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RAFFAELLO SANZIO See also: Italian en-graver, was See also: born at Naples on the loth of See also: June 1758
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He received his earliest instructions from his See also: father, himself an engraver; but, in See also: order to be initiated more fully in the See also: art, he was afterwards placed as a pupil under the celebrated Volpato
.
He assisted this master in See also: engraving the famous pictures of See also: Raphael in the Vatican, and the See also: print which represents the miracle of See also: Bolsena is inscribed with his name
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He married Volpato's daughter, and, being invited to Florence to engrave the masterpieces of the Florentine Gallery, he removed thither with his wife in 1782
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His reputation now became so See also: great as to induce the artists of Florence to recommend him to the See also: grand duke as a See also: fit See also: person to engrave the " Last Supper " of, Leonardo da See also: Vinci; apart, however, from the dilapidated See also: state of the picture itself, the See also: drawing made for Morghen was unworthy of the See also: original, and the print, in consequence, although an admirable production, fails to convey a correct idea of the See also: style and merit of Leonardo
.
Morghen's fame, however, soon extended over See also: Europe; and the Institute of See also: France, as a mark of their admiration of his talents, elected him an associate in 1803
.
In 1812 See also: Napoleon invited him to See also: Paris and paid him the most flattering attentions
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He died at Florence on the 8th of See also: April 1833
.
A See also: list of the artist's See also: works, published at Florence in 181o, comprised 200 compositions; the number was afterwards considerably increased
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Amongst the most remarkable, besides those already mentioned, may be noticed the Transfiguration from Raphael, a Magdalen from Murillo, a See also: Head of the Saviour from da Vinci, the See also: Car of See also: Aurora from Guido, the See also: Hours and the Repose in See also: Egypt from Poussin, the Prize of See also: Diana from Domenichino, the Monument of See also: Clement XIII. from See also: Canova, See also: Theseus vanquishing the Minotaur, See also: Francesco Moncado after See also: Van Dyck, portraits of See also: Dante, See also: Petrarch, See also: Ariosto, See also: Tasso, and a number of other eminent men
.
His prints have hardly maintained the reputation which they enjoyed during the artist's lifetime
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Though carefully and delicately executed, they are somewhat See also: mechanical and wanting in force and spirit
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