See also:- WILLIAM
- WILLIAM (1143-1214)
- WILLIAM (1227-1256)
- WILLIAM (1J33-1584)
- WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
- WILLIAM (c. 1130-C. 1190)
- WILLIAM, 13TH
WILLIAM See also:- JAMES
- JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
- JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
- JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
- JAMES, DAVID (1839-1893)
- JAMES, EPISTLE OF
- JAMES, GEORGE PAYNE RAINSFOP
- JAMES, HENRY (1843— )
- JAMES, JOHN ANGELL (1785-1859)
- JAMES, THOMAS (c. 1573–1629)
- JAMES, WILLIAM (1842–1910)
- JAMES, WILLIAM (d. 1827)
JAMES See also:- MULLER, FERDINAND VON, BARON (1825–1896)
- MULLER, FRIEDRICH (1749-1825)
- MULLER, GEORGE (1805-1898)
- MULLER, JOHANNES PETER (18o1-1858)
- MULLER, JOHANNES VON (1752-1809)
- MULLER, JULIUS (18oi-1878)
- MULLER, KARL OTFRIED (1797-1840)
- MULLER, LUCIAN (1836-1898)
- MULLER, WILHELM (1794-1827)
- WILLIAM JAMES MULLER (1812-1845)
MULLER (1812-1845)
, See also:English landscape and figure painter, was See also:born at See also:Bristol on the 28th of See also:June 1812, his See also:father, a Prussian, being See also:curator of the museum
.
He first studied See also:painting under J
.
B
.
Pyne
.
His See also:early subjects See also:deal mainly with the scenery of See also:Gloucestershire and See also:Wales, and he learned much from his study of See also:Claude, See also:Ruysdael, and earlier landscape-painters
.
In 1833 he figured for the first See also:- TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
- TIME, MEASUREMENT OF
- TIME, STANDARD
time in the Royal See also:Academy with his " Destruction of Old See also:London See also:Bridge—See also:Morning," and next See also:year he made a tour through See also:France, See also:Switzerland and See also:Italy
.
Four years later he visited See also:Athens, extending his travels to See also:Egypt, and in the sketches executed during this See also:period and the paintings produced from them his See also:power and individuality are apparent
.
Shortly after his return he See also:left Bristol and settled in London, where he exhibited regularly
.
In 184o he again visited France, where he executed a See also:series of sketches of See also:Renaissance See also:architecture, twenty-five of which were lithographed and published in 1841, in a See also:folio entitled The See also:Age of See also:Francis I. of France
.
In 1843 he accompanied, at his own See also:request and his own charges, the See also:government
expedition to See also:Lycia, where he made a number of masterly sketches
.
He died at Bristol on the 8th of See also:September 1845
.
The See also:print See also:room of the See also:British Museum possesses, through the See also:bequest of Mr See also:John See also:Henderson, a See also:rich collection of Milller's sketches
.
A See also:biography by N
.
See also:Neal Solly was published in 1875
.
End of Article: