See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• DANIEL
• DANIEL (DANIL)
• DANIEL, BOOK
• DANIEL, GABRIEL (1649-1728)

DANIEL See also:

• JOHN DANIEL MORELL (1816-1891)

MORELL (1816-1891)  , See also:

• BRITISH

British educationalist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 18th of See also:

• JUNE

June at Little Baddow, See also:

• ESSEX
• ESSEX, ARTHUR CAPEL
• ESSEX, EARLS OF
• ESSEX, KINGDOM OF
• ESSEX, ROBERT DEVEREUX
• ESSEX, ROBERT DEVEREUX, 2ND2 EARL OF (1566-1601)
• ESSEX, WALTER DEVEREUX, IST2 EARL OF (1541–1576)

Essex, where his See also:

• FATHER

father was See also:

• MINISTER (Lat. minister, servant)

minister of the Congregational See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church (1799—1852) . He proceeded to Homerton See also:

• COLLEGE (Collegium)

College in 1833, where he studied See also:

• THEOLOGY

theology under Dr See also:

• PYE, HENRY JAMES (1745-1813)

Pye See also:

• SMITH
• SMITH, ADAM (1723–1790)
• SMITH, ALEXANDER (183o-1867)
• SMITH, ANDREW JACKSON (1815-1897)
• SMITH, CHARLES EMORY (1842–1908)
• SMITH, CHARLES FERGUSON (1807–1862)
• SMITH, CHARLOTTE (1749-1806)
• SMITH, COLVIN (1795—1875)
• SMITH, EDMUND KIRBY (1824-1893)
• SMITH, G
• SMITH, GEORGE (1789-1846)
• SMITH, GEORGE (184o-1876)
• SMITH, GEORGE ADAM (1856- )
• SMITH, GERRIT (1797–1874)
• SMITH, GOLDWIN (1823-191o)
• SMITH, HENRY BOYNTON (1815-1877)
• SMITH, HENRY JOHN STEPHEN (1826-1883)
• SMITH, HENRY PRESERVED (1847– )
• SMITH, JAMES (1775–1839)
• SMITH, JOHN (1579-1631)
• SMITH, JOHN RAPHAEL (1752–1812)
• SMITH, JOSEPH, JR
• SMITH, MORGAN LEWIS (1822–1874)
• SMITH, RICHARD BAIRD (1818-1861)
• SMITH, ROBERT (1689-1768)
• SMITH, SIR HENRY GEORGE WAKELYN
• SMITH, SIR THOMAS (1513-1577)
• SMITH, SIR WILLIAM (1813-1893)
• SMITH, SIR WILLIAM SIDNEY (1764-1840)
• SMITH, SYDNEY (1771-1845)
• SMITH, THOMAS SOUTHWOOD (1788-1861)
• SMITH, WILLIAM (1769-1839)
• SMITH, WILLIAM (c. 1730-1819)
• SMITH, WILLIAM (fl. 1596)
• SMITH, WILLIAM FARRAR (1824—1903)
• SMITH, WILLIAM HENRY (1808—1872)
• SMITH, WILLIAM HENRY (1825—1891)
• SMITH, WILLIAM ROBERTSON (1846-'894)

Smith . He then entered See also:

• GLASGOW

Glasgow University, where he took his M.A. degree in 1841 . Subsequently he studied See also:

• PHILOSOPHY (Gr. gthos, fond of, and vo4 (a, wisdom)

philosophy and theology under See also:

• FICHTE, IMMANUEL HERMANN (originally HARTMANN) VON (1797-1879)
• FICHTE, JOHANN GOTTLIEB (1762-1814)

Fichte at See also:

• BONN

Bonn, and returned to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England to undertake the pastorate of the Congregational church at See also:

• GOSPORT

Gosport . After three years' See also:

• WORK

work, he decided to give up the See also:

• MINISTRY

ministry in favour of philosophical work . As See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early as 1846 he made his name by his See also:

• HISTORICAL

Historical and See also:

• CRITICAL (in alphabetical order of authors)

Critical View of the Speculative Philosophy of See also:

• EUROPE

Europe in the Nineteenth See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

Century, which brought him to the See also:

