• MOULD

mould, and See also:

• GAY, JOHN (1685-1732)
• GAY, MARIE FRANCOISE SOPHIE (1776-1852)
• GAY, WALTER (1856– )

gay with See also:

• BRIGHT, JOHN (1811-188g)
• BRIGHT, SIR CHARLES TILSTON

bright-coloured draperies and brilliant-hued See also:

• FLOWERS, ARTIFICIAL

flowers . As an executant he was careful and certain; he See also:

• DREW
• DREW, SAMUEL (1765-1833)

drew finely, and his colour-sense was remarkable for its refinement and subtle appreciation . Few men have equalled him as a painter of draperies, and still fewer have approached his ability in the application of decorative principles to pictorial art .