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RAFFAELLO SANZIO MORGHEN (1758-1833)

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Originally appearing in Volume V18, Page 836 of the 1911 Encyclopedia Britannica.
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RAFFAELLO SANZIO

MORGHEN (1758-1833)  ,
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Italian en-graver, was born at Naples on the loth of
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June 1758 . He received his earliest instructions from his
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father, himself an engraver; but, in order to be initiated more fully in the
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art, he was afterwards placed as a pupil under the celebrated Volpato . He assisted this master in
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engraving the famous pictures of Raphael in the Vatican, and the
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print which represents the miracle of Bolsena is inscribed with his name . He married Volpato's daughter, and, being invited to Florence to engrave the masterpieces of the Florentine Gallery, he removed thither with his wife in 1782 . His reputation now became so
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great as to induce the artists of Florence to recommend him to the
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grand duke as a
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fit person to engrave the " Last Supper " of, Leonardo da Vinci; apart, however, from the dilapidated state of the picture itself, the
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drawing made for Morghen was unworthy of the
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original, and the print, in consequence, although an admirable production, fails to convey a correct idea of the style and merit of Leonardo . Morghen's fame, however, soon extended over
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Europe; and the Institute of France, as a mark of their admiration of his talents, elected him an associate in 1803 . In 1812
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Napoleon invited him to Paris and paid him the most flattering attentions . He died at Florence on the 8th of
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April 1833 . A list of the artist's
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works, published at Florence in 181o, comprised 200 compositions; the number was afterwards considerably increased . Amongst the most remarkable, besides those already mentioned, may be noticed the Transfiguration from Raphael, a Magdalen from Murillo, a Head of the Saviour from da Vinci, the Car of Aurora from Guido, the Hours and the Repose in
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Egypt from Poussin, the Prize of
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Diana from Domenichino, the Monument of Clement XIII. from Canova,
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Theseus vanquishing the Minotaur, Francesco Moncado after
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Van Dyck, portraits of
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Dante, Petrarch, Ariosto, Tasso, and a number of other eminent men . His prints have hardly maintained the reputation which they enjoyed during the artist's lifetime . Though carefully and delicately executed, they are somewhat
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mechanical and wanting in force and spirit .

End of Article: RAFFAELLO SANZIO MORGHEN (1758-1833)
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