• NOTICE

notice of See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• LANSDOWNE
• LANSDOWNE, WILLIAM PETTY FITZMAURICE, 1ST MARQUESS OF (1737-18o5)

Lansdowne, who made him an inspector of See also:

• SCHOOLS

schools . From 1848 till 1876 he was active in this capacity . As a result of his experience he published numerous educational See also:

• WORKS

works, e.g . The See also:

• ANALYSIS (Gr. avci and Meta, to break up into parts)

Analysis of Sentences (1852), The Essentials of See also:

• ENGLISH

English See also:

• GRAMMAR (from Lat. grammatica, sc. ars; Gr. ypaµ)

Grammar and Analysis (1855), Handbook of See also:

• LOGIC (Xoy1K7, sc. rixvrt, the art of reasoning)

Logic (1855), Grammar of the English See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

Language (1857) . He also published four lectures on The Philosophical Tendencies of the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

Age (1848), The Philosophy of See also:

• RELIGION
• RELIGION, FOLKLORE, CUSTOM

Religion (1849), Fichte's Contributions to Moral Philosophy (1860), Philosophical Fragments (1878), An Introduction to See also:

• MENTAL

Mental Philosophy on the Inductive Method (1884) . He died on the 1st of See also:

• APRIL

April 1891 . See also:

• MOREL

MOREL-LADEUIL, LEONARD (1820-r888), See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold-smith and sculptor, was born at Clermont-See also:

• FERRAND, ANTOINE FRANCOIS CLAUDE, COMTE

Ferrand .

He was apprenticed first to Morel, a manufacturer of bronzes, under whom he became one of the most See also:

• EXPERT (Lat. expertus, from experiri, to try)

expert chasers, or ciseleurs, in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, and then to See also:

• ANTOINE, ANDRE (1858- )

Antoine Vechte, to acquire the See also:

• ART

art of repousse (q.v.)—the art in which he was to excel . He studied further under J . J . Feuchere and then attracted the notice of the See also:

• COMTE, AUGUSTE [ISIDORE AUGUSTE MARIE FRANCOIS XAVIER] (1798-1857)

comte d'Orsay and the duc de See also:

• MORNY, CHARLES AUGUSTE LOUIS JOSEPH

Morny, through whose recommendation the French See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government, desirous of popularizing the See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of the new Imperialism, commissioned him to produce the See also:

• EMPIRE

Empire See also:

• SHIELD (0. Eng. scild, cf. Du. and Ger. Schild, Dan. Skjold; the origin is doubtful, but may be referred to the root seen in " shell " or " scale "; another suggestion connects it with Icel. skjalla, to clash, rattle; it is not connected with the Indo-Ger
• SHIELD, WILLIAM (1748—1829)

Shield." See also:

• NAPOLEON

Napoleon III. notified his warm approval, but the See also:

• TRADE (O. Eng. trod, footstep, from tredan, to tread; in M. Eng. the forms teed, trod and trade appear, the last in the sense of a beaten track)
• TRADE, BOARD OF

trade, annoyed that a ' craftsman should obtain commissions See also:

• DIRECT

direct, resented the ' innovation and thenceforward boycotted the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young artist, whose beautiful and poetic See also:

• VASE
• VASE (through Fr. from Lat. vas, a vessel, pl. vasa, of which the singular vasum is rarely found; the ultimate root is probably was-, to cover, seen in Lat: vestis, clothing, Eng. " vest," Gr. to-th c, and also in " wear," of garments)

vase, " See also:

• DANCE
• DANCE (Fr. danse; of obscure origin, connected with Old High Ger. danson, to stretch)

Dance of the See also:

• WILLIS, NATHANIEL PARKER (1806-1867)
• WILLIS, THOMAS (1621-1675)

Willis " (the See also:

• SPIRITS

spirits dancing See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

round the vase, above the See also:

• LAKE
• LAKE, GERARD LAKE, 1ST VISCOUNT (1744-1808)

lake represented on a dish below) none 'would take . He was encouraged. nevertheless by a See also:

• FOREIGN

foreign dealer in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, Marchi, who employed him on statuettes, mainly religious in See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character, until 1859, when Messrs Eikington, in .view of the See also:

• GREAT

great See also:

