GUSTAVE See also:

• GUSTAVE MOREAU (1826-1898)
• MOREAU, HEGESIPPE (18ro-1838)
• MOREAU, JEAN VICTOR MARIE (1763-1813)

MOREAU (1826-1898)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 6th of See also:

• APRIL

April 1826 . His See also:

• FATHER

father was an architect, who, discerning the lad's promise, sent him to study under Picot, a second-See also:

• RATE

rate artist but See also:

• CLEVER

clever teacher . The only See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence which really affected See also:

• MOREAU, GUSTAVE (1826-1898)
• MOREAU, HEGESIPPE (18ro-1838)
• MOREAU, JEAN VICTOR MARIE (1763-1813)

Moreau's development was that of the painter See also:

• CHASSERIAU, THEODORE (1819-1856)

Chasseriau (1819—1857), with whom he was intimate when they both lived in the See also:

• RUE (Fr. rue, Lat. ruta, from Gr. pur)

Rue Frochot, and of whom we find reminiscences even in his later See also:

• WORKS

works . Moreau's first picture was a " Pieta " (1852), now in the See also:

• CATHEDRAL

cathedral at See also:

• ANGOULEME
• ANGOULEME, CHARLES DE VALOIS, DUKE OF (1573-1650)

Angouleme . In the See also:

• SALON

Salon of 1853 he exhibited a " See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

Scene from the See also:

• SONG

Song of Songs " (now in the See also:

• DIJON

Dijon Museum) and the " See also:

• DEATH

Death of See also:

• DARIUS (Pers. Darayavaush; Old Test. Daryavesh)

Darius " (in the Moreau See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery, Paris), both conspicuously under the influence of Chasseriau . To the See also:

• GREAT

Great See also:

• EXHIBITION

Exhibition of 1855 he sent the " Athenians with the See also:

• MINOTAUR (Gr. Mcvcn -avpos, from Mews, and Taps, bull)

Minotaur " (in the Museum at Bourg-en-See also:

• BRESSE

Bresse) and " See also:

• MOSES (Gr. Mwvo c, Mcoo-i3s)
• MOSES, ASSUMPTION OF

Moses putting off his Sandals within Sight of the Promised See also:

• LAND

Land." " See also:

• OEDIPUS (OiSiirovs, O16tir63i7s, Wines, from Gr. ot&eiv swell, and gobs foot, i.e. " the swollen-footed ")

Oedipus and the See also:

• SPHINX (Gr. Q¢lyyea', to draw tight, squeeze)

Sphinx," begun in 1862, and exhibited at the Salon of 1864, marked the beginning of his best See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period, during which he See also:

• CHOSE (Fr. for " thing ")

chose his subjects from See also:

• HISTORY

history, See also:

• RELIGION
• RELIGION, FOLKLORE, CUSTOM

religion, See also:

• LEGEND (through the French from the med. Lat. legenda, things to be read, from legere, to read)

legend and See also:

• FANCY (a shortened form, dating from the 15th century, of " fantasy," which is derived through the O. Fr. fantasie, modern fantaisie. from the Latinized form of the Gr. cbavraoia, Oavrai'ecv, Oat Pais, to show)

fancy . In 1865 he exhibited " See also:

• MEDEA (Gr. Mi/Seta)

Medea and See also:

• JASON ('Iaacov)

Jason " and " The See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

Young See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man and Death "; in 1866, the " See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

Head of See also:

• ORPHEUS

Orpheus " (in the Luxembourg Gallery) ; " See also:

• HESIOD

Hesiod and the Muse," a See also:

• DRAWING

drawing; and " The See also:

• PERI, JACOPO (1561–16 ?)

Peri," a drawing; " See also:

• PROMETHEUS

Prometheus " (in the Moreau Gallery); " See also:

• JUPITER

Jupiter and See also:

• EUROPA (or rather, EUROPE)

Europa," a " Pieta," and " The See also:

• SAINT (lat. sanctus, " holy ")

Saint and the Poet," in 1869 . After working in obscurity for seven years, he reappeared at the Salon in 1876 with " See also:

• HERCULES
• HERCULES (0. Lat. Hercoles, Hercles)

Hercules and the See also:

• HYDRA
• HYDRA (or SDRA, NIDRA, IDERO, &c.; anc. Hydrea)
• HYDRA (watersnake)

Hydra," " Saint See also:

• SEBASTIAN
• SEBASTIAN, ST

Sebastian," " See also:

• SALOME

Salome Dancing " (presented to the Luxembourg by M . Hayem); and in 1878 with " The Sphinx's Riddle solved." " See also:

• JACOB
• JACOB, JOHN (1812-1858)

Jacob," and " Moses on the See also:

• NILE
• NILE, BATTLE OF THE
• NILE, SOBAT

Nile." Moreau exhibited for the last See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time at the Salon of 1880, when he contributed " See also:

• HELEN

Helen " and " Galatea "; to the Great Exhibition of 1889 he again sent the " Galatea " and " The Young Man and Death." He took See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize medals at the Salon in 1864, 1865, 1869 and 1878 . He was made See also:

• KNIGHT, CHARLES (1791-1873)
• KNIGHT, DANIEL RIDGWAY (1845– )
• KNIGHT, JOHN BUXTON (1843–1908)

knight of the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour in 1875 and officer in 1883 . He succeeded See also:

• DELAUNAY, ELIE (1828-1891)
• DELAUNAY, LOUIS ARSENE (1826-1903)

Delaunay as See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor at the Ecole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux Arts, and his teaching was highly popular . When he died, on the 18th of April 1898, he bequeathed to the See also:

• STATE
• STATE, GREAT OFFICERS OF

state his See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house, containing about 8000 pictures, See also:

• WATER

water-See also:

• COLOURS, MILITARY

colours, cartoons and drawings, which See also:

• FORM (Lat. forma)

form the Moreau Gallery, one of the best organized collections in Paris, arranged by M .

Rupp, his executor, and, together with Delaunay and See also:

• FROMENTIN, EUGENE (1820-1876)

Fromentin, one of his closest See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends . See A See also:

• RENAN, ERNEST (1823-1892)

Renan, Moreau (Paris, 1900) ; See also:

• PAUL
• PAUL (PAULUS)

Paul See also:

• FLAT (a modification of O. Eng. flet, an obsolete word of Teutonic origin, meaning the ground beneath the feet)

Flat, Le Musee Gustave Moreau (Paris, 1900) .