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AMANDUS GOTTFRIED ADOLF MULLNER (1774—1829) , See also: German dramatic poet, See also: nephew of Gottfried See also: August See also: Burger, (q.v.), was See also: born at Langendorf near See also: Weissenfels on the 18th of See also: October 1774
.
After studying See also: law at See also: Leipzig he established himself as advocate at Weissenfels and made his debut as an author with the novel See also: Incest, See also: oder der Schutzgeist von See also: Avignon (1799)
.
He next wrote a few comedies for an See also: amateur theatre in Weissenfels; these were followed by more pretentious pieces: Der angolische Kaer (1809) and Der Blitz (1814, pub'
.
1818), after French See also: models
.
With his tragedies, however, Der neonund-zwanzigste Februar (1812), and especially Die Schuld (1813; publ
.
1816), See also: Milliner became the representative of the so-called Schicksalsdramatiker, and for several years " See also: fate-tragedies " on the See also: model of Die Schuld dominated the German stage
.
His later plays, See also: Konig Yngurd (1817) and Die Albaneserin (182o), were less important
.
Notwithstanding his See also: literary success, Mullner did not neglect his profession, and was given the title of Hofrat; he also edited various See also: journals, and had a reputation as a vigorous if somewhat acrimonious critic He died at Weissenfels on the 11th of See also: June 1829
.
Mullner's Vermischte Schriften appeared in 2 vols
.
(1824–1826) ; his Dramatische Werke in 8 vols
.
(1828; 2nd ed., 1832)
.
In 1830 four supplementary volumes were published containing mainly See also: criticism
.
See F . K . J . Schutz, Mullners Leben, Charakter and Geist (183o) ; J . Minor, Die Schicksalstragodie in ihren Hauptvertretern (1883), and the same author'sSee also: volume, " Das Schicksalsdrama ", (1884), in Kiirschner's Deutsche Nationalliteratur, vol
.
151
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