See also:

• FRIEDRICH, JOHANN (1836— )

FRIEDRICH See also:

• MULLER, FERDINAND VON, BARON (1825–1896)
• FRIEDRICH MULLER (1749-1825)
• MULLER, GEORGE (1805-1898)
• MULLER, JOHANNES PETER (18o1-1858)
• MULLER, JOHANNES VON (1752-1809)
• MULLER, JULIUS (18oi-1878)
• MULLER, KARL OTFRIED (1797-1840)
• MULLER, LUCIAN (1836-1898)
• MULLER, WILHELM (1794-1827)
• MULLER, WILLIAM JAMES (1812-1845)

MULLER (1749-1825)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German poet, dramatist and painter, usually ,known as Maler (i.e. painter) See also:

• MULLER, FERDINAND VON, BARON (1825–1896)
• MULLER, FRIEDRICH (1749-1825)
• MULLER, GEORGE (1805-1898)
• MULLER, JOHANNES PETER (18o1-1858)
• MULLER, JOHANNES VON (1752-1809)
• MULLER, JULIUS (18oi-1878)
• MULLER, KARL OTFRIED (1797-1840)
• MULLER, LUCIAN (1836-1898)
• MULLER, WILHELM (1794-1827)
• MULLER, WILLIAM JAMES (1812-1845)

Muller, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• KREUZNACH (CREUZNACH)

Kreuznach on the 13th of See also:

• JANUARY

January 1749 . He studied See also:

• PAINTING

painting at See also:

• ZWEIBRUCKEN

Zweibrucken, and in 1774--1775 settled in See also:

• MANNHEIM

Mannheim, where in 1777 he was appointed See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court painter . In 1778 he was enabled by a public subscription to visit See also:

• ITALY
• ITALY (Italia)

Italy, which remained his See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home for the See also:

• REST (O. Eng. rest, reste, bed, cognate with other Teutonic forms, e.g. Ger. Rast, Riiste, rest, and probably Gothic Rasta, league, i.e. resting or stopping place)

rest of his See also:

• LIFE

life . In 178o he became a See also:

• ROMAN

Roman See also:

• CATHOLIC (Gr. KcaBoXuK6s, general, universal)

Catholic . He was unfavourably influenced by the study of See also:

• ITALIAN

Italian See also:

• MODELS

models, and gradually gave up painting and devoted himself to the study of the See also:

• HISTORY

history of See also:

• ART

art; his services as See also:

• CICERONE

cicerone were especially in demand among German visitors to See also:

• ROME
• ROME (Roma)

Rome . Before he See also:

• LEFT

left Mannheim he had tried his See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand at literature, under the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of the See also:

• STURM
• STURM, JULIUS (1816-1896)

Sturm and Drang See also:

• MOVEMENT

movement . A lyric See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama, See also:

• NIOBE

Niobe (1778), attracted little See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention; but Fausts Leben dramatisiert (1778) appealed to the turbulent spirit of the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time, and Gala and Genoveva (begun in 1776, but not published till 1811) was an excellent See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of See also:

• GOETHE, JOHANN WOLFGANG VON (1749-1832)

Goethe's Gotz von See also:

• BERLICHINGEN, GOETZ

Berlichingen . He struck out a more See also:

• INDEPENDENT

independent path in his idylls, notably See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die Schafschur . (1775) and Das Nusskernen (18i1), in which, emancipating himself from the artificiality of See also:

• GESSNER,

Gessner, he reproduced scenes—not without a See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch of See also:

• SATIRE (Lat. satira, satura; see below)

satire—from the German See also:

• PEASANT (O. Fr. paysant, Mod. paysan; Lat. pagensis, belonging to the pagus or country; cf. " pagan ")

peasant-life of his See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day . He died at Rome on the 23rd of See also:

• APRIL

April 1825 . Maley Miiller's Werke appeared in 3 Vols . (x811—1825); in 1868 H .

See also:

• HETTNER, HERMANN THEODOR (1821-1882)

Hettner published two volumes of Dichtungen von Maler Muller, which contain most of his writings . Gedichte von Maler See also:

• FRIEDRICH, JOHANN (1836— )

Friedrich Muller; eine Nachlese zu dessen Werken appeared in 1873, and his Fausts Leben was reprinted by B . Seuffert in 1881 . See A . Sauer, Sturmer and Dranger," vol. iii . (Kurschner's Deutsche Nationalliteratur, vol . 8i, 1883); and B . Seuffert, Maley Muller (1877) .