• EXHIBITION

exhibition of 1862, engaged him to work in See also:

• BIRMINGHAM

Birmingham for three years in iepousse, assuring him a See also:

• FREE

free See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand . Following his See also:

• SILVER

silver " See also:

• NIGHT

Night came " See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

Day, and then the " Inventions " vase, which placed him at once at the See also:

• TOP (cf. Dan. top, Ger. Topf, also meaning pot)

top of his profession . This was followed by the beautiful See also:

• PLATEAU (a French term, older platel, for a flat piece of wood, metal, &c., from plat, flat)
• PLATEAU, JOSEPH ANTOINE FERDINAND (1801-1883)

plateau called " Dreams," which was subscribed for (£15oo) by Birmingham as the See also:

• TOWN

town See also:

• WEDDING

wedding-See also:

• GIFT (a common Teutonic word, cf. Ger. die Gift, gift, das Gift, poison, formed from the Teut. stem gab-, to give, cf. Dutch geven, Ger. geben; in O. Eng. the word appears with initial y, the guttural of later English is due to Scandinavian influence)

gift to the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince and princess of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales . Morel-Ladeuil's See also:

• CONTRACT
• CONTRACT (Lat. contract us, from contrahere, to draw together, to bind)

contract was then renewed for five years, but as a See also:

• MATTER

matter of fact he remained with the See also:

• FIRM

firm for twenty-three years at their See also:

• LONDON

London See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house, the first result being his masterpiece the " See also:

• MILTON
• MILTON, JOHN (1608–1674)

Milton Shield: See also:

• PARADISE (Gr. lrap6BEwos)

Paradise Lost " (in repousse See also:

• STEEL, FLORA ANNIE (1847– )

steel and silver), which was the sensation of the Paris Exhibition . It was bought by the English government for £3000, and thousands of copies made by " galvanoplastie " or electrotype were sold and spread all over the See also:

• WORLD

world . Then after " The Months " came another masterpiece, the " See also:

• HELICON
• HELICON (Fr. helicon, bombardon circulaire; Ger. Helikon)

Helicon Vase," in steel, silver, and gold, priced at £60oo, which in course of See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time was presented by the ladies and gentlemen of the royal house to See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria on her first See also:

• JUBILEE (or JUBILE), YEAR OF

jubilee: For the See also:

• PHILADELPHIA

Philadelphia Exhibition (1876) Morel-Ladeuil produced " A Pompeian See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady at her See also:

• TOILET

Toilet," following it in 1878 with the " See also:

• BUNYAN, JOHN (1628-1688)

Bunyan Shield," a See also:

• COMPANION (through the O. Fr. compaignon or compagnon, from the Late Lat. companio,—cum, with, and panis, bread,—one who shares meals with another; the word has been wrongly derived from the Late Lat. compagnus, one of the same pages or district)

companion to the Milton . After putting forth his reliefs " The Merry Wives of See also:

• WINDSOR
• WINDSOR (properly NEw WINDSOR)

Windsor," " The See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

Merchant of See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice," and " Much See also:

• ADO (d. 874)

Ado about Nothing," in view of his failing See also:

• HEALTH

health he retired to See also:

• BOULOGNE, or BOULLONGNE

Boulogne, where he died of angina pectoris on the 15th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1888, and was buried with much ceremony at Clermont-Ferrand . His See also:

• TOTAL

total work, apart from the productions of his youth, See also:

• NUMBERS, BOOK OF
• NUMBERS, PARTITION OF

numbers 35 pieces, which richly reveal his elegant and refined See also:

• FANCY (a shortened form, dating from the 15th century, of " fantasy," which is derived through the O. Fr. fantasie, modern fantaisie. from the Latinized form of the Gr. cbavraoia, Oavrai'ecv, Oat Pais, to show)

fancy and See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace, his feeling for correct and dainty See also:

• ORNAMENT (Lat. ornare, to adorn)

ornament, and his love of pure art marked by an elevated if rather sentimental See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste and a See also:

• NOBLE, SIR ANDREW (1832- )

noble See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style .

See L' Euvre de Morel-Ladeuil, sculpteur-ciseleur, by L . Morel (Paris, 1904) .