See also:

• JEAN

JEAN See also:

• JEAN MOREAS (1856-1910)

MOREAS (1856-1910)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French poet, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ATHENS
• ATHENS ['AN vat, Athenae, modem colloquial Greek `Ath va]

Athens on the 15th of See also:

• APRIL

April 1856, was the See also:

• GRANDSON (Ger. Grandsee)

grandson of Papadiomontopoulos, one of the heroes of See also:

• MISSOLONGHI, or MESOLONGHI (MaroMyyeov)

Missolonghi . He was one of the leaders of the symbolist See also:

• MOVEMENT

movement in French See also:

• POETRY

poetry, advocating a relaxation of the stringent rules governing French See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse; but his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early volumes of poems, See also:

• LES

Les Syrles (1884), Les Cantile nes (1886), and Le Pelerin passionne (1891) won recognition beyond the limits of this school . In the XIX° siecle (See also:

• AUGUST (originally Sextilis)

August rr,1885) he formulated the principles of the symbolists, defending them from the appellation of " decadent," and in the See also:

• LITERARY

literary supplement of the See also:

• FIGARO

Figaro (Sep 18, 1886) he published a manifesto justifying the innovations of the new school as the natural development of the See also:

• PROSODY (Gr. rpovwSta)

prosody of See also:

• BAUDELAIRE, CHARLES PIERRE (1821-1867)

Baudelaire, See also:

• MALLARME
• MALLARME, FRANCOIS RENE AUGUSTE (1755-i835)

Mallarme and See also:

• VERLAINE, PAUL (1844–1896)

Verlaine . Le Merin passionne was sympathetically reviewed by Anatole See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France . As See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time went on he repudiated the See also:

• LICENCE (through the French from Lat. licentia, licere, to be lawful)

licence claimed by the symbolists, and became the See also:

• LEADER, BENJAMIN WILLIAMS (1831– )

leader of an offshoot from the See also:

• MAIN (from the Aryan root which appears in " may " and " might," and Lat. magnus, great)
• MAIN (Lat. Moenus)

main See also:

• BODY

body known as the'etole romane, the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief members of which are See also:

• RAYMOND, HENRY JARVIS (1820-1869)

Raymond de la Tailhede, See also:

• MAURICE (1521–1553)
• MAURICE (MAURICIUS FLAVIUS TIBERIUS) (c. 539–602)
• MAURICE [or MAURITIUS], ST (d. c. 286)
• MAURICE, JOHN FREDERICK DENISON (1805-1872)

Maurice du Plessys, Ernest Raynaud, and the critic See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles Maurras . See also:

• MOREAS, JEAN (1856-1910)

Moreas and his new followers returned to the traditional severity of French versification, and to the classical and See also:

• ANTIQUE (Lat. antiquus, old)

antique tradition . His later volumes are Poesies, 2886—1896 (1898), and Stances (6 vols., See also:

• COMPLETE

complete ed . 1905), Histoire de See also:

• JEAN

Jean de See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, foi de France (1902), Voyage en Grice en 1897 (1902), Conies de la vieille France (1903), and a classic See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama in verse, Iphigenie d See also:

• AULIS

Aulis (1904), in See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of See also:

• EURIPIDES (48o–4o6 B.C.)

Euripides, which was represented on the 24th of August 1903 in the See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre of See also:

• ORANGE
• ORANGE (Citrus Aurantium)
• ORANGE, HOUSE OF

Orange, and subsequently at the Odeon in Paris . He died on the 31st of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1910 . See Anatole France, La See also:

• VIE

Vie litteraire (4th See also:

• SER

ser., 1892) ; A. See also:

• VAN

van Bever and P . Leautaud, Poeles d'aujourd'hui, 1880—19oo (11th ed., 1905); P . See also:

• BERTHELOT, MARCELLIN PIERRE EUGENE (1827–1907)

Berthelot, See also:

• ART

art .

" Symbolisme " in La Grande encyclopidie; and J. de Gourmont, Jean Moreas, biographie critique (1905) .