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ANTONIO See also: Sir Anthony More, the eminent portrait-painter, was See also: born at See also: Utrecht in 1512 according to some, but in 1525 according to Karl See also: van See also: Mander in his Het Leven der Schilders
.
He studied his See also: art under See also: Jan Schoorel; and after making a professional visit to See also: Italy he commenced to paint portraits in the See also: style of Hans See also: Holbein
.
His rise to See also: eminence was rapid
.
In 1552 he was invited to See also: Madrid by the emperor See also: Charles V. to execute a likeness of
See also: Prince See also: Philip
.
Two years afterwards he was in
See also: London See also: painting the portrait of See also: Queen Mary
.
For this picture an See also: annual See also: salary and, as some suppose, the honour of See also: knighthood were conferred upon him
.
On the See also: death of Mary in 1558 See also: Moro returned to See also: Spain, and lived there for two years in See also: great honour with Philip II., executing, in addition to portraits, several copies after See also: Titian
.
His death took place at See also: Antwerp about 1575
.
Among his figure-pictures Van Mander specifies the " Circumcision of Christ," executed for Antwerp See also: Cathedral, as one of the most notable
.
His portraits are full of individuality, and characterized by See also: firm and solid rendering of flesh
.
Several admirable examples are preserved in Madrid; among the rest the portrait of Queen Mary of See also: England, which has been excellently etched by Milius (L'Art, Dec
.
8, 1878)
.